SKU: 89731682971
tremolo pedal with expression

tremolo pedal with expression Strymon Flint V2 Tremolo & Reverb Pedal

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Description

tremolo pedal with expression Strymon Flint V2 Tremolo & Reverb PedalStrymon's second generation iteration on a modern day classic. The Strymon Flint V2 evolves the classic Strymon reverb and tremolo effect combo. Building upon the original's effect tones, the Flint V2 introduces new tonal options and routes. The Flint V2 retains the same vintage voices that made the original so captivating with three tremolo and reverb modes. Expanded functionality builds upon the Flint's Speed knob for closer tremolo rate control

Strymon's second-generation iteration on a modern-day classic.

The Strymon Flint V2 evolves the classic Strymon reverb and tremolo effect combo. Building upon the original's effect tones, the Flint V2 introduces new tonal options and routes. The Flint V2 retains the same vintage voices that made the original so captivating with three tremolo and reverb modes. Expanded functionality builds upon the Flint's Speed knob for closer tremolo rate control with the capability to slow the tremolo down to nearly 1Hz at minimum, along with the Flint's reverb pre-delay control.

Deeper functions of the Flint V2 add routing and connection features. The Flint V2 allows for selection between true and buffered bypass switching options, line and instrument level signal output options, and stereo in and out options. All of this is topped off with full MIDI implementation for integrating the Flint into any rig.

Strymon's effect pedals become all the more exceptional with their latest V2 iterations.

  • New reverb pre-delay and tremolo rate controls
  • One 1/4" input and two 1/4" outputs with switchable Mono and Stereo modes
  • True bypass and buffered switching
  • Line and instrument input control
  • High impedance ultra-low noise discrete Class A JFET preamp input
  • Expression pedal connectivity
  • USB-C MIDI connectivity
  • 9 Volt DC power supply included
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SKU: 89731682971

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Verified Purchase
Wm. Rieppe Moore
Whiting, US
★★★★★ 4
ishiness
Format: Paperback
Williams' poetry requires some bio, and Charles Tomlinson's introduction in this edition has proved helpful. also Wendell Berry has published a handsome critique in "William Carlos Williams of Rutherford" that helps to mitigate some of the ishiness that may result from reading Williams without understanding the man. that beins said, Williams speaks well to the listeners of the finical new millenium with a mind for the migrant-flux consequences of the coming century -stressing the "thing" and the "American idiom" with attention to detail and irrepressible imagination "flung outward and up-disappearing suddenly" (from "Strains" in Al Que Quiere)
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Reviewed in the United States on September 3, 2011
R
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rae desmond jones
Cuba, US
★★★★★ 5
Above The River: The Complete Poems of james Wright
Format: Paperback
This volume is fascinating, because it does show the different stages of Wright's development as a poet and a writer (the prose sketches and descriptions of Italy are wonderful). The early poems are extremely capable but there is a sense in which they feel constrained by formal verse conventions, especially rhyme. This becomes evident when he writes in free verse and his voice becomes easier and more vernacular. Some of the poems like "Hook" and "To A Blossoming Pear Tree" are wonderful: 'An old man / Appeared to me once / In the unendurable snow./ He had singe of white beard on his face. / He paused on a strett on Minneapolis / And stroked my face. // Give it to me, he begged / I'll pay you anything. // I flinched. Both terrified, / We slunk away, / Each in his own way dodging / The cruel darts of the cold. " There are some late poems when he becomes almost incoherent, but the centre of the book is a whole series of poems as powerful and honest as this.
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Reviewed in the United States on March 21, 2011
J
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Jabbo&MsLove
Belleville, US
★★★★★ 5
Seek and you will find. (Poems that speak to you)
Format: Paperback
I was not familiar with his work but have become a fan. Of course, as is true of my review of most poets work, I find more of the author's poems that I don't get or can't appreciate than ones I do; however, I found enough which moved me or had some profound impact that I am keeping this collection close for re-reading.
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Reviewed in the United States on December 17, 2025
J
Verified Purchase
Jerry Mcginley
Pawtucket, US
★★★★★ 5
Above the River: The Complete Poems of James Wright
Format: Paperback
James Wright is a terrific, though not well known, American poet of the 1950's and 60's. Along with Robert Bly and William Duffey, Wright helped to open a new page in modern poetry which encouraged writers to break from the restrictions of traditional British formats. Personal and reflective, the poems focus on nature and have a strong touch of influence from ancient Chinese poets. Though the collection is filled with great stuff, my favorite is "Northern Pike."
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Reviewed in the United States on October 10, 2010
M
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M. Swinney
Dallas, US
★★★★★ 4
Sublime Poetry Slightly Flawed by Format
Format: Paperback
I hate to give this work anything less than 5-stars, because at the moment (and probably most future moments) I revere James Wright's poetry. He makes blue collar blackened river Ohio come alive riven death with darkness and life. So this book is a must for poetry lovers. Where it distracts me is the attempts at completeness is a difficult editor's dilemma and one that doesn't serve the poet or the poet's reader well here. There are two James Wright's out there (this book presents three), as is true with most sublimated artist that pass through a learning phase before hitting on their voice, their style. James Wright started as a formalist (not my favored style) hailing structure and rhyme sometimes at the expense of meaning and language (disclaimer...one man's humble opinion belies a personal taste and no two taste buds seem the same). The book of course being a complete work, offers all of those poems of bandied prose. And then the editor offers a bridge or break of sorts in Wright's translated works of German and Spanish poets. Wright was a great poet in English, but the gift of gifted translation should have been left to the likes of W.S. Merwin, Anthony Kerrigan, Charles Tomlinson, and Stephen Mitchell for Neruda, Paz, and Rilke. So, Wright's "Above the River," really first breaks the surface on page 119 after his epiphany to all thing free form. It is then that his poetry sings darkly. I leave you with some of Wright's beautiful language (there's plenty to be had). Buy the book for the rest. In Fear of Harvests It has happened Before: nearby, The nostrils of slow horses Breathe evenly, And the brown bees drag their high garlands, Heavily, Toward hives of snow.
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Reviewed in the United States on September 30, 2003

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