SKU: 30367857270
black seed oil flower

black seed oil flower Premium Black Cumin Seed Oil | Kalonji Oil

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Description

black seed oil flower Premium Black Cumin Seed Oil | Kalonji OilBlack seed Oil: What's inside? Black seed oil, also known as kalonji oil, is an herbal ingredient derived from the Nigella sativa plant, which is native to Western Asia and Eastern Europe. The oil has been used for centuries in traditional medicine systems like Ayurveda and Unani It contains antioxidants and bioactive compounds. Black Cumin Seed Oil by Naturevibe Botanicals offers 100% virgin black seed oil extracted by first press method which

Black seed Oil:

What's inside?

·        Black seed oil, also known as kalonji oil, is an herbal ingredient derived from the Nigella sativa plant, which is native to Western Asia and Eastern Europe. 

·        The oil has been used for centuries in traditional medicine systems like Ayurveda and Unani It contains antioxidants and bioactive compounds.

·        Black Cumin Seed Oil by Naturevibe Botanicals offers 100% virgin black seed oil extracted by first press method which contains Omega 3,6 & 9 and 4 times Thymoquinone which is a naturally occurring compound with multiple health benefits

Benefits and uses:

·        Moisturizer: Black seed body oil is an excellent moisturizer for dry or dehydrated skin. It helps to replenish moisture, leaving the skin soft, smooth, and supple. Simply apply a few drops of the oil to damp skin after showering or bathing to lock in moisture.

·        Massage oil: The lightweight and non-greasy texture of black seed body oil make it ideal for use as a massage oil. It glides smoothly over the skin, allowing for a relaxing massage experience. The oil's moisturizing properties also help to nourish the skin during massage.

·        Skin nourishment: Black seed body oil is rich in essential fatty acids, vitamins, and antioxidants, which nourish and rejuvenate the skin. Regular use of the oil can help improve the overall health and appearance of the skin, reducing dryness, irritation, and signs of aging.

·        Hair and scalp treatment: Black seed body oil can also be used to nourish and condition the hair and scalp. Massage a small amount of the oil into the scalp to moisturize and soothe dry, flaky skin, and promote healthy hair growth. It can also be applied to the ends of the hair to hydrate and tame frizz.

·        Hair mask instructions:

1. Add the black seed oil to your desired ingredients and mix well until you have a creamy consistency.

2.      If desired, add a few drops of your chosen essential oil for fragrance and additional hair benefits. Mix thoroughly.

3.      Wet your hair with water and gently squeeze out any excess moisture.

4.      Apply the black seed oil hair mask to your hair, focusing on the lengths and ends. Use your fingers or a wide-tooth comb to ensure even distribution.

5.      Once your hair is fully coated with the mask, cover it with a shower cap or plastic wrap to trap heat and enhance absorption.

6.      Leave the mask on for 30 minutes to 1 hour to allow the nourishing ingredients to penetrate the hair shaft.

7.      After the desired time has passed, rinse your hair thoroughly with lukewarm water to remove the mask.

8.      Follow up with your regular shampoo and conditioner routine if needed.

9.      Style your hair as usual.

Product Specifications – Black Seed Oil

Specification Details
Product Name Black Seed Oil
Brand Naturevibe Botanicals
Form Liquid Oil
Key Ingredient Black Seed Oil (Kalonji Oil)
Botanical Name Nigella sativa
Extraction Method First Pressed
Color Dark Amber to Brown
Aroma Characteristic Spicy, Earthy Aroma
Texture Lightweight and Easily Absorbed
Recommended Use Skin Care, Hair Care, Scalp Care, Massage, DIY Beauty Formulations
Storage Store in a cool, dry place away from direct sunlight
Packaging Cosmetic Grade Container
GMO Status Non-GMO
Artificial Preservatives None
Shelf Life Refer to package label for best-before date

Packaging may vary from images shown. Product quality, quantity, and specifications remain unchanged.

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SKU: 30367857270

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4.5 ★★★★★
Based on 7 reviews
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Product Reviews
D
Verified Purchase
Diana D
San Leandro, US
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader. This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story. I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2016
J
Verified Purchase
JR
Boise, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Lake Worth, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
West Palm Beach, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Los Angeles, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017

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