SKU: 19597443082
spike dracaena

spike dracaena Dracaena / Cordyline indivisa: Star Plant for Summer Containers

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Description

spike dracaena Dracaena / Cordyline indivisa: Star Plant for Summer ContainersBring a touch of exoticism and structure to your flower beds and containers with Dracaena indivisa, often sold under the name Cordyline indivisa or 'Spike Plant'. Known for its upright habit and long, sword shaped green leaves that arch gracefully, it offers a striking contrast with other plants and adds lasting vertical interest throughout the season. Easy to care for and heat tolerant, it's a must have for dynamic summer arrangements.

Bring a touch of exoticism and structure to your flower beds and containers with Dracaena indivisa, often sold under the name Cordyline indivisa or 'Spike Plant'. Known for its upright habit and long, sword-shaped green leaves that arch gracefully, it offers a striking contrast with other plants and adds lasting vertical interest throughout the season. Easy to care for and heat tolerant, it's a must-have for dynamic summer arrangements.

Characteristics

  • Foliage : The foliage consists of long, evergreen, rigid, sword-shaped leaves, green to light green in colour. They are inserted in a round pattern on an upright stem that forms a 'false trunk' with age. The foliage arches slightly outward as it grows older.
  • Light : Prefers full sun or partial shade. A minimum of 4 to 6 hours of sunlight is recommended.
  • Habit : Its habit is upright, with a strong central stem and foliage that forms an erect and slightly weeping silhouette along the edges.
  • Growth : Growth is relatively slow. When grown as an annual or in a pot, it generally reaches a height of 60 to 90 cm (24 to 36 inches) and a spread of 38 to 46 cm (15 to 18 inches). With many years in a pot and proper overwintering, it can reach 2 metres or more.
  • Humidity : Requires moisture. The soil must be well-drained to avoid excess moisture, which can lead to root rot or botrytis. Drought-tolerant once established.
  • Soil : Thrives in well-drained soil, preferably with a pH between 5.8 and 6.5. Avoid heavy clay soils. For pot cultivation, use a good quality well-drained potting mix. Be aware of fluoride toxicity in some soils/fertilizers that can cause brown spots on leaves (maintaining an adequate pH and avoiding superphosphate fertilizers can help).
  • Temperature : It is a tropical plant that does not tolerate frost. To keep it in colder climates, it must be brought indoors before the first frosts, ideally in a cool location (like an orangery or unheated veranda) with a minimum temperature around 10°C (50°F), or in a bright indoor location.
  • Watering : Water when the soil surface begins to dry. Maintain regular moisture but avoid standing water. Drought-tolerant once well-established, but appreciates regular watering in containers during hot weather.

Uses

  • Types of Use : Excellent as a 'thriller' (central vertical element) in mixed container arrangements, in individual pots on patios, balconies, and terraces, or integrated into flower beds as an annual to add height and textural contrast.
  • Decorative Advantages : Its graphic foliage and upright habit bring architectural interest and an instant exotic touch. It highlights flowering or lower-growing foliage plants around it. It is deer and rabbit resistant.

Care

  • Fertilization : Fertilize once a month during the growing season (spring to late summer) with a balanced soluble fertilizer.
  • Pruning : No pruning is generally necessary. Yellowed or damaged leaves can be removed at the base as needed.
  • Planting :
    • Distance : If planted in the ground (as an annual), space plants 38 to 46 cm (15 to 18 inches) apart. In containers, spacing depends on companion plants, but ensure good airflow.
    • Depth : Plant so that the root ball or the base of the plant is covered with soil.
    • Period : Plant outdoors in the spring after all risk of frost.
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SKU: 19597443082

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One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
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