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Description
uppababy vista rumble seat declan Declan Vista V3 + RumbleSeat V3 + Mesa V3 – Snuggle BugzFrom newborn to toddler and beyond, the Vista V3 with RumbleSeat and Mesa V3 Travel System gives you a smooth, flexible setup that adapts to your familys changing needs. Description: The UPPAbaby Vista V3 is a premium modular stroller that grows with your family. With over 30 configurations, it converts from a single to a double or even triple stroller, delivering style, comfort, and convenience from newborn through toddlerhood. The UPPAbaby
From newborn to toddler and beyond, the Vista V3 with RumbleSeat and Mesa V3 Travel System gives you a smooth, flexible setup that adapts to your family’s changing needs.
Description:
The UPPAbaby Vista V3 is a premium modular stroller that grows with your family. With over 30 configurations, it converts from a single to a double or even triple stroller, delivering style, comfort, and convenience from newborn through toddlerhood.
The UPPAbaby RumbleSeat V3 makes room for more with all-season comfort, an easy attach system, and parent-friendly features that grow with your family.
The UPPAbaby Mesa V3 sets a new standard in infant car seat safety with patented technology that simplifies installation, minimizes errors, and empowers parents to move forward with confidence. Designed for maximum ease and security, it provides convenience and comfort with every detail, for every drive.
Features:
Vista V3 Stroller:
- Modular design with over 30 configurations for one, two, or three children
- One‑step fold that stands upright when stored
- Extendable, water‑repellent canopy with UPF 50+ sun protection and mesh peek‑a‑boo window
- Extra‑large, easy‑access basket (30 lb capacity) for all your on‑the‑go essentials
- Premium fabrics with REACH‑certified full‑grain leather accents
- Direct‑attach compatibility with UPPAbaby Bassinet, Mesa, and Aria Infant Car Seats (no adapters needed)
- All‑terrain never‑flat tires and improved suspension for a smoother ride
- Reflective trims for added visibility during evening strolls
- One‑hand multi‑position recline for napping on the go
- Zip‑out seat fabric and mesh panels for all‑weather comfort
- Adjustable handlebar to suit different heights
- Lockable front wheels with visual indicators
- Adjustable footrest for growing children
- GREENGUARD Gold Certified and free from added flame‑retardant chemicals
Rumbleseat V3:
- All-Weather Comfort Seat with Seasonal Seat Liner
- Quick-to-secure harness system with magnetic buckle
- Adjustable footrest
- One-handed, multi-position recline
- Grow-with-me canopy height adjustment
- Extendable, water-repellent UPF 50+ canopy
- Vented peekaboo window for added air flow
- Large hubs and included adapters ensure quick, easy, and intuitive attachment
- Full-grain REACH certified leather details
- Five-Point, No-Rethread Harness
- Removable and washable fabric
- Snack Tray accessory fits bumper bar attachment
- GREENGUARD Gold Certified: Supporting healthier air quality & low chemical emissions
Mesa V3:
- Large, adjustable headrest for additional Side Impact Performance and a comfortable fit
- Advanced Side Impact Protection that meets FMVSS New 213A regulation and 213B
- Deluxe, full coverage UPF 50+ canopy with mesh ventilation and peek-a-boo window
- 4th anti-rebound handle position for increased safety in rebound & rear-impact collisions
- No-rethread 5-point harness that adjusts with headrest
- Intuitive, magnetic buckle holder to keep the straps out of the way while placing child in seat.
- Installation quick and simple by combining our innovative SmartSecure® system, auto-retracting LATCH design, red to green tightness indicator, and four-position adjustable foot
- European Routing for a more secure installation when installing without the base Robust infant insert ensures a proper fit and body positioning for infants weighing as little as 4 lbs
- Ergonomic carry handle featuring a one-handed stroller release button
- Two crotch buckle positions for a precise fit
- Removable and washable seat fabric for convenience and easy clean up
- Fabric free from flame-retardant chemicals
- Carrier weighs under 10 lbs Car seat base included
- Direct attachment for Vista® and Cruz® strollers
- Convenient adapters available for the Minu® and Ridge® strollers
- FAA certified for aircraft use
- Product Lifetime Warranty
Base:
- SMARTSecure® System installs in seconds
- Red-to-green tightness indicator for an accurate installation
- Built-in lock-off for secure seatbelt installation
- Auto-Retracting LATCH for easy installation
- Level indicators on both sides for ease of installation
- Streamlined, low-profile base with finished bottom
- Four-position adjustable foot for easy levelling
Specifications:
- Stroller: suitable from birth with infant insert accessory
- Toddler Seat: suitable from 3 months to 50 lbs
- Bassinet (sold separately): suitable from birth up to 20 lbs, or until infant can push up on hands and knees (whichever comes first)
- Folded Dimensions: 17.3” L x 25.7” W x 33” H
- Unfolded Dimensions: 32.8” L x 25.7” W x 39.5” H
- Stroller Weight: 27 lbs (Frame + Seat)
- Suitable for children from 3 months to 40 lbs or 36″, whichever comes first
- Suitable from birth with the SnugSeat Accessory
- Note: RumbleSeat V3 adapters are for use in the lower position only and are NOT compatible with the Vista Toddler Seat, which can only be used in the upper position.
Mesa V3:
- Infant Car Seat Recommended for Approximately 0–1 years
- Suitable 4-35 lbs and up to 32″ in height (whichever comes first)
- Car Seat dimensions: 17″W x 25.8″L x 23″H
- Car Seat on base dimensions: 17″W x 28″L x 25″H
- Car Seat base-only dimensions: 14.5″W x 21.3″L x 10.3″H
- True weight: Car Seat 9.9 lbs Base 9 lbs
What's In The Box:
- Stroller Frame
- Toddler Seat
- Rumbleseat
- Mesa V3 Infant Car Seat
- Infant Car Seat Base
- Seasonal Seat Liner
- Bumper Bar
- Rain Shield
- Bug Shield
- Storage Bag
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.2 ★★★★★
Based on 2465 reviews
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Product Reviews
★★★★★ 5
Best wrap mask!
Color: Lifting (Jericho Rose)
Just the best wrap mask!!
A lot of peptides that make my skin soft and moisturizing. Very effective in only 20min use!
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Reviewed in the United States on May 20, 2026
★★★★★ 5
Great face mask
Color: Lifting (Jericho Rose)
Love this mask. I have really sensitive skin and this mask doesn't irritate my skin at all. It absorbs nicely and leaves my skin feeling moisturized and glowing. Great value for the price!
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Reviewed in the United States on April 21, 2026
★★★★★ 3
Full Moisturization of the face is lacking
Color: Lifting (Jericho Rose)
I would give it a 5 based on the appearance after the mask is removed your skin is glassy but the moisture level is lacking. It leaves behind an oily residue and my face didn’t feel hydrated. The search continues.
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Reviewed in the United States on March 25, 2026
★★★★★ 5
“The fragments of a life”…
A formidable movie, in the stricter sense of the word. In a looser sense, it has helped shape the way that I’ve seen the world, ‘lo these past six decades. I saw this movie when it first came out, in 1963, at one of my favorite art theaters in Pittsburgh. Like most of us at the time, we’d only viewed rather straightforward movies of “good and evil,” Westerners, and the like. Predictable endings. The director of “8 ½,” Federico Fellini, offered something radically different, a foreshadowing of the stream-of-consciousness technique in literature, how the fragments of one’s life get all jumbled up in the brain. And he provided some takeaways that have long been with me.
I was 16 at the time and took a date who was 15. In re-watching it now, if I thought it somewhat baffling at 16, I wonder what my date thought about the portrayal of the women in the movie, who are “fragments” in the life of the movie director, Guido Anselmi, excellently played by Marcello Mastroianni. There is his wife, Luisa, wonderfully played by Anouk Aimée, who was the motive force behind the re-watching of it now. There is the “virginal” Claudia Cardinale, usually in white (I had not realized that she was originally Tunisian). Sandra Milo plays Guido’s flighty bimbo of a mistress. And so many others: The airline stewardess; the caring mom who wraps the infant Guido in a blanket; the first stripper; the insightful and nagging friend of his wife…
“Upstairs when you are 40.” That was one of the big takeaways. Anselmi is having this male fantasy about his “harem,” all those fragmented women who are there to serve him and do so in complete harmony when he realizes that the “stripper” is now 40 and must go upstairs, the metaphor for being placed on the “discard pile” for being too old. He gets out his bull whip even, to drive her up the stairs. Even at 16, when 40 is more than twice your life away, it did seem a bit harsh, particularly when the same rule does not apply to the guy with the bull whip.
It was also my first viewing of the prototype of those pompous pedantic critics of movies or literature who toss around expressions like “impoverished poetic imagination,” “overabundant symbols,” and, of course, “self-indulgent.”
I was in parochial high school at the time, so the scenes in which the priests were chasing down the young student Guido in order to shame and humiliate him because he found sexual imagery to be of interest, imagine that, strongly resonated. It was also the era that the Catholic Church published “The Index of Forbidden Books,” (which now seems to have been taken over by the woke crowd of today), and thus the scene in which Anselmi has to pay homage to the Cardinal also resonated.
Anouk Aimée is absolutely mesmerizing. She has been a “fragment” of my own life, ever since I viewed “A Man and a Woman” in the ’60’s. Again, she played opposite the equally formidable Jean-Louis Trintignant, of “Z,” “Three Colors, Red,” and so much else, fame. Far more relevantly, the two of them recently played in “The Best Years of Our Lives,” again directed by Claude Lelouch. Aimée is now a young 90. In her role as Anselmi’s wife, Luisa, she wore those glasses that connotated a greater thoughtfulness than him. I searched that ever-so-youthful face watching for the subtle expressions of later movies.
It struck to the core. Luisa is utterly fed up with Guido’s philandering and constant lies. And Guido is suffering from “director’s block” in trying to finish his movie, with what sort of message? Luisa fires off THE classic line that I have long remembered: “But what can you say to strangers when you can’t tell the truth to the one closest to you…”.
The only problem is that I’ve felt that line was said in Ingmar Bergman’s “Scenes from a Marriage.” And maybe that line was ALSO said in Bergman’s movie, which means one more movie I need to watch to find out. As I said earlier, things can tend to get jumbled up in the brain, even more so as one ages. Fellini would understand, maybe Aimée would also. 5-stars, plus for Fellini’s classic, formidable film.
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Reviewed in the United States on March 14, 2023
★★★★★ 5
One of the greatest in SPECTACULAR DVD package
This new Criterion Collection edition of *8 1/2* is one of the best DVD "special edition" sets I've come across.
The Movie:
Fellini's breakthrough film is a movie about itself. It is archetypal in the Fellini canon because it both settles old scores and announces a new cinema. The film's hero is an Italian filmaker (Mastroianni as "Guido" a quasi-alter ego for the director) who has just had his first major hit (=La Dolce Vita). He is not resting on his laurels, however. He is confronted with the necessity of the next movie. This necessity is both personal to the director and apparently contractual: the producer is forever hovering... To Guido, it is an inner necessity, an unrest, a creative suffocation, objectified in the opening sequence of the movie where Guido is seen/not seen by the camera, trapped inside a tiny car that is itself trapped in a traffic jam that stretches endlessly beyond available light as the car fills with toxic gas. We see the as yet unidentified hero in silhouette from behind. We see his hands and feet from outside the car, through the window as he desparately tries to escape. Then, he mysteriously escapes through the car's roof like a new bird escaping its shell and is carried off into the clouds, etc.
The trouble is, this is a wish fulfillment dream. In "real" life, Guido is about to make a movie, and he has no idea what it's going to be about, or what to do with all the actors and extras, and the giant launching pad for some kind of space-ship that is the only thing even close to a concrete idea for the projected picture.
The film is not, however, a perfect autobiographical fit. For one thing, Fellini gets to finish his movie and Guido, evidently, does not. But, that said, the movie is a virtual mirror of itself, which was a very hard thing to pull off in 1962, before the concept of "virtual" was annexed by the codifiers of computer jargon, and *8 1/2* is nothing if not a virtuoso performance. Fellini's breakthrough is the film we watch. But in the film, the hero finds the resolution to his anguish, not in finding the project - that is, in making what would have been the film-about-itself within the film-about-itself within the film-about-itself that we are, finally, watching - but in letting go of the project, in surrendering to the impossibility of finding it or making it. Precisely *on the other side of his own fantasy-suicide*, at the moment when he apparently gives in to despair, he discovers the circle of life and becomes able to join into the procession of lives into which his own life is finally intertwined.
So, this is an essential film. And it is a film so rich in texture that a person could watch the movie a hundred times and find new things to wonder at, and discover new connections between the One and the Many - Fellini's personal/existential problem.
The DVD:
First disc contains a sparkling transfer of the movie that restores a luster to the angular lights and shadows in Fellini's final black & white movie. Audio commentary by a couple of scholars and Fellini's former close accomplice Gideon Bachman.
Second disc contains Fellini's famous "Director's Notebook" of 1968(-9), an hour-long movie that was originally made for television, as well as another documentary about composer Nino Rota, and various interviews, including one with the ever-fiesty Lina Wertmueller who was Fellini's Asst. Director on *8 1/2*.
The package also comes with a really interesting little booklet with lots of information and a thoughtful mini-essay.
Overall a great package that I'll not regret buying.
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Reviewed in the United States on January 5, 2002
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