SKU: 32591892874
brillion fine seed planter

brillion fine seed planter Brillion BPSB-6' 3-Point Till N Seed Seeder, 4.5 + 1.4 Bu Seed Boxes

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Description

brillion fine seed planter Brillion BPSB-6' 3-Point Till N Seed Seeder, 4.5 + 1.4 Bu Seed BoxesOverview The Brillion BPSB6 Till N Seed Seeder is a heavy duty, ground driven overseeder designed for precise interseeding across pastures, athletic fields, lawns, food plots, and turf areas. Its robust welded steel frame supports a front drive rotor, a fast spinning tillage rotor, a floating firming roller, and two ground driven seed boxes, no hydraulics or PTO required. Calibration trays and sprocket adjustable meters deliver consistent seed

Overview 

The Brillion BPSB‑6 Till ’N Seed Seeder is a heavy-duty, ground-driven overseeder designed for precise interseeding across pastures, athletic fields, lawns, food plots, and turf areas. Its robust welded steel frame supports a front drive rotor, a fast-spinning tillage rotor, a floating firming roller, and two ground-driven seed boxes, no hydraulics or PTO required. Calibration trays and sprocket-adjustable meters deliver consistent seed placement across uneven terrain and varied seed mixes.

Key Features

Dual Seed Boxes
The front 4.5-bushel micro-meter box (with agitator) handles medium and coarse seeds, while the rear 1.4-bushel box is built for fine seeds like clover and brassicas. Both are driven directly from the rear firming roller and include on-board calibration trays for fast rate adjustment.

Integrated Tillage Rotors
A drive rotor leads, followed by a tillage rotor spinning about 2.5 times faster. This opens seed furrows lightly, while floating mounting and air-shock downforce keep the blades in consistent contact with uneven ground.

Floating Firming Roller
The trailing cast iron roller beds seeds into the soil without crushing them, enhancing seed-to-soil contact and improving germination rates.

Adjustable Depth Control
Side-mounted gauge wheels allow easy adjustment of seeding depth, ensuring uniform coverage even in varying soil conditions.

Heavy-Duty Drive System
The BPSB‑6 features a welded steel frame, #80 roller chain drive, and sealed 1.5" greaseable bearings, delivering long-term durability under frequent use.

3-Point Hitch with Offset
Compatible with Category I/II hitch systems, the hitch can be offset to avoid seed overlap with tractor wheels. It includes a walkboard with handrail, tie-down lugs, parking stand, wind-deflector tray, and seed-drive disconnect pin for added convenience.

Technical Specifications

Feature Specification
Working Width 72 in
Transport Width ~90 in
Length ~46 in
Height ~50 in
Weight (empty) ~2,120 lb (962 kg)
Tractor HP Requirement 35–60 HP
Seed Box Capacities Front: 4.5 bu; Rear: 1.4 bu
Rotor Bearings 1.5″ greaseable
Drive Chain #80 roller chain
Operating Speed 4–8 MPH
Hitch Cat I/II, Quick-Attach compatible

Performance

At field speeds of 4–8 MPH, the BPSB‑6 seeds approximately 2.9 acres/hour at 4 MPH, increasing to 5.8 acres/hour at 8 MPH. Its mechanical ground-drive meters maintain consistent seed rates regardless of speed, and the rotor setup ensures reliable placement without needing full tillage. The floating firming roller settles the seedbed for uniform emergence, while calibration trays simplify rate changes mid-operation.

FAQ

What size tractor do I need?
A Category I or II tractor rated between 35 and 60 HP, equipped with a Cat I/II three-point hitch. No PTO or hydraulics required.

Can it plant small seeds like clover or brassicas?
Yes. The rear 1.4-bushel micro-meter seed box handles fine seeds.

How deep can it plant?
Seeding depth is controlled by gauge wheels and ground conditions, typically ranging from barely surface-level up to about an inch deep.

Can I use it for light tillage?
Yes. A seed-drive disconnect pin allows you to disable seeding components and use the unit as a thatcher, aerator, or light tillage tool.

Shipping Notes
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SKU: 32591892874

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Trendy Chic
Pawtucket, US
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Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Reviewed in the United States on September 8, 2024
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Matthew
Lowell, US
★★★★★ 1
Poor read
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Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
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Houston, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
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AMD
Lowell, US
★★★★★ 3
Won’t be buying book two.
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Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Cuba, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020

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