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Description
best potting soil for indoor succulents Succulent & Cactus Soil - 4 QuartsVery Well Draining Soil Mixture for Succulents and Cactus Plants Organic Succulent and Cactus Soil Mix by Perfect Plants potting soil for succulents Comes in a 4 Quart or 8 Quart resealable bag professionally pre mixed for your succulent and cactus plants to provide healthy succulent growth. The cactus dirt is mixed for drainage and aeration to provide the perfect balance of air and moisture while retaining nutrients. This succulent potting mix helps
Very Well Draining Soil Mixture for Succulents and Cactus Plants
Organic Succulent and Cactus Soil Mix by Perfect Plants – potting soil for succulents
Comes in a 4 Quart or 8 Quart resealable bag – professionally pre-mixed for your succulent and cactus plants to provide healthy succulent growth.
The cactus dirt is mixed for drainage and aeration to provide the perfect balance of air and moisture while retaining nutrients. This succulent potting mix helps prevent soil compaction and improves the fast draining nature. The succulent mix does not hold moisture water and will enhance beautiful, colorful leaves on your plants.
This succulent soil mix is specially formulate to enhance the dry conditions that succulent plants love while providing room for roots to grow without compacting the soil medium and providing plenty of organic matter. We have perfected this well draining soil.
Soil recipe mix includes — Organic Peat Moss, Composted Pine Bark, Coarse Sand, Part Perlite, and Lime for proper pH.
Perfect for adding to regular potting soil or organic potting soil mixture from the garden center.
TIPS FOR GROWING SUCCULENTS:
- Succulents prefer full sun.
- When planting succulents in pots, make sure your container has a drainage hole. Potted succulents need a regular watering schedule too. Pots without a drainage hole are susceptible to root rot.
- Don’t compact soil too hard when first planting succulents and cacti. This will prevent air from getting through the soil and will make it harder during waterings to drain.
- Succulent gardens are a fun way to get creative with your plants. This is the best soil for succulents to get you going with your DIY projects. You can even add it to garden soil!
- Growing succulents outdoors is very different than growing succulents indoors. They require much more water due to the weather. Indoor succulents only need to be watered once or twice a month; alternatively outdoor plants need watering once or twice every two weeks. Get to know your plant. Water when the soil is completely dry, water when needed.
- Too much water can be absorbed by their fleshy leaves and can harm your plants depending on the type of succulent.
Be sure to check out our Succulent Grow Guide for more information on planting and growing succulents.
Also check out the Succulent Fertilizer!
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4.1 ★★★★★
Based on 17 reviews
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Product Reviews
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Reviewed in the United States on September 8, 2024
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY
By Lisa Cron
Reviewed by C J Singh (Berkeley, California)
Excellent Primer on Novel-Writing
In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/
Here's my review of Lisa Cron's "Wired For Story"
"WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft.
Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow.
"Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information.
Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23).
.
"Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own.
Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65)
.
"Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious.
"Story Secret: There's no writing; there's only rewriting" (p 219).
Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow.
"Myth: Write What You Know.
"Reality: Write What You Know EMOTIONALLY" (p 62).
.
"Myth: Sensory Details Bring a Story to Life."
"Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118).
.
"Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying.
"Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152).
Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene.
At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti."
An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 )
WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020
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