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philodendron with large heart shaped leaves

philodendron with large heart shaped leaves Philodendron ‘Mcdowell’

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Description

philodendron with large heart shaped leaves Philodendron ‘Mcdowell’The Philodendron Mcdowell is a crawling, drought tolerant plant that has lush, heart shaped leaves and a velvet like texture. This tropical plant is well known among collectors and indoor plant enthusiasts, and it is the ideal combination of easy care and captivating beauty. This crawling hybrid is a cross between Philodendron gloriosum and Philodendron pastazanum. This unique origin gives McDowell its natural adaptability to warm and humid

The Philodendron ‘Mcdowell’ is a crawling, drought-tolerant plant that has lush, heart-shaped leaves and a velvet-like texture. This tropical plant is well-known among collectors and indoor plant enthusiasts, and it is the ideal combination of easy care and captivating beauty.  

This crawling hybrid is a cross between Philodendron gloriosum and Philodendron pastazanum. This unique origin gives ‘McDowell’ its natural adaptability to warm and humid environments, as well as being tolerant to low light; which mimics the shaded conditions of tropical forest floors.

The standout feature of the Mcdowell Philodendron plant is undoubtedly its massive, heart-shaped leaves, which can reach up to 2 feet in length when grown in ideal conditions.

These leaves have a deep green hue with prominent, white-veined patterns, and their texture resembles a velvety fabric, giving the plant an exceptionally tactile allure.

It is a terrestrial grower, which means it typically crawls along the soil rather than climbing, making it ideal for low, wide pots. 

Though it rarely blooms indoors, the Philodendron 'Mcdowell' plant can produce tiny, spathe-like flowers. These blooms are not as showy as the plant's foliage and often go unnoticed, but they do emit a subtle fragrance. Flowering may occur if the plant is grown outdoors in a tropical climate or in a greenhouse that replicates its native conditions. 

As an indoor plant, Philodendron ‘Mcdowell’ not only enhances the aesthetic of a space with its dramatic foliage, but it also helps purify the air by absorbing pollutants. Like other philodendrons, it plays a role in removing toxins, making it an excellent choice for improving indoor air quality. Its lush, tropical appearance adds a sense of tranquility and vibrant greenery to any interior setting.

When and How to Water Philodendron ‘Mcdowell

Like other drought-tolerant plants, the Philodendron McDowell can handle some neglect when it comes to watering. It is important to allow the soil to dry out between waterings to prevent root rot. Overwatering can be more harmful than underwatering for this plant.  

In the spring and summer, during the growing season, you want to keep the soil slightly moist but not waterlogged. A good rule of thumb is to water it when the top inch of the soil feels dry to the touch. You can water it thoroughly typically for 1-2 weeks, allowing excess water to drain out of the pot to prevent root rot. 

In the fall and winter, during the dormant season, the McDowell Philodendron plant doesn't need as much water. You should reduce the frequency of watering to once a week. It's essential to adjust your watering schedule based on the plant's needs and the environmental conditions. Overwatering can be more harmful than underwatering for this plant, so it's better to err on the side of slightly underwatering than overdoing it. Just keep an eye on the moisture and adjust accordingly to keep your Philodendron happy and healthy!

Light Requirements – Where to Place Your Philodendron Plant 

When grown indoors, it does well in bright, indirect light for at least 4-6 hours a day. You can place it near a window where it can get filtered sunlight or even a few feet away from a window with bright, indirect light.

Just avoid placing it in direct sunlight as that can scorch its leaves. If you notice the leaves turning yellow or brown, it might be getting too much light. 

For outdoor cultivation, Philodendron McDowell can still do well in bright, indirect light. It's best to place it in a spot where it gets filtered sunlight or dappled shade.

If you're in a region with intense sunlight, make sure to protect it from direct sun exposure, especially during the hottest parts of the day.

Remember, the key is to provide it with the right balance of light – not too dim and not too bright. 

Optimal Soil & Fertilizer Needs 

When it comes to soil for your Philodendron McDowell, it thrives in a well-draining potting mix. This type of soil allows excess water to drain away, preventing waterlogging, which can lead to root rot. You can also consider adding some orchid bark or charcoal to the mix to enhance aeration and drainage, promoting healthy root growth. Planet Desert specialized potting soil, opens in a new tabGo to soil cactus mix blend 1 gal 4 qt cacti succulent dirt compost growing media that includes an organic substrate with mycorrhizae to help with the growth of a healthy root system to help your succulents thrive. 

Your Philodendron McDowell doesn't require a lot of feeding. During the growing season in spring, you can fertilize it with a balanced NPK fertilizer diluted to half strength. Feed the plant once a year to provide it with the necessary nutrients for healthy growth. During the dormant season in fall and winter, you can reduce or stop fertilizing altogether since the plant's growth slows down during this time. Always remember to follow the instructions on the fertilizer package to avoid overfeeding, which can harm the plant. With the right soil mix and proper fertilization, your Philodendron plant will continue to thrive and grace your space with its lush green foliage.

Hardiness Zones & More 

When grown indoors, with bright, indirect light keep the temperature between 65-80°F during the day and no lower than 60°F at night. Avoid placing it near drafty windows or doors as sudden temperature drops can stress the plant. Maintaining a stable temperature will help your Philodendron thrive and remain healthy indoors. 

For outdoor planting, the Philodendron McDowell is suitable for USDA hardiness zones 10-11. These zones typically have milder winters with temperatures above 30°F.

If you live in a colder climate, you can still grow it outdoors during the warmer months and bring it inside before the temperatures drop. This plant thrives in temperatures above 50°F and doesn't tolerate frost well. 

The Philodendron plants enjoy moderate to high humidity levels. Indoors, you can increase humidity by misting the plant regularly, using a humidifier, or placing a tray of water near the plant. Outdoors in humid regions, the plant will naturally benefit from the ambient moisture in the air. 

Wildlife – Philodendron Mcdowell Attracts the Following Friendly Pollinators 

The Philodendron McDowell is known to attract pollinators such as bees, hummingbirds, and butterflies with its unique flowers. These pollinators are drawn to the plant's nectar and can help facilitate the pollination process, leading to the production of seeds. By attracting these pollinators, the Philodendron McDowell contributes to the ecosystem's biodiversity and promotes plant reproduction. 

Butterflies
Bees
Hummingbirds
Lady Bugs
Multi Pollinators
Other Birds

Philodendron McDowell is mildly toxic to pets and humans, causing symptoms such as irritation and swelling if ingested. It is safe to touch and handle without any adverse effects. However, it is recommended to keep this plant out of reach of pets and children to prevent accidental ingestion.

How to Propagate Your Philodendron ‘Mcdowell 

The Philodendron McDowell can be propagate through stem cuttings. To propagate your plant, you can take a cutting with at least one node (where leaves are attached) and place it in water or directly into a well-draining potting mix. Keep the cutting in a warm and humid environment, and roots should start to develop within a few weeks. Once the roots are established, you can transplant the cutting into a larger pot with soil and continue to care for it as you would a mature plant. This method of propagation is relatively straightforward and can help you expand your Philodendron collection. 

Key Takeaways

  1. This Philodendron is a hybrid created by John Banta, a cross between Philodendron gloriosum and Philodendron pastazanum. It inherits the striking heart-shaped leaves and velvety texture from its parent plants.
  2. The Philodendron 'Mcdowell' is a crawler rather than a climber, unlike vining Philodendrons, which grow upward with support.
  3. The extremely large, heart-shaped leaves are velvety with prominent white veins, making it a popular choice among collectors. Young leaves often emerge with a pinkish hue before maturing into a deep green.
  4. As a crawler rather than a climber, Mcdowell grows horizontally across the soil, requiring a wide pot or ground space to thrive.
  5. This Philodendron plant is known for its air-purifying qualities, making it a popular choice for indoor spaces.

The Bottom Line 

Overall, the Philodendron ‘Mcdowell’ is a stunning hybrid known for its large, heart-shaped, velvety leaves with distinct white veins that give it a bold, tropical appearance. As a crawling variety, it grows horizontally, spreading across the soil, which makes it ideal for wide containers or as a ground cover in tropical gardens. This plant thrives in bright, indirect light and requires consistently moist but well-drained soil. It’s essential to let the top inch dry out between waterings to prevent root rot. High humidity (around 60-80%) and warm temperatures between 65-80°F are ideal for its growth, making it a great indoor plant, especially when a humidifier is available in drier environments. With proper care and attention, Philodendron ‘Mcdowell’ brings lush, green beauty to any space and rewards growers with its impressive, luxurious foliage. Order your very own Philodendron ‘Mcdowell’ for sale today! 

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John P. Jones III
Lowell, US
★★★★★ 5
“The fragments of a life”…
A formidable movie, in the stricter sense of the word. In a looser sense, it has helped shape the way that I’ve seen the world, ‘lo these past six decades. I saw this movie when it first came out, in 1963, at one of my favorite art theaters in Pittsburgh. Like most of us at the time, we’d only viewed rather straightforward movies of “good and evil,” Westerners, and the like. Predictable endings. The director of “8 ½,” Federico Fellini, offered something radically different, a foreshadowing of the stream-of-consciousness technique in literature, how the fragments of one’s life get all jumbled up in the brain. And he provided some takeaways that have long been with me. I was 16 at the time and took a date who was 15. In re-watching it now, if I thought it somewhat baffling at 16, I wonder what my date thought about the portrayal of the women in the movie, who are “fragments” in the life of the movie director, Guido Anselmi, excellently played by Marcello Mastroianni. There is his wife, Luisa, wonderfully played by Anouk Aimée, who was the motive force behind the re-watching of it now. There is the “virginal” Claudia Cardinale, usually in white (I had not realized that she was originally Tunisian). Sandra Milo plays Guido’s flighty bimbo of a mistress. And so many others: The airline stewardess; the caring mom who wraps the infant Guido in a blanket; the first stripper; the insightful and nagging friend of his wife… “Upstairs when you are 40.” That was one of the big takeaways. Anselmi is having this male fantasy about his “harem,” all those fragmented women who are there to serve him and do so in complete harmony when he realizes that the “stripper” is now 40 and must go upstairs, the metaphor for being placed on the “discard pile” for being too old. He gets out his bull whip even, to drive her up the stairs. Even at 16, when 40 is more than twice your life away, it did seem a bit harsh, particularly when the same rule does not apply to the guy with the bull whip. It was also my first viewing of the prototype of those pompous pedantic critics of movies or literature who toss around expressions like “impoverished poetic imagination,” “overabundant symbols,” and, of course, “self-indulgent.” I was in parochial high school at the time, so the scenes in which the priests were chasing down the young student Guido in order to shame and humiliate him because he found sexual imagery to be of interest, imagine that, strongly resonated. It was also the era that the Catholic Church published “The Index of Forbidden Books,” (which now seems to have been taken over by the woke crowd of today), and thus the scene in which Anselmi has to pay homage to the Cardinal also resonated. Anouk Aimée is absolutely mesmerizing. She has been a “fragment” of my own life, ever since I viewed “A Man and a Woman” in the ’60’s. Again, she played opposite the equally formidable Jean-Louis Trintignant, of “Z,” “Three Colors, Red,” and so much else, fame. Far more relevantly, the two of them recently played in “The Best Years of Our Lives,” again directed by Claude Lelouch. Aimée is now a young 90. In her role as Anselmi’s wife, Luisa, she wore those glasses that connotated a greater thoughtfulness than him. I searched that ever-so-youthful face watching for the subtle expressions of later movies. It struck to the core. Luisa is utterly fed up with Guido’s philandering and constant lies. And Guido is suffering from “director’s block” in trying to finish his movie, with what sort of message? Luisa fires off THE classic line that I have long remembered: “But what can you say to strangers when you can’t tell the truth to the one closest to you…”. The only problem is that I’ve felt that line was said in Ingmar Bergman’s “Scenes from a Marriage.” And maybe that line was ALSO said in Bergman’s movie, which means one more movie I need to watch to find out. As I said earlier, things can tend to get jumbled up in the brain, even more so as one ages. Fellini would understand, maybe Aimée would also. 5-stars, plus for Fellini’s classic, formidable film.
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Reviewed in the United States on March 14, 2023
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Stephen McLeod
Boise, US
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One of the greatest in SPECTACULAR DVD package
This new Criterion Collection edition of *8 1/2* is one of the best DVD "special edition" sets I've come across. The Movie: Fellini's breakthrough film is a movie about itself. It is archetypal in the Fellini canon because it both settles old scores and announces a new cinema. The film's hero is an Italian filmaker (Mastroianni as "Guido" a quasi-alter ego for the director) who has just had his first major hit (=La Dolce Vita). He is not resting on his laurels, however. He is confronted with the necessity of the next movie. This necessity is both personal to the director and apparently contractual: the producer is forever hovering... To Guido, it is an inner necessity, an unrest, a creative suffocation, objectified in the opening sequence of the movie where Guido is seen/not seen by the camera, trapped inside a tiny car that is itself trapped in a traffic jam that stretches endlessly beyond available light as the car fills with toxic gas. We see the as yet unidentified hero in silhouette from behind. We see his hands and feet from outside the car, through the window as he desparately tries to escape. Then, he mysteriously escapes through the car's roof like a new bird escaping its shell and is carried off into the clouds, etc. The trouble is, this is a wish fulfillment dream. In "real" life, Guido is about to make a movie, and he has no idea what it's going to be about, or what to do with all the actors and extras, and the giant launching pad for some kind of space-ship that is the only thing even close to a concrete idea for the projected picture. The film is not, however, a perfect autobiographical fit. For one thing, Fellini gets to finish his movie and Guido, evidently, does not. But, that said, the movie is a virtual mirror of itself, which was a very hard thing to pull off in 1962, before the concept of "virtual" was annexed by the codifiers of computer jargon, and *8 1/2* is nothing if not a virtuoso performance. Fellini's breakthrough is the film we watch. But in the film, the hero finds the resolution to his anguish, not in finding the project - that is, in making what would have been the film-about-itself within the film-about-itself within the film-about-itself that we are, finally, watching - but in letting go of the project, in surrendering to the impossibility of finding it or making it. Precisely *on the other side of his own fantasy-suicide*, at the moment when he apparently gives in to despair, he discovers the circle of life and becomes able to join into the procession of lives into which his own life is finally intertwined. So, this is an essential film. And it is a film so rich in texture that a person could watch the movie a hundred times and find new things to wonder at, and discover new connections between the One and the Many - Fellini's personal/existential problem. The DVD: First disc contains a sparkling transfer of the movie that restores a luster to the angular lights and shadows in Fellini's final black & white movie. Audio commentary by a couple of scholars and Fellini's former close accomplice Gideon Bachman. Second disc contains Fellini's famous "Director's Notebook" of 1968(-9), an hour-long movie that was originally made for television, as well as another documentary about composer Nino Rota, and various interviews, including one with the ever-fiesty Lina Wertmueller who was Fellini's Asst. Director on *8 1/2*. The package also comes with a really interesting little booklet with lots of information and a thoughtful mini-essay. Overall a great package that I'll not regret buying.
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