SKU: 21694006724
anthurium oblongifolium

anthurium oblongifolium Anthurium magnificum

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Description

anthurium oblongifolium Anthurium magnificumAnthurium magnificum Anthurium magnificum is a Colombian velvet Anthurium with broad heart shaped leaves, pale veins and four angled petioles. New leaves open soft, then harden into darker, firmer velvet leaves. The four sided petioles help separate it from similar velvet Anthuriums. They have narrow winged edges that become especially noticeable toward the upper part. Velvet leaves and four angled petioles Growth: Colombian epiphytic Anthurium with a

Anthurium magnificum

Anthurium magnificum is a Colombian velvet Anthurium with broad heart-shaped leaves, pale veins and four-angled petioles. New leaves open soft, then harden into darker, firmer velvet leaves.

The four-sided petioles help separate it from similar velvet Anthuriums. They have narrow winged edges that become especially noticeable toward the upper part.

Velvet leaves and four-angled petioles

  • Growth: Colombian epiphytic Anthurium with a central crown.
  • Leaf shape: Broad heart-shaped leaves with a deep sinus and rounded upper shoulders.
  • Surface: Velvet green leaves that become firmer with maturity.
  • Veins: Pale main veins are clear on mature leaves.
  • Petioles: Four-angled petioles with narrow winged edges.
  • Mature plant: A wider crown as the leaves broaden and the root system develops.

Colombian forest origin

Anthurium magnificum is native to Colombia, including Risaralda, Cundinamarca and Boyacá. It grows in wet tropical conditions, often with roots exposed to air rather than buried in dense soil. Indoors, it grows best with warm roots, filtered light and an open substrate.

New velvet leaves expand best when light, warmth and watering stay steady. The plant responds well when the root ball stays lightly moist, the mix stays airy and the crown is not buried during repotting.

Growing broad mature leaves

  • Light: Provide bright filtered light. Direct midday sun can scar the velvet leaf.
  • Watering: Water once the upper mix has started to dry, keeping the root ball lightly moist.
  • Substrate: Use a chunky aroid mix with bark, coco chips or coarse fibre, perlite or pumice, and a modest moisture-holding part.
  • Humidity: Around 60–80% humidity helps large new leaves expand with fewer creases.
  • Temperature: Keep warm, around 20–28 °C, while new leaves are developing.
  • Feeding: Feed lightly but regularly during active growth.
  • Potting: Use a stable pot with strong drainage as the crown widens.
  • Repotting: Refresh the substrate before it breaks down. Keep the crown at the same level and keep petiole bases above the mix.
  • Leaf care: Dust mature leaves with a soft damp cloth. Leaf oils and hard wiping can mark velvet foliage.
  • Propagation: Divide mature plants only when they have separate growth points and healthy roots.

Common Anthurium magnificum issues

  • Small new leaves: Check root health, light, warmth and feeding while the next leaf is forming.
  • Yellowing near the base: Check the lower mix for compaction, poor drainage or stale moisture.
  • Brown edges: Review humidity, watering consistency, fertiliser strength and mineral buildup.
  • Weak petioles: Root stress, crown softness or dehydration can reduce petiole firmness.
  • Leaf deformation: Sudden humidity drops, pest feeding or root stress can affect soft expanding leaves.
  • Water-soaked edge marks: Keep the leaves dry and improve airflow if translucent marks start spreading.

Flowers on Anthurium magnificum

When mature, this species can produce a green to reddish spathe and a dark violet-toned spadix.

Plant safety

Keep this Anthurium away from pets and small children. Its calcium oxalate crystals can irritate the mouth, throat, skin and eyes, especially when sap from cut or damaged tissue is handled.

Botanical name

Anthurium refers to the spadix. The species name magnificum means magnificent or splendid.

Bright filtered light, fresh open substrate and steady warmth support broad velvet leaves on firm four-angled petioles.

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SKU: 21694006724

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4.8 ★★★★★
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J
Verified Purchase
JR
New York, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
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Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Phoenix, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
D
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David R. Papke
Fort Morgan, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
D
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DoubtfulReader
Pawtucket, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Whiting, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021

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