SKU: 21969077728
ficus audrey in the wild

ficus audrey in the wild 7-10 FT Tall Audrey Ficus

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Description

ficus audrey in the wild 7-10 FT Tall Audrey FicusDescription Meet the Audrey Ficusthe sophisticated older sister of the fiddle leaf fig! With her velvety oval leaves and gorgeous pale veining, she's like discovering the perfect vintage jacket at a thrift storeunexpectedly elegant, incredibly versatile, and guaranteed to attract attention. Native to India and Pakistan, this indoor banyan tree knows how to command attention while keeping things manageable. Indoors, your Audrey Ficus will gracefully

Description

Meet the Audrey Ficus—the sophisticated older sister of the fiddle leaf fig! With her velvety oval leaves and gorgeous pale veining, she's like discovering the perfect vintage jacket at a thrift store—unexpectedly elegant, incredibly versatile, and guaranteed to attract attention.

Native to India and Pakistan, this indoor banyan tree knows how to command attention while keeping things manageable. Indoors, your Audrey Ficus will gracefully reach 5-10 feet tall, creating that perfect "I definitely have my interior design game figured out" vibe. Unlike her fussier sister the fiddle leaf fig, she's forgiving about your plant-parenting mishaps and won't throw dramatic tantrums when you're not perfect.


Care 

How do you care for an Audrey Ficus?

Audrey Ficus care is refreshingly straightforward: bright indirect light placement, careful watering when the top two inches feel dry, regular gentle misting for proper humidity, and monthly balanced fertilizer during the active growing season for optimal health and vibrant growth.

She'll thrive near a south or west-facing window where she can bask in plenty of bright, filtered light. Water her thoroughly when the top 1-2 inches of soil are completely dry, then let excess water drain away (she hates soggy feet). A little humidity makes her happy, so mist occasionally or use a humidifier. During spring and summer, feed her a balanced fertilizer at half strength monthly—she's not a heavy eater, just appreciates the occasional nutritional boost.


Is Audrey Ficus a good indoor plant?

The Audrey Ficus is an absolutely excellent indoor plant, offering lush tropical vibes with significantly easier care requirements than most large-leafed statement plants, making it perfect for intermediate plant parents seeking dramatic visual impact without constant stress and fussiness.

She adapts beautifully to indoor life and adds instant sophistication to any space. Her air-purifying qualities are just a bonus—she's primarily here to make your home look like it belongs in a design magazine. Unlike some divas in the plant world, she's genuinely pleasant to live with and won't punish you for minor care slip-ups.


Can Audrey Ficus tolerate low light? 

Audrey Ficus can tolerate medium light conditions reasonably well but absolutely won't thrive in truly low light situations. She strongly prefers several hours of bright, indirect sunlight daily for optimal growth, vibrant coloring, and healthy leaf development throughout the year.

She's flexible but not a miracle worker. In lower light, you'll notice slower growth and potentially some leaf drop as she conserves energy. For her to really show off those stunning velvety leaves and maintain her elegant form, give her the bright spot she deserves. 


How often do you water an Audrey Ficus?

Water your Audrey Ficus thoroughly only when the top 1-2 inches of soil are completely dry, which typically occurs every 1-2 weeks during active growing season and every 2-3 weeks during winter months when growth naturally decreases.

Always check the soil moisture rather than following a rigid schedule—she's much more forgiving of slight underwatering than overwatering. During her active growing period in spring and summer, she'll be thirstier, while winter calls for more restrained watering as her growth slows down.


How quickly does an Audrey Ficus grow indoors?

The Audrey Ficus grows at a pleasantly moderate pace indoors, typically adding around 12-24 inches per year with proper care and attention, gradually reaching its full indoor size of 5-10 feet tall in approximately 5-7 years under ideal growing conditions.

She's not in any rush to overwhelm your space, which makes her perfect for planning your room's layout. This steady growth means you can enjoy watching her gradually transform into a stunning floor-to-ceiling statement piece without suddenly finding yourself living in a jungle overnight.


How much sun does Ficus Audrey need?

Your Audrey Ficus needs several hours of bright, indirect sunlight daily. Gentle morning or evening direct sun is perfectly acceptable, but she won’t appreciate harsh midday sun. Position her near a bright window to soak up plenty of filtered light. 


Should I mist my Audrey Ficus?

Misting your Audrey Ficus is definitely good for her health, especially in dry indoor environments. This increases humidity levels and keeps her beautiful velvety leaves clean and dust-free, though not strictly necessary if you maintain adequate household humidity levels.

She appreciates the extra moisture and attention, particularly during winter when indoor air tends to be drier. A light misting every few days or using a humidifier nearby will keep her looking her absolute best and help prevent those crispy leaf edges.


What is the best fertilizer for an Audrey Ficus?

The best fertilizer for your Audrey Ficus is a balanced, water-soluble option with standard NPK ratios like 10-10-10 or 20-20-20, diluted to half strength and applied monthly during spring and summer. Skip the feeding entirely during fall and winter.


Pet-friendly?

The Audrey Ficus is definitely not pet-friendly. While she's gorgeous to look at, she's not safe for nibbling. Her sap contains ficin and proteolytic enzymes that can cause some seriously unpleasant digestive issues for your furry friends. 

 

Is Audrey Ficus toxic to dogs?

The Audrey Ficus is definitely toxic to dogs, with its natural latex sap containing ficin and proteolytic enzymes that can cause vomiting, diarrhea, and oral irritation. If your pup decides to take a taste test, contact your vet right away.


Is Audrey Ficus poisonous to cats?

The Audrey Ficus is toxic to cats, with its natural latex sap potentially causing drooling, vomiting, diarrhea, and mouth irritation. Keep her positioned where your kitty can appreciate her elegance without being tempted to turn her into a salad course.


Factoids

What is the difference between an Audrey Ficus and a Fiddle Leaf Fig?

The Audrey Ficus has oval, velvety leaves and is much easier for busy plant parents to care for. The Fiddle Leaf Fig has dramatic, violin-shaped, glossy leaves and is higher maintenance. Both reach impressive indoor heights when cared for.

Think of Audrey as the cool, collected sister who has her life together, while the Fiddle Leaf Fig is the dramatic sibling who requires constant attention. Both are stunning, but Audrey Ficus won't sulk if you're not perfect with her care routine.


Is Ficus Audrey rare?

Ficus Audrey is considerably less common than the popular Fiddle Leaf Fig but is becoming increasingly available through speciality plant shops and online retailers, so it's not considered truly rare, just more exclusive and harder to find than mainstream houseplants.

She's having her moment in the spotlight as more plant lovers discover her superior temperament and gorgeous looks. While you might not find her at every big box store, she's definitely accessible for anyone ready to upgrade their plant game.


What is the benefit of Audrey Ficus?

The Audrey Ficus gives you healthier indoor air, looks gorgeous, and is significantly easier to care for than similar large-leafed plants. All this makes her perfect if you’re not quite the green-fingered goddess or god you’d like to be.


Where does Audrey Ficus get its name?

The "Audrey" moniker is a modern addition that perfectly captures her sophisticated, timeless appeal—much like a certain iconic actress. Her botanical name, “Ficus benghalensis”, comes from her South Asian heritage and connection to the sacred banyan trees of India.


Buy an Audrey Ficus

Turn your space from "nice apartment" to "botanical sanctuary" with this effortlessly elegant statement piece. Our Audrey Ficus brings sophisticated elegance and air-purifying power to any room, creating that coveted "I definitely know what I'm doing with plants" energy that makes guests wonder if you've secretly hired an interior designer.

With our live video shopping calls, you can literally point and say "THAT gorgeous Audrey!" to select the exact Ficus benghalensis 'Audrey' that makes your plant-loving heart sing. No guessing games, no plant roulette—just you, meeting your future green companion face-to-face before she ships safely to your door. Because finding your perfect banyan tree should be as elegant as the plant herself!

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SKU: 21969077728

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4.8 ★★★★★
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J
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jk Smiles
Dallas, US
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 30, 2018
L
Verified Purchase
Lori T. Sly
Alexandria, US
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful. McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do. However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies! If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why. McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism. Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging. With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else. In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree. But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
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Reviewed in the United States on December 12, 2019
R
Verified Purchase
Ray Pryor
Los Angeles, US
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
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Reviewed in the United States on April 18, 2017
K
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Kindle Customer
Cuba, US
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
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Reviewed in the United States on June 12, 2017
C
Verified Purchase
cf otto
Omaha, US
★★★★★ 5
ONE OF THE TWO BEST BOOKS ON SCREENWRITING
Format: Hardcover
Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
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Reviewed in the United States on October 14, 2016

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