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dudleya succulent rare

dudleya succulent rare Dudleya virens in 8 Inch Pot Live Succulent – Phoenix Rising Succulents

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Description

dudleya succulent rare Dudleya virens in 8 Inch Pot Live Succulent – Phoenix Rising SucculentsThese are a fairly rare Dudleya that originated from San Clemente Island and Santa Catalina Island off the coast of Southern California. These specimens are seed grown from domestic stock. This is for one large plant growing in a 8" inch container shipped bare root. All of our plants are grown in the beautiful Temecula Valley in sunny Southern California, and we ship within the United States. Shipping is done Monday, Tuesday, and Wednesday so plants

These are a fairly rare Dudleya that originated from San Clemente Island and Santa Catalina Island off the coast of Southern California. These specimens are seed grown from domestic stock. This is for one large plant growing in a 8" inch container shipped bare root. All of our plants are grown in the beautiful Temecula Valley in sunny Southern California, and we ship within the United States. Shipping is done Monday, Tuesday, and Wednesday so plants don't get stuck at the Post Office over the weekend.
Any questions please ask.

Origin and Habitat: Dudleya virens is native to several coastal southern California and Baja California (Mexico) locations, comprising Palos Verdes Hills on the Palos Verdes Peninsula coast in Los Angeles County; on several of the Channel Islands in California (San Clemente, San Nicolas, Santa Catalina islands); and on Guadalupe Island off the northwestern Baja California Peninsula, Mexico. The subspecies virens is endemic to the San Clemente Island (California)
Altitude range: Less than 400 meters above sea level.
Habitat and ecology: This species grows in the coastal bluff shrub community of San Clemente Island on rock cliffs and slopes. Hummingbirds visit the flowers for their nectar.

Description: Dudleya virens is a species of perennial, succulent plant in the Stonecrop family (Crassulaceae) branched and forming cushions of densely clustered rosettes to at least 40 cm in diameter. The leaves are fleshy strap-shaped, flattened and non-viscid and, 8–20 cm long and 1.5–3 cm broad, tapering from the base (or from near middle) and are green or greyish with red-dish tips. Thick leafy red flower stems rise from the center of the plant to support candelabras of fragrant white or rosy flowers, with five petals that spread from near the middle.
Stem: Caudices to 1 meter long, 1-4(-8) cm wide, erect, with up to 100 (or more) branches, later decumbent.
Rosettes: 5-10(-25) cm in diameter, with (15-)20-50(-55) leaves.
Leaves: Linear to triangular-lanceolate, strap-shaped to almost cylindrical, without resinous smell, (5-)8–20(-25) cm long, (6-)15–30 mm wide, 2-8 mm thick, 2-5 times wider than thick, base 8-40 mm wide, whitish or light green, surfaces sometimes glaucous farinose, not viscid, not oily; tip acute.
Inflorescences (cymes): Densely 2-5-branched and obpyramidal 6-15 cm in diameter, or wit up to15 (or more) -branched and cylindrical, main branches forked 1–2(-3) times; terminal scorpioid branches (cincinni) 3-12(-20)-flowered, 1-10 cm long; Scape reddish 20–45(-70) cm long, 4–7(-15) mm wide with 12-45 oblong leaves up to 5 cm long and 0.5-1.5 cm wide. Pedicels 2–4(-6) mm long.
Flowers: Sepals 2–4 mm, deltate-ovate, acute. Corolla 14-23 mm in diameter. Petals wide spreading or slightly reflexed from middle, 7–10(-11) mm, 2–3(-3.5) mm wide, fused 1–2(-2.5) mm, triangular-ovate or elliptic, acute, white or somewhat marked with red (then appearing pink), keel greenish, tube 1.5 - 2.5 mm, lobes divaricate or somewhat recurred from near the middle. Pistils close together, suberect to ascending, 6-10 mm long, (base tapering); styles 2-4 mm.
Blooming season: The flowers are produced in April, May, and June.

Cultivation and Propagation: This slow growing specie is seldom grown and forms colonies and thus makes an attractive small-scale ground perennial cover where winters are mild and summers dry. It is also grown as a house or conservatory plant in a porous mix. Dudleyas are hardy in USDA Zoned 9-12, the plant is highly heat and drought tolerant during the summer months and prefers moist cool winters. Powdery white leaves make these plants standouts, but avoid touching them as they are easily and permanently marked by finger marks. All of the plants in the Dudleya genus are known to live up to 100 years.
Soil: They do best in very well-drained, sandy or gravely soil. As an ornamental it is also grown in containers where it stays smaller than its outdoor brethren. In pots they need a very porous mix soil. It is typically found on coastal bluffs and has been found to be tolerant of heavy soils in garden settings.
Exposure: It requires ample sun, but provide midday shade where summers are hot. The quality of light is much more important than the quantity, the plants contain farinose powder which makes them really effective for ultraviolet reflectivity. Low light situations might be stressful and create a susceptibility to mealy bug infestation.
Watering: Dudleya are summer-dormant winter growers that require fresh air, exceptionally well- drained soil, and no summer water—even though they may appear drought stressed because their outer leaves dry and curl inward. (provide water in spring and autumn). In the summer the roots are unable to absorb the water so any excess of water simply rots them because of their dormant state.
Maintenance: Remove spent flower stems for appearance. The older leaves of Dudleya wither but remain attached to the stem. Whether or not they should be removed is disputed, but they provide a hiding place for pests and some grower’s prefer to remove them.
Uses: It will last a long time with little care and can become a beautiful pot plant with pretty inflorescences with the right care. It is a beautiful addition to a rock garden or any place with limited soil depth.
Propagation: Dudleya have been found to be propagated through both seed and vegetative, although vegetative propagation by offsets in spring or early summer is not only more popular but it is much easier to do. Dudleya should be planted at an angle. This prevent s the buildup of water in the leaves, which may lead to the leaves rotting. The vegetative propagation process needs to be done with temperatures reaching 70 degrees F. Let the cutting dry for about five to ten days and put the the cutting into the rooting compost (2 parts perlite and 1 part cactus potting mix). After finishing this you then place the pot in a warm, sheltered, but very bright filtered light area with no direct sunlight, you do not want the leaves to dehydrate. During the rooting period make sure to limit water, the rooting will take around 2 weeks, after roots form transplant into the growing container. One thing to remember when rooting cuttings, overhead watering is not good for it, apply only to the soil line. The seeds do not need to be covered but do need a moistened soil for germination. Placing them into a mist house at an optimal 70 degrees F with sufficient lighting will result in germination. Germination occurs in just two weeks.

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4.4 ★★★★★
Based on 29 reviews
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Product Reviews
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Rachel S.
Boise, US
★★★★★ 5
Exquisite, enrapturing
Format: Paperback
Loved the gritty, visceral language and the epic nature of this poem. Notely blows me away -- the loss of memory, the tangled and eternal subway, the owls and masks.
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Reviewed in the United States on May 29, 2014
E
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Eileen O Malley Callahan
Carnegie, US
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
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Reviewed in the United States on December 18, 2014
J
JeFF Stumpo
Fort Morgan, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Alexandria, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
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Raquel Wilbon
San Leandro, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020

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