SKU: 31313713057
chicco lightweight stroller fog

chicco lightweight stroller fog Chicco Liteway Stroller

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Description

chicco lightweight stroller fog Chicco Liteway StrollerChicco Liteway Stroller Dune Big Stroller Features with Small Stroller Convenience Simplify your outings with the Chicco Liteway Stroller, designed for parents who need both functionality and portability. Whether you're running errands, exploring tight city streets, or heading on that long awaited vacation, this lightweight yet feature packed stroller ensures effortless travel with your little one. Comfort Designed for Little Ones Keep your child

Chicco Liteway Stroller - Dune

Big Stroller Features with Small Stroller Convenience

Simplify your outings with the Chicco Liteway® Stroller, designed for parents who need both functionality and portability. Whether you're running errands, exploring tight city streets, or heading on that long-awaited vacation, this lightweight yet feature-packed stroller ensures effortless travel with your little one.

Comfort Designed for Little Ones

Keep your child comfortable through every ride with the Chicco Liteway's customizable features. The four-position adjustable backrest easily reclines with one hand, letting your little one rest or take in the view. An adjustable leg rest adds extra support during longer outings, and the breathable mesh side panels ensure proper ventilation for a cozy, cool ride—even on warmer days.

Practical Yet Stylish Design

Never compromise on convenience or style. The adjustable, removable canopy with a peek-a-boo window shields your little one from harsh sunlight while keeping them visible to you. With built-in storage options like a spacious under-seat basket, zippered compartment, and mesh pocket, you'll have room for all your essentials. Padded handles and a removable parent cup holder make the Chicco Liteway as comfortable for you as it is for your child.

Smooth Rides, Every Time

Transition seamlessly over sidewalks, streets, or park paths. Rear-wheel suspension, lockable front swivel wheels, and treaded tires ensure a smooth, steady ride across surfaces. The toe-tap rear brakes provide stability and safety when parked. Weighing just enough to provide sturdy support, the stroller’s lightweight frame, compact 3D fold, automatic storage latch, and carry handle make it easy to pop into your car and go.

For Growing Families

Perfect for children aged 6 months and up to 40 lbs., this stroller grows with your child. Designed for convenience, the Chicco Liteway® is JPMA Certified for safety and quality. Keep it looking brand-new with easy-to-clean removable fabrics and spot-cleanable parts, ensuring it stays ready for every outing.

With the Chicco Liteway Stroller - Dune, your daily adventures just got a whole lot simpler. Reliable, versatile, and packed with premium features, it’s designed to meet the needs of both parents and little ones alike.

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SKU: 31313713057

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David R. Papke
Alexandria, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Houston, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Los Angeles, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Houston, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Houston, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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