SKU: 16226196548
bm lily white

bm lily white OC-126 Easter Lily

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Description

bm lily white OC-126 Easter LilyHelp With Product Help With Sheen How Much Paint Do I Need? Aura Interior Paint The ultimate in performance & color vitality. See color like you've never seen it before discernibly truer, richer hues that bring a new dimension of beauty to your home. Experience premium performance in Aura paint, which boasts incredible hide, and fade and color rub off resistance. When nothing less than the best will do, select Benjamin Moore Aura interior paint. Aura

  • Aura® Interior Paint

    The ultimate in performance & color vitality. See color like you've never seen it before - discernibly truer, richer hues that bring a new dimension of beauty to your home. Experience premium performance in Aura paint, which boasts incredible hide, and fade and color rub-off resistance. When nothing less than the best will do, select Benjamin Moore Aura interior paint. Aura is washable in any sheen, so you can use the sheen of your choice in any room.

    Regal® Select Interior Paint

    A heritage of quality enhanced with cutting-edge technology. Regal Paint is the time-honored tradition of Benjamin Moore paints that consumers have trusted for over 50 years. Now infused with the latest technology from our proprietary Gennex colorant and a new high-performance resin, Benjamin Moore Regal Select paint applies easily and smoothly for beautiful results every time you paint.

    ben® Interior Paint

    The perfect introduction to the world of premium paint. Available in four finishes, ben paint from Benjamin Moore allows you to create a style that's your own. This low-VOC interior paint is an acrylic blended latex flat coating designed for application to a wide variety of surfaces. Produces a decorative and uniform flat finish with excellent hiding.

    AURA® Bath & Spa

    Aura Bath & Spa is a luxurious matte finish designed for high-humidity environments. Ideal for high-humidity environments such as bathrooms and spas with mildew resistance for a fresh look that lasts.

    ADVANCE® Interior Paint

    ADVANCE offers the application and performance of traditional oil paint in a waterborne formula that cleans up with soap and water. It flows and levels like a traditional alkyd with the extended open-time required to achieve high-end finishes.

    Ceiling Paint

    Specifically formulated for ceilings, Benjamin Moore Waterborne Ceiling Paint is ultra-flat and expertly hides common ceiling problems. Waterborne Ceiling Paint is available in any color and is spatter resistant to ensure every interior paint job is outstanding, from top to bottom.

    Unsure of what product is best for you? We would love to help, contact us now!

  • Need Help Selecting a Sheen?
    What is Sheen?
    After you have your perfect product you will need to choose the perfect sheen. Sheen refers to how shiny the finish will look. When deciding on sheen you will want to consider whether that area is high/low traffic and the condition of the wall.
    Flat

    The look of a flat finish provides great depth of color that is also ideal for less-than-perfect surfaces. Flat is typically used for ceilings and low-traffic areas. You cannot scrub and remove the marks made on walls that have flat paint.

    Matte/Ulti-Matte

    Matte is great for low-traffic areas, where minimal washing is required. This finish allows for gentle scrubbing when cleaning. The look of a matte finish provides great depth of color that is also ideal for less-than-perfect surfaces.

    Eggshell

    The most popular finish in our industry, the slight sheen of eggshell reveals color with a softly polished glow with an easy-to-clean surface that's great for all low to moderate areas including living rooms, hallways, and low traffic bedrooms. This is also a great product for colored ceilings to help reflect some light onto the color.

    Pearl

    Pearl is in the middle of the sheen spectrum and is most popular for high-traffic areas. It has an almost iridescent quality, and because it creates a smooth, less porous surface, it's easier to clean and is often used in kitchens and bathrooms, as well as for trim details, such as doors, window frames, base moldings, and crown moldings.

    Satin

    Satin, similar to pearl, is in the middle of the sheen spectrum. This finish creates a smooth, less porous surface, it's easier to clean and is often used in kitchens and bathrooms, as well as for trim details, such as doors, window frames, base moldings, and crown moldings.

    Semi-gloss

    Semi-gloss is particularly durable and stands up well to repeated cleanings. It is often recommended for moldings and trim.

    Unsure of what sheen to choose? We would love to help, contact us now!

  • Before you or your contractor buy paint, find out exactly how much you'll need. If more than one room is being painted with the same color, add up the total square footage.

    PLEASE NOTE: These calculations are not intended to give more than a rough estimate. Precise paint needs will vary according to many factors, including the application method. These calculations assume 2 coats of paint and do not include the ceiling.

    TINTED PRODUCT IS NOT RETURNABLE

    Use the following formula to estimate the amount of wall paint you need. Double the result if the walls require two coats.
    1. Add together the length of each wall.
    2. Multiply the sum by the wall height, to find the total wall area.
    3. Subtract 20 square feet for each door to find the actual amount of wall area you’re painting.
    For Example: If you have 2 doors (2 x 20 =40); you would subtract 40 square feet.
    4. Divide this figure by the paint coverage (400 square feet per gallon), and the result is the number of gallons to purchase for one coat.
    5. Multiply this figure by 2 and the result is the number of gallons to purchase for two coats.
    Doesn't seem right? We would love to help, contact us now!

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SKU: 16226196548

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4.3 ★★★★★
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Howard
Grantham, US
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 24, 2015
A
Verified Purchase
AlanWarner
West Palm Beach, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 6, 2015
C
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Carole T Emberton
Draper, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 17, 2018
P
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pat delzell
Fort Morgan, US
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 14, 2019
B
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B. Kirzner
Bozeman, US
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones. That being said, this book was too detailed, making it slow reading. Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 8, 2021

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