SKU: 1695897036
extra wide plant pots

extra wide plant pots Large Sphere Planter for Small Trees and Shrubs

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Description

extra wide plant pots Large Sphere Planter for Small Trees and ShrubsExtra Large Sphere Planter Ideal for Small Trees, Shrubs & Feature Plants Instantly elevates gardens, patios, roof terraces and courtyards. A sculptural statement planter that blends premium materials with timeless design, the Orbello large sphere planter is an exceptional choice for those seeking to create a striking focal point in their outdoor or indoor spaces. 207L capacity perfect for small trees, ornamental shrubs and dramatic arrangements,

Extra Large Sphere Planter – Ideal for Small Trees, Shrubs & Feature Plants

Instantly elevates gardens, patios, roof terraces and courtyards.

A sculptural statement planter that blends premium materials with timeless design, the Orbello large sphere planter is an exceptional choice for those seeking to create a striking focal point in their outdoor or indoor spaces.


  • 207L capacity – perfect for small trees, ornamental shrubs and dramatic arrangements, providing ample room for root growth and soil nutrients
  • 70cm wide × 64cm tall – with a generous 57cm planting opening, allowing for easy planting and maintenance of your chosen greenery
  • Hand-crafted from pigmented cement stone – no paint, no peeling, no fading, ensuring long-lasting beauty and durability in various weather conditions
  • Indoor & Outdoor use – internally sealed, frost-resistant and built to last, making it versatile for any setting
  • Pre-drilled drainage holes – for healthy roots and easy water management, preventing waterlogging and root rot
  • Solid and secure – 38kg empty weight with a steel-reinforced core, providing stability and resistance to tipping
  • No assembly required – arrives ready to style, saving you time and effort
  • Low-maintenance – wipe clean; no treatments or re-sealing needed, reducing ongoing care requirements
  • Flat base – sits securely on any solid, level surface, ensuring stability and preventing damage to your patio or indoor flooring

Tip: place the Orbello in its final position before adding soil and plants to avoid difficulties in moving the filled planter


Why Choose the Orbello Planter?

  • Premium pigmented cement stone – colour runs through the body, ensuring long-lasting aesthetics without the risk of surface damage
  • Generous 207L soil capacity – larger than most round planters in its class, providing ample space for root development and nutrient retention
  • Perfect scale – for patios, courtyards & interiors; suits olives, bays, acers and flowering shrubs, allowing for versatile landscaping options
  • Hand-made finish – each planter has unique texture and character, adding an artisanal touch to your space
  • Engineered strength – steel-reinforced walls resist cracks and knocks, ensuring longevity even in high-traffic areas
  • Long-life sustainability – designed to last decades, outliving disposable plastic pots and reducing landfill waste, aligning with eco-conscious gardening practices
  • Design flexibility – combine with the 686L Orbello for a striking, layered display, allowing for creative and dynamic landscaping arrangements

Full Description

Introducing the Orbello – a bold, sculptural planter crafted to elevate any setting. Its perfectly balanced spherical silhouette and commanding presence make this 207-litre vessel ideal for small trees, ornamental shrubs or layered plantings, indoors or out. The large sphere serves as a stunning focal point, enhancing the visual appeal of gardens, courtyards or expansive interiors.

Each Orbello is hand-poured and hand-finished by skilled artisans using a premium blend of pigmented cement stone. The surface reveals a natural, weathered texture, gentle pitting and organic imperfections, ensuring no two pieces are ever identical.

Finished in Blushstone – a warm, earthy blend of terracotta, rose, and clay tones – this contemporary new colourway offers a soft, natural aesthetic that complements both greenery and architectural materials. Because the pigment is infused throughout the cement, it will never fade, peel or flake like surface-coated plant pots.

Built for real-world environments, the Orbello is internally sealed and frost-resistant, with discreet pre-drilled drainage holes for optimal root health. These features ensure healthy plant growth in both outdoor and indoor environments. A steel-reinforced core provides structural strength, and at 38kg unfilled, the Orbello balances solid stability with manageable placement.

With no assembly, minimal upkeep, and a timeless sculptural design, the Orbello is built to last – in both construction and style.

It looks stunning in multiples – flank a doorway with matching pairs or combine this size with larger Orbello planters to create a dramatic, tiered arrangement.

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SKU: 1695897036

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4.6 ★★★★★
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K
Verified Purchase
Kyle Henderson
Charlottesville, US
★★★★★ 5
A must-read for anyone interested in communication studies, rhetoric, American public debates
Format: Paperback
In this seminal book, Fisher expounds his "narrative paradigm," a sweeping theory of human communication and more. Professor Emeritus at USC's Annenberg School of Communication, Fisher's discipline was rhetoric. But the book's subtitle -- "Toward a Philosophy of Reason, Value, and Action" -- isn't a stretch. Fisher's theory is a grand project extending its purview way beyond the communication department's door. At root is Fisher's rejection of what he calls the "rational world paradigm," which falsely separates logos from mythos, reason from imagination, fact from value. Doesn't work that way, Fisher says. No such thing as a value-free belief, assertion, or action. Instead, we evaluate according to a "logic of good reasons" -- reasons we value as good -- rooted in the narratives of our experience. An under-appreciated aspect of Fisher's work is the application of his theory to American politics. America's most enduring narrative is The American Dream. But that dream comprises two sub-narrative strands: the "materialistic myth" and the "moralistic myth." These two strands broadly represent conservative and progressive impulses respectively, but those threadbare categories don't do Fisher's explication justice. The two myths find their roots in the narratives of the earliest Americans, and have been battling it out ever since. It's a credible understanding of the history of American public moral debates.
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Reviewed in the United States on April 28, 2010
M
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Michael Kleeberg
San Leandro, US
★★★★★ 4
Insider's Book
Format: Paperback
Wlater R. Fisher is an expert in his field. His grasp of classical theory is daunting. Human Communication as Narrative explains his new theory well. However, it IS an insider's book, intended for scholars. I have a master's degree in rhetoric and composition, and my progress through it was slow--however, this was more attributable to my having stopped at an MA than it was to Fisher. I found his theory exhaustively researched, skillfully and thoughfully developed, and eminently applicable to the practice of contemporary rhetorical study. I would regard this book as a must-have for any serious student of rhetoric.
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Reviewed in the United States on April 22, 2011
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PWL
Houston, US
★★★★★ 5
Not only will this give you a great overview/introduction, but Fisher is a good writer as ...
Format: Paperback
I'm a fan of the Narrative Paradigm, and this is the seminal work on that. Not only will this give you a great overview/introduction, but Fisher is a good writer as well. Very clear, succinct, and engaging.
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Reviewed in the United States on December 1, 2016
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Hugh of Skokie
Fort Morgan, US
★★★★★ 5
The Dark Roots of Liberalism
Format: Hardcover
Italian philosopher/intellectual history Domenico Losurdo's study of the origins of liberalism is a tour de force of thorough scholarship and rigorous critique. Losurdo seems to have read all of the collected works of all of the significant thinkers in the liberal tradition, from Locke to de Tocqueville and beyond, and has created a coherent and compelling narrative of their themes and variations, as well as their rhetorical tropes and myriad contradictions. Classical liberalism, as here presented, is an attempt to translate the world, in all its richness and mystery, into property, and to transform property into the fullest expression of both nature and nature's God. It involves fetishizing "liberty" and disdaining equality, which is seen -- correctly -- as potentially compromising the God-given prerogatives of property holders. Losurdo's liberals divide the world into the "community of the free" -- always a minority -- and the servile majority. These masses do not deserve liberty or political participation because they perceive government as a way to address human suffering, and not simply as a bulwark protecting the divine rights of capital, i.e. the "private" realm. The classical liberal sees government as good to the extent that it has no social function at all -- because poverty and radical inequity are understood not as the outcome of human social and political arrangements, but as a reflection of immutable natural law and simple human frailty. Social Darwinist and eugenic motifs float through the Liberal symphony almost from the beginning, supplanting without really changing the earlier Protestant notion of predestination, but shifting the location of eternal reward or damnation to the marketplace and workplace. Thus liberalism sides against social emancipation, whether of slaves or peasants or factory laborers. The job of workers within a liberal commonwealth, as depicted by most of these thinkers, is to embrace their freedom to starve and cherish the institutions that oppress them in the sweet and holy name of Liberty. Slavery makes many of these thinkers uneasy, but it is not as profoundly disturbing to them as the prospect of central government tampering with the sacred rights of property holders by abolishing an institution that makes a mockery of any concept of human liberty. It is the radical thinkers of the French Revolution, and those influenced by them, who come out favorably here -- the ones who believe that the community must be seen as one body, and that freedom and dignity belong to all, without exception. Losurdo reminds us that it was not classical liberals who abolished slavery -- it was the Black Jacobins who brought the Rights of Man to the subjugated Africans of Haiti in history's only successful slave rebellion (at least since Moses). They were supported by the religiously inspired abolitionists, who saw slavery in moral rather than capitalist terms. Losurdo shows that liberalism took on the despotism of Church and Crown, only to create a harsher and colder absolutism of Money and Market, wrapped up in the rhetoric of Reason and tied with the ribbon of Freedom. And though classical liberalism has mutated over time and allowed the community of the free to expand somewhat, its fundamental biases remain in place, as witnessed in every ding-dong attack against "big government" or the "nanny state." Losurdo's "counter-history" of liberalism places these tediously reflexive political gambits in historical context, showing that they are rooted in a vision of the state as a kind of gated community, serving those within the threshold of privilege, suppressing those on the outside. At a time when political discourse centers on the percentages of the included and excluded, the worthy and the unworthy -- Occupy Wall Street's 1 percent and 99 percent, Mitt Romney's 47 percent (which was also his percentage of the vote) -- Losurdo's study is highly relevant and enlightening. It underscores the deep tensions between classical liberalism -- with its governance by and for the elite, and passive citizenship for the rest -- and the ideals of participatory and inclusive democracy, i.e., social democracy. It is an important book, and I recommend it to everyone with an interest in the history of political theory, and a desire to understand why our own political processes seem to take place in an abstract realm so cosmically distant from the reality of everyday life.
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Reviewed in the United States on November 24, 2012
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Malvin
Alexandria, US
★★★★★ 5
A brilliant reassessment of Western intellectual history
Format: Kindle
"Liberalism: A Counter History" by Domenico Losurdo offers a brilliant reassessment of Western intellectual history. Dr. Losurdo is a leading Italian intellectual who has taught at university for many decades. Dr. Losurdo's book will interest readers desiring bold, thoughtful and compelling perspectives on U.S. and European history; with insights that may be very useful to us today. More than anything else, Dr. Losurdo's work articulates a highly original and powerful critique of the ideology of capitalist property relations. Diving into the writings of John Locke, Adam Smith, Bernard de Mandeville and other influential Enlightenment thinkers, Dr. Losurdo explains that the principle goal of liberalism (used here in the European sense of the word) was to secure the rights of property holders over the poor; without the meddlesome interference of church and monarchy. Readers who are accustomed to viewing U.S. history through rose-colored glasses will find their views severely challenged here. Dr. Losurdo persuasively argues that Thomas Jefferson, Benjamin Franklin and other revolutionaries enthusiastically embraced liberal ideology in order to help institutionalize its brutal slave economy. Put another way, it seems that Independence was ultimately about the prerogatives of the elite class who comprised the "community of the free" to buy, sell and own slaves. Dr. Losurdo goes on to explain how Americans put philosophy into service to justify Anglo-Saxon racial superiority and the violent dispossession of native peoples' lands. Dr. Losurdo discusses how liberalism has influenced world history since the American Revolution. Through Dr. Losurdo's scholarship, we gain appreciation for the inherent tension that exists between liberalism's `emancipation' of the people who are privileged by virtue of their race and class; versus the `dis-emancipation' of the working class and poor who are comprised mostly of people of color. So, while liberals' greatest proponents have tended to use violence to lock in elite privilege (colonialism, the U.S. Civil War, the two World Wars), radicals have often struggled in the name of freedom for the people (the Haitian Revolution and the French Revolution). Importantly, Dr. Losurdo challenges us to rethink the idea that progress is a natural by-product of liberalism. It is probably more accurate to say that liberals would be content to have the people live in misery; and that freedoms have been gained by ordinary people through struggle and collective action. The importance of this insight cannot be overstated. By compelling us to think anew about the liberal legacy, we can more easily detect the liberal apologists who pander for the one percent; while empowering the 99 percent of us to speak truth to power. I highly recommend this outstanding book to everyone.
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Reviewed in the United States on April 28, 2014

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