SKU: 15659787876
evenflo revolve 360 front facing

evenflo revolve 360 front facing Evenflo Revolve360 Extend All-in-One Rotational Car Seat with SensorSafe

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evenflo revolve 360 front facing Evenflo Revolve360 Extend All-in-One Rotational Car Seat with SensorSafeThe revolution just got extended! The Evenflo Gold Revolve360TM Extend All in One Rotational Car Seat with SensorSafe offers the extended security of rear facing all the way up to 50 lb. Child safety experts say the longer your child remains rear facing, the better, and the Revolve360 Extend is here to help with peace of mind all the way around. A spin off of the Revolve360, Americas bestselling rotating car seat, the Revolve360 Extend offers one

The revolution just got extended! The Evenflo® Gold Revolve360TM Extend All-in-One Rotational Car Seat with SensorSafe® offers the extended security of rear-facing all the way up to 50 lb. Child safety experts say the longer your child remains rear-facing, the better, and the Revolve360 Extend is here to help with peace of mind all the way around. A spin-off of the Revolve360, America’s bestselling rotating car seat, the Revolve360 Extend offers one-hand, 360° rotation that makes it easy to get your child in and out of the car. But a 360° rotating car seat is just the beginning. You’re looking for a safe car seat — and the smart car seat choice is a connected car seat. The Evenflo Gold Revolve360 Extend will help put your mind at ease when it comes to child car seat safety, featuring SensorSafe to connect you to your little one from the backseat. Integrated SensorSafe technology adds a layer of protection for peace of mind, alerting you in real-time to 4 potentially unsafe conditions from your child’s car seat via Bluetooth® technology: unexpected chest clip unbuckling, unsafe ambient temperature, child unattended, and child buckled too long. Install just once for rear-facing and forward-facing – Sure360™ Safety Installation System with LockStrong™ belt-tensioning system and Tether360™ technology keep it safe, secure and simple. The best swivel car seat is one that lasts! The Revolve360 Extend is the only car seat you’ll ever need, growing with your child with 3 modes that adapt to every stage: rear-facing (4 to 50 lb), forward-facing (30 to 65 lb) and booster (40 to 120 lb). This innovative car seat also comes with a zip-on, ergonomic leg rest to add comfort for growing legs. On-the-go recline means you can adjust the car seat to the perfect angle without having to uninstall or bother your child. Additionally, this car seat features L.I.F.E. Guard — it’s Linear Impact Force Engineered to improve safety performance in side impact crashes. This is the crème de la crème of swivel car seats. Offering good looks and ease at every turn, the Evenflo Gold Revolve360 Extend features our most sophisticated fabrics and elevated touches to finish off your bold moves in style. Join the revolution!

At Evenflo, we go above and beyond government standards to create car seats that are safe. The Revolve360™ Rotational All-In-One Car Seat meets or exceeds all applicable federal safety standards. In addition to federally required testing, it is structural integrity tested, rollover tested and temperature tested.

If you need help installing your car seat, our ParentLink® Consumer Care Team offers help online in real time. Get live video support with a certified car seat safety technician to assist with proper vehicle installation, so you can drive with confidence.

Families have trusted Evenflo for more than 100 years for smart, innovative gear designed to make life easier, safer and more comfortable at home and on the go. Let us help you save time and find peace of mind, so you can focus on what matters most: your child. mind, so you can focus on what matters most: your child.

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SKU: 15659787876

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4.7 ★★★★★
Based on 16 reviews
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Verified Purchase
Rachel S.
West Palm Beach, US
★★★★★ 5
Exquisite, enrapturing
Format: Paperback
Loved the gritty, visceral language and the epic nature of this poem. Notely blows me away -- the loss of memory, the tangled and eternal subway, the owls and masks.
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Reviewed in the United States on May 29, 2014
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Verified Purchase
Eileen O Malley Callahan
Carnegie, US
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
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Reviewed in the United States on December 18, 2014
J
JeFF Stumpo
Cuba, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Battle Creek, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
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Verified Purchase
Raquel Wilbon
Waukegan, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 11, 2020

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