SKU: 33933112791
preserved pole moss

preserved pole moss D-Shaped Moss Pole Kit

$24.42 $27.13
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Description

preserved pole moss D-Shaped Moss Pole KitIdeal for larger plants and ambitious plant parents, this is an easy to assemble snap together moss pole with lots of room to grow and stability. Ready to graduate and get serious about moss poles but don't want to waste time on assembly? This moss pole gives your plants the right amount of support with an aesthetic backdrop. We designed our innovative D Shaped Moss Pole because we wanted to create an easy to use heavy duty moss pole. Attractive

Ideal for larger plants and ambitious plant parents, this is an easy-to-assemble snap together moss pole with lots of room to grow and stability.

Ready to graduate and get serious about moss poles but don't want to waste time on assembly? This moss pole gives your plants the right amount of support with an aesthetic backdrop.

We designed our innovative D-Shaped Moss Pole because we wanted to create an easy-to-use heavy duty moss pole.

  • Attractive honeycomb design in popular colours.
  • Snap together for easy assembly (made by an engineer so you don't have to be one).
  • Works for heavy-duty plants and can be extended into soaring heights. 

Top moss pole features

  • Longer moisture retention: less watering, less maintenance*
  • Biggest moss volume for chunky roots
  • Extendable, self-watering moss pole**

Top moss pole benefits

  • One-of-a-kind hefty moss pole
  • Assemble, disassemble, and reassemble for reuse
  • Get to those 2m+/6ft+ heights with easy stackable system

*when compared with our XL or XXL line watering frequency data. 

**self-watering, when bought with our drip cap.

Product specification

Honeycomb face trellis, with clear semi-circular back (half-moon).

One of our largest modular moss poles, the open face measures 12.5 (5") cm wide and each section is 30 cm (12") tall. This pole can be extended as your plant grows, simply add another 30 cm section every time you run out of space!

The smallest kit is a single section, with easy to follow assembly instructions. You can also choose between a 60, 90, and 120 cm kit, which can be built all at once, or added onto in steps. It's easy!

Each section holds about 1.8 litres of hydrated moss.

Material

The front and joints are made of PLA, and the backing is PETG. PLA is a 100% bio-sourced plastic: it’s made of renewable resources such as corn or sugar cane. PLA is also biodegradable and it can be composted. PETG is a 100% reusable material.

Sizing

The smallest kit is a single module that measures 12.5 cm wide (5") and 30 cm in height (12"), and the larger kits measure 60 cm (24", 2 modules), 90 cm (36", 3 modules), and 120 cm (48", 4 modules), all of which are sent with a base. Each section you wish to add can be assembled onto an already built moss pole, simply attaching the new parts and filling with more moss.

Assembly

You can find an assembly guide with pictures and a video, valid for all our D- shaped poles, at the following: D-Pole Instructions.

This pole includes a stake that is designed to be either fastened to the plant pot with zip ties for maximum stability, or simply pushed into the soil of an established plant and pot. Keep growing your pole with your plant by purchasing extension kits.

Additional modules can be attached without the use of any tools, with snap fit joints. In the same fashion, the poles may be disassembled for cleaning and reuse if your plant doesn't take to its home. The transparent curved back will allow you to supervise root growth, while retaining moisture for longer.

As hydrated moss can be very heavy, our recommendation is that you use an additional brace if your plant is very heavy, or if you extend your moss pole past 120 cm (4 units). 

Our D-Pole Bracket is an excellent solution for supporting your taller poles, as it can be attached to a nearby wall with nothing more than double sided tape, renter friendly!

Add-ons & extensions

Keep growing your pole with your plant by purchasing extension kits.

Get the incredibly practical Slow-Drip watering cap that drops into the top of your D-pole to make keeping the moss moist a breeze! You can find it here:

SlowDrip Watering Cap

Complementary products/also consider

This moss pole is designed for medium to heavy plants. Browse our other moss pole sizes to find one that suits your plant:

Monstera pattern D-Pole: similar to our honeycomb D-Shaped poles, this moss pole included an artist-designed face.

L-Line moss pole: perfect for thin-stemmed climbers and nursery plants.

XL-Line moss pole: the workhorse of moss poles, suitable for most plants.

XXL-Line moss pole: large diameter pole, best for when you really need support and moss volume.

Small print

Everything we make is printed to order and lovingly squeezed out by our 3D printers at our little workshop, so there may be slight variations and minor visual defects to your products. This is just a standard feature of the production method.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 33933112791

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4.3 ★★★★★
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Product Reviews
J
Verified Purchase
jk Smiles
Carnegie, US
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 30, 2018
L
Verified Purchase
Lori T. Sly
Lake Worth, US
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful. McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do. However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies! If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why. McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism. Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging. With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else. In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree. But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 12, 2019
R
Verified Purchase
Ray Pryor
Boise, US
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 18, 2017
K
Verified Purchase
Kindle Customer
Lowell, US
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 12, 2017
C
Verified Purchase
cf otto
Dallas, US
★★★★★ 5
ONE OF THE TWO BEST BOOKS ON SCREENWRITING
Format: Hardcover
Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 14, 2016

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