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Description
double wagon stroller for infant and toddler 3Dlite Wagon Convenience StrollerDescription Roll into all of your familys adventures with the Summer by Ingenuity 3Dlite Wagon. The first 3D folding wagon, this lightweight but durable stroller wagon features a full sized seating area that safely accommodates two little ones while providing plenty of space for whatever you need on your journey. Made with recycled fabrics, this patent pending wagon stroller features the signature 3Dlite compact fold and auto lock, ideal for travel or
DescriptionRoll into all of your family’s adventures with the Summer by Ingenuity 3Dlite Wagon. The first 3D folding wagon, this lightweight but durable stroller wagon features a full-sized seating area that safely accommodates two little ones while providing plenty of space for whatever you need on your journey. Made with recycled fabrics, this patent pending wagon stroller features the signature 3Dlite compact fold and auto-lock, ideal for travel or storage when not in use. Keep squabbles to a minimum thanks to two individual trays and cup holders, which give each kid their own space to enjoy snack time. Children will be safe and secure thanks to 3-point safety harnesses and anti-shock front and rear wheels. Additional features include a removable sun canopy with zip-out mosquito nets, a rear storage basket, plus a cup and cell phone holder for parents. Whether your family is headed to the beach or just down the street, you can get there a little easier with the Summer by Ingenuity 3Dlite Wagon for kids!
- LIGHTWEIGHT & COMPACT: Weighing in at just 24 pounds, the Summer by Ingenuity 3Dlite Wagon has a lightweight, durable steel frame and folds compactly with an auto-lock feature that keeps it contained for travel and storage
- COMFORT & SAFETY: The seating area of this stroller wagon holds 2 children comfortably with 3-point safety harnesses to keep them safe and secure on-the-go
- ADDITIONAL FEATURES: A removable and adjustable canopy with zip-out mosquito nets provides UPF 35+ protection from the sun, while the anti-shock front and rear wheels give kiddos a smooth ride in this baby wagon stroller
- FOR THE PARENTS: Adults will enjoy the added benefit of a cup holder, cell phone holder, and a large, easy-access rear storage basket that can hold up to 10 pounds of gear
- RECOMMENDED USE: The Summer 3Dlite Wagon stroller is recommended for babies 6 months and up; each seat can accommodate a child up to 50 pounds
Price & Details
MSRP: 189.99
SKU: 32123-000
Dimensions (in): 44.5" (H) x 21.25" (W) x 39.37" (L)
User Age Range (months): 6 - 24 months
Assembly Required: Yes
Batteries: Not Required
Materials:
Instructions & Care
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4.6 ★★★★★
Based on 22 reviews
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Product Reviews
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked.
I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001