SKU: 2880923718
dimensions of city select double stroller

dimensions of city select double stroller Baby Jogger City Select® 2 Double Stroller

Sale price$21.57 Regular price$23.97
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Description

dimensions of city select double stroller Baby Jogger City Select® 2 Double Strollercity select 2 with second seat kit. The stroller that grows with your family. The Baby Jogger City Select 2 Double Stroller is a versatile dream for parents who know having only one option is not an option. With 24 configurations, this stroller converts from a single to a double with a second seat (included!) or infant car seat, or even to a triple stroller with a glider board! (Infant car seat and glider board sold separately.) Includes City Select 2

city select® 2 with second seat kit. The stroller that grows with your family.

The Baby Jogger® City Select® 2 Double Stroller is a versatile dream for parents who know having only one option is not an option. With 24 configurations, this stroller converts from a single to a double with a second seat (included!) or infant car seat, or even to a triple stroller with a glider board! (Infant car seat and glider board sold separately.)

Includes City Select® 2 Stroller and the City Select® 2 Second Seat Kit. With a few simple clicks, the City Select® 2 Second Seat Kit turns your City Select®2 Single into a City Select®2 Double!

City Select®2 Single Stroller Features

  • Whether this is your first baby or you're an experienced parent, City Select 2 has 24 configurations to accommodate your crew. Front facing, parent facing, sibling facing- whatever you need. Add the included Second Seat to make it a double or throw in a Glider Board and you’ve got a triple. (Sold separately)
  • Create a travel system by adding a Baby Jogger, Britax, Chicco, Graco, Nuna, and UPPAbaby infant car seat with adapters (sold separately; compatible infant car seat models vary by brand)
  • The City Select 2 is lightweight—lighter than the original City Select stroller—so it's easy to lift and transport.
  • Telescoping, height-adjustable handlebar provides comfortable steering and control, all within an arm's reach
  • Front-wheel suspension with never-flat wheels and all-terrain tires
  • Seat-back storage compartment and a large under-seat storage basket that holds up to 15 lb, so you always have everything you need within reach
  • Adjustable seat recline and calf support helps you find the most comfortable ride for your baby
  • Extended UV 50+ canopy with peekaboo window keeps kids shaded while allowing you to easily check in
  • When traveling with 2 or more, this modular stroller has plenty of space between the seats—more than the UPPAbaby Vista V2 when the second seat is attached.
  • Limited lifetime manufacturer's warranty on frame
  • Supports children up to 45 lb in each seat
  • Child weight: 6 months to 45 lb
  • Dimensions Unfolded: 35" L x 23.8" W x 41.1" H
  • Max basket weight: 15 lb
  • Stroller weight: 26.7 lbs

City Select® 2 Second Seat Features

  • Converts your City Select® 2 stroller into a double stroller with a full-sized second seat; seat holds child up to 45 lb and includes a 5-point stroller seat harness
  • Extended UV 50+ canopy with peekaboo window keeps baby shaded; multi-position reclining seat and rotating calf support easily adjust
  • Integrated seatback pockets to hold baby's extras
  • Includes a second seat and mounting brackets
  • Maximum weight capacity for second seat is 45 lb

Includes: City Select 2 stroller, City Select 2 Second Seat and adapters/mounting brackets.

Shipping Notes
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 2880923718

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Trendy Chic
San Leandro, US
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Reviewed in the United States on September 8, 2024
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Matthew
Houston, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
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Draper, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
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AMD
Boise, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Fort Morgan, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020

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