SKU: 11237321816
monstera cutting for sale

monstera cutting for sale Monstera Deliciosa (Cuttings)

Sale price$26.03 Regular price$28.92
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Description

monstera cutting for sale Monstera Deliciosa (Cuttings)Details *This listing is for live, rooted monstera cuttings* Monstera Deliciosa, also known as Swiss Cheese Plant or Split leaf Philodendron is one of the most popular house plants due to its exotic appearance. As the Monstera Deliciosa matures, its leaves produce splits and holes (called fenestrations). The older it grows, the more fenestrations it produces. Grab yourself large or jumbo cuttings with already mature leaves if you'd like a head start

Details

*This listing is for live, rooted monstera cuttings* Monstera Deliciosa, also known as Swiss Cheese Plant or Split-leaf Philodendron is one of the most popular house plants due to its exotic appearance. As the Monstera Deliciosa matures, its leaves produce splits and holes (called fenestrations). The older it grows, the more fenestrations it produces. Grab yourself large or jumbo cuttings with already mature leaves if you'd like a head-start with a plant that already has fenestrations!

How to root

Every cutting will come with a node. Some cuttings may also come with an aerial root or some roots already growing. Simply place your cutting into water until the cutting grows secondary roots. Once secondary roots have been established, you can transfer the cutting over into soil or whatever potting medium you prefer!

Sizes

Small: Very young plant cutting with heart-shaped leaves (no splits or fenestrations)
Medium: Young plant cutting with 1 or more leaves that have splits
Large: Mature plant cutting with one or more leaves lives that have splits and primary fenestrations
Jumbo: Very mature plant cutting with one or more leaves that have secondary fenestrations

Note:

Plants vary in size and colour. Every plant is unique and therefore may not be exactly as shown. 

Cuttings will ship bare with their nodes and root (if any) wrapped with dampened paper towel.

Plant care

Sun

Bright, indirect light

Water

Regular

Hardiness

Zone 10 - 12 

Mature Size

12 ft +

Care Tips:

Follow these care instructions once your cutting is fully rotted and transfers over to soil:

- Provide Monstera Deliciosa with plenty of bright, indirect light.

- Water when the top third of the soil is completely dry.

- When repotting, use a nutrient-rich and well-draining House Plant Soil

- Sensitive to frost and cold drafts - keep away from drafty windows in the winter.

- Monstera require ample humidity to thrive as is prone to crispy leaves and split leaves if your space is too dry. 

- Visit our blog for great house plant tips and care guides such as 3 Effective Ways to Increase Humidity for Your House Plants

- Toxic to humans and animals if ingested. Keep out of reach of children and curious pets.

 

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Exchange/Return Notes
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SKU: 11237321816

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DoubtfulReader
Alexandria, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Boise, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Fort Morgan, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
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Classics professor
Charlottesville, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017
D
Verified Purchase
Danley Wolfe
West Palm Beach, US
★★★★★ 5
Super overview and commentary on the historiy and many iterations/amendments
Format: Hardcover
I purchased and carefully read Jeff Kosseff's "The Twenty-Six Words That Created the Internet." It is an illuminating and thorough account of all facets of the legislation including history, enactment, modifications and amendments etc. A complex subject to understand, Mr. Kosseff did an outstanding job of presenting the complicated history and details and understanding of why this is incredibly important leading up to the form that is now in use. Some reviewers complain about too much detail, but I disagree, it is very important to understand the detail. A difficult topic and a great job of presentation. I would like to have a time line e.g., something like a "herring bone" chart notating all of the critical stages of development up to the present ... from initial concepts to Section 230 rollout and the important changes / amendments in both substance and use of 230. I am now reading Koseff's latest book on a similar but different topic, "The United States of Anonymous" which deals with how the first amendment shaped the development of our online speech.
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Reviewed in the United States on March 16, 2023

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