SKU: 43935679746
rainbow pedal

rainbow pedal EarthQuaker Devices Rainbow Machine V2 Polyphonic Pitch Mesmerizer, Purple Sparkle (Gear Hero Exclusive)

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Description

rainbow pedal EarthQuaker Devices Rainbow Machine V2 Polyphonic Pitch Mesmerizer, Purple Sparkle (Gear Hero Exclusive)Stop me if youve heard this before: Welcome to the Rainbow Machine, in all its synthetic glory! This one is for experimenters, adventurists, and noisemakers. Totally not for purists and or tone hounds. There are no natural sounds that come from this box. It takes modern DSP and uses it as a tool of future past to create real time pitch shifting using digital oscillators. Stop? Okay, fine, but what if I told you the Rainbow Machine has been completely

Stop me if you’ve heard this before: Welcome to the Rainbow Machine™, in all its synthetic glory! This one is for experimenters, adventurists, and noisemakers. Totally not for purists and/or tone hounds. There are no “natural sounds” that come from this box. It takes modern DSP and uses it as a tool of future past to create real-time pitch shifting using digital oscillators.

Stop? Okay, fine, but what if I told you the Rainbow Machine has been completely re-imagineered from the pixie dust-covered ground up to be more versatile, twice as loud as the original, with an extended delay time, deeper chorus tones, silent Flexi-Switch™ foot switches on both the Activate and Magic functions, and most of all, has more Magic?

The Rainbow Machine is built around a DSP pitch warping engine that’s designed to be slightly imperfect; colored with digital remnants of the cosmic dust we’ve picked up across the multiverse. That is to say it’s a cold digital beast made to pretend it has feelings.

The Pitch control adjusts the frequency of the polyphonic pitch-warped harmony from a fourth below your input, to a third above, and every atonal pitch in-between. Noon is the unison position. Use the Primary function control to adjust the volume of the polyphonic harmony.

You may add in an accompanying octave or thicken the modulation by bringing up the Secondary function control. The Tracking control adjusts the lag time between the wet and dry signals, and the Tone control rolls off some treble for a darker, “vintage” sound. Clockwise is bright, counterclockwise is dark.

[Pro Tip: The Rainbow Machine’s pitch warping behavior is entirely dependent upon the Pitch knob’s position relative to noon. Set above noon, echoes, pixie trails, and other effects will ascend in pitch as they sustain. With the Pitch control below noon, any lingering effects will descend in pitch. This becomes extremely important when using the Magic function.]

The Secondary control adds an octave of the Primary harmony. When the Pitch control is above noon, Secondary adds an octave above the harmony. When the Pitch control is below noon, the Secondary control will add one octave below the harmony. With the Pitch set to noon, the Secondary control adds an additional chorus voice for modulated, triple-tracked tones. Use this control to blend in faux-shimmer sounds or a low-frequency rumble. It’s up to you. From there, it’s only a matter of how weird you wanna get.

And you can choose how weird you wanna get with the Magic control. This is a regeneration control that creates aliasing (among other things) by feeding the Primary and Secondary signals back on themselves and each other, and a bunch of other stuff no one understands.

With the Magic engaged and the control set low, you can squeeze a few extra repeats out of whatever setting you happen to be using. As you increase the Magic control, you’ll start noticing increased ambiance, resonant, edge-of-oscillation pitch-shifting delays, chorus, metallic digi-flanging, ascending (or descending) pixie trails, controllable self-oscillation, squalls of synthetic noise, whale song, and finally, distortion. It’ll take you way beyond and open up your third eye, trust us. In conjunction with the Tracking control, the Magic creates wild pitch take offs and descends, chaos chorusing, shrieks, groans, gurgles, briggles, bruggles, bridals, wizard-blessed wizardry, signal transformation, imminent destruction, and other general mayhem.

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SKU: 43935679746

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Yvonne Marie Stogsdill
Omaha, US
★★★★★ 5
Must have
Number of Items: 2
This heat tape works beautifully, really holds the shirt in place.. It's a definite must have for your heat press
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Reviewed in the United States on April 12, 2026
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Denise
Lake Worth, US
★★★★★ 5
Sublimation tape that works.
Number of Items: 2
Very strong and sticky tape. Great to use for sublimation on tumblers. No residual left on tumblers. Holds amazing. Stretch is just enough to help you get things nice and tight.
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Reviewed in the United States on February 15, 2026
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Alicia
Louisville, US
★★★★★ 5
Recommend
Size: 4x9.5inch
First, the sizing is absolutely perfect for these projects. Instead of wasting large sheets and having to cut them down, these pre-cut sizes save a ton of time and effort — and most importantly, reduce paper waste. The quality of A-Sub paper has always been excellent: it holds vibrant colors beautifully, releases ink consistently, and produces crisp, sharp designs. Both of these sizes continue that tradition. I’ve noticed my images transfer smoothly and evenly every time, whether I'm working on ceramic mugs or glass tumblers. In terms of value, these smaller sheets are definitely worth the price. You get professional-quality results without using more paper than you need, which in the long run saves money and materials. Overall, I highly recommend these A-Sub sublimation papers for anyone looking to streamline their mug and tumbler production. They’re efficient, reliable, and a great investment for any sublimation business or hobbyist. - send me stuff to review.
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Reviewed in the United States on June 28, 2025
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Deicy Rodriguez
Grantham, US
★★★★★ 5
100% recommended, excellent product
Size: 3.5x9inch
Great paper quality. Prints are sharp and vibrant. Works perfectly for sublimation.
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Reviewed in the United States on April 24, 2026
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Lynnette
Houston, US
★★★★★ 5
Mug paper
Size: 3.5x9inch
Very good product to work on
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Reviewed in the United States on May 4, 2026

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