SKU: 16675274724
verbena house plant

verbena house plant Verbena bonariensis Seeds

Sale price$18.17 Regular price$20.19
Save 10%

Pay in installments of $5.05 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Jul 15 - Jul 20

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

verbena house plant Verbena bonariensis SeedsVerbena bonariensis Argentinian Verbena Purpletop Verbena The ultimate "see through" plant tall wiry almost invisible stems topped with tight clusters of electric purple flowers that add height, movement, and an airy violet haze without creating a heavy block of foliage. Verbena bonariensis is widely regarded as one of the best UK plants for attracting butterflies, and one of the most useful designer quality structural perennials in the cottage

Verbena bonariensis Argentinian Verbena / Purpletop Verbena

The ultimate "see-through" plant — tall wiry almost-invisible stems topped with tight clusters of electric-purple flowers that add height, movement, and an airy violet haze without creating a heavy block of foliage. Verbena bonariensis is widely regarded as one of the best UK plants for attracting butterflies, and one of the most useful designer-quality structural perennials in the cottage garden.

This is the plant garden designers reach for when they want vertical interest that weaves through other plants with grace. Verbena bonariensis produces tall wiry stems (1.2–1.5m) that are so thin and sparse they can be planted at the front of a border without obscuring the plants behind it — the rare "see-through" quality that adds height and movement without creating a visual block. The flowers are tight rounded clusters of small electric-purple florets, held airily at the tops of the stems where they catch sunlight beautifully and make perfect butterfly landing platforms. The plant blooms from midsummer until the first frosts — an exceptionally long flowering season — and is genuinely loved by butterflies who can sometimes be seen feeding on Verbena even when the plant looks bare of other visitors. Short-lived perennial (H4) — may be killed by particularly harsh UK winters, but is a prolific self-seeder. Dozens of seedlings often appear in spring to naturally replace parent plants, ensuring a permanent presence in the garden. Officially listed on RHS Plants for Pollinators and widely regarded as one of the single most important sources of nectar for butterflies in the late-summer garden.

A note on growing

Surface-sow indoors February–April at 18–22°C. Light required for germination — do not cover. Germination 14–28 days, sometimes erratic. Pot on once large enough to handle. Plant out after frost risk in full sun in well-drained soil. Like most perennials from seed, Year 1 establishes the plant; Year 2 onwards delivers the full architectural display — and from Year 2 onwards, self-seeded offspring begin to appear, building the colony.

Important winter survival guidance: in colder gardens, Verbena bonariensis may behave as a short-lived perennial that can be lost to harsh winters. Two protections improve survival: don't cut back the dead stems in autumn (they provide crown insulation through winter); and mulch the crown with bark or straw in particularly cold areas. Trust the self-seeding mechanism — even if parent plants are lost, seedlings from previous years will appear and replace them.

Drought-tolerant once established. Avoid heavy waterlogged soil.

Where it shines

In cottage borders as the designer-quality vertical structural element — Verbena bonariensis is genuinely the plant garden designers reach for when they want height without bulk. At the front of borders specifically, where the see-through quality matters most. As the purple companion for any warm-toned planting — purple and orange are complementary colours, and Verbena bonariensis with Tithonia, Rudbeckia or Helenium creates one of the most powerful complementary cottage colour combinations available. In wildlife gardens specifically for late-summer butterfly support. As an architectural autumn-into-winter plant — the dried stems and seed heads provide structure long after flowering finishes.

Plant alongside

For the textbook butterfly border, combine Verbena bonariensis with Tithonia 'Goldfinger' (matching late-summer butterfly value with complementary orange-and-purple) and Echinacea 'Bravado' (matching prairie-style perennial reliability). With Dahlia 'Bishop's Children Mix' for matching open-flower butterfly support with contrasting form. With Rudbeckia 'Marmalade' for the classic purple-and-gold complementary scheme.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 16675274724

Discover Niche Categories That Outsell verbena house plant

Top-Converting Item to Boost Your Average Order

4.3 ★★★★★
Based on 1996 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
D
Verified Purchase
David R. Papke
Grantham, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Alexandria, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Battle Creek, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Chelsea, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Charlottesville, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

recommand products