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Description
baby jogger city versa stroller Baby Jogger City Sights® Travel SystemBring your car seat and stroller together with the Baby Jogger City Sights Travel System. It seamlessly pairs the City GO 2 Infant Car Seat with the City Sights Stroller, so you can securely bring baby along for the ride, right from day 1. As the most compact folding 4 wheel modular stroller, the Baby Jogger City Sights Stroller is ready for wherever the day takes you. The one hand fold on this lightweight stroller makes it easy to pack up and store,
Bring your car seat and stroller together with the Baby Jogger® City Sights® Travel System. It seamlessly pairs the City GO™ 2 Infant Car Seat with the City Sights® Stroller, so you can securely bring baby along for the ride, right from day 1.
As the most compact-folding 4-wheel modular stroller, the Baby Jogger® City Sights® Stroller is ready for wherever the day takes you. The one-hand fold on this lightweight stroller makes it easy to pack up and store, cutting down your get-out-the-door time so you can spend more of the day on new adventures. All-terrain wheels and suspension mean more paths and sidewalks to roam, while the reversible seat lets your child see everything along the way. The reclining toddler seat, adjustable calf support, and large UV 50+ canopy keep comfort levels high and spirits up. And whether in your car, a taxi, or paired up in a stroller-car seat combo, the City GO™ 2 Infant Car Seat provides a safe spot as you venture to the next destination.
City Sights® Features
- The City Sights® stroller received the 2022 Red Dot Design award for superior product design
- Adjustable seat recline and calf support help you find the most comfortable ride
- Large under-seat storage basket with open easy-access design keeps everything you need within reach
- Large UV 50+ canopy protects your child from the sun; zippered ventilation panel provides a cool breeze while strolling
- Most compact-folding 4-wheel modular stroller
- Reversible seat lets baby see the world from any direction
- Adjustable handlebar and included belly bar feature stylish and comfortable vegan leather accents
- All-terrain wheels, combined with front-wheel suspension, allow you to explore anywhere
- One-hand fold and lightweight design make travel and storage easier
- Create a travel system with most Baby Jogger, Britax, Chicco, Clek, Cybex, Graco, Maxi-Cosi, Nuna, Peg Perego, and UPPAbaby infant car seats (adapters sold separately)
- Create 8 possible modes of use with the glider board, pram, and infant car seat (sold separately)
- Supports children up to 50 lb
- Limited lifetime manufacturer's warranty on frame
- Meets Disney size requirements
City Sights Specifications
- Weight: 24.42 lbs.
- Dimensions unfolded: 31.4" D x 23.2" W x 40.5" H
City GO 2 Features
- 3 Ways to Ride: Infant car seat can be used with the base, without the base with the taxi-safe belt path, or as a travel system with the City Mini GT2 stroller
- Designed for Peace of Mind: Engineered and tested with TRUE Test Plus™ safety standards to help protect your infant in rollover, side, front and rear collisions. Includes EPP, energy absorbing foam for effective impact energy management
- Added Layer of Security: Integrated SecureStop™ Anti-Rebound Bar provides a 30% reduction in rearward movement of the car seat during a frontal collision
- Secure Car Seat Install: RAPIDLOCK™ Base enables a secure install in seconds, with an added layer of safety from the integrated SecureStop™ Anti-Rebound Bar
- Push Button LATCH: Provides an easy, one-second attachment with audible click cue to ensure secure installation
- 4-Position Recline: Positions ensures a proper and level install in your vehicle
- Taxi-Safe Ride: Taxis or ride shares are no problem with city GO 2, which installs securely in a car with or without the car seat base
- Quiet Canopy: An extended UV 50+ canopy keeps baby shaded and features quiet adjust to ensure baby is undisturbed.
- Quick Adjustment: Keep baby safe and snug as he or she grows with an easy one-hand adjustable headrest and no-rethread 5 point harness.
- Includes soft premium fabrics and removable infant body insert to keep baby properly positioned
- Easy-carry handle
- Removable, machine washable seat pad (cold); lay flat to dry
- Certified for aircraft use
City GO 2 Specifications
- Measures 28.5" L x 17.25" W x 26.5" H
- Use: 4 to 35 lb and up to 32"
- Seat weight: 10.6 lbs
- Seat base included
Includes: City Sights stroller, City GO 2 infant car seat, and car seat base.
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4.9 ★★★★★
Based on 15 reviews
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Product Reviews
★★★★★ 5
Exquisite, enrapturing
Format: Paperback
Loved the gritty, visceral language and the epic nature of this poem. Notely blows me away -- the loss of memory, the tangled and eternal subway, the owls and masks.
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Reviewed in the United States on May 29, 2014
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
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Reviewed in the United States on December 18, 2014
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section.
When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes:
"another woman" "in uniform" "from above ground"
"entered" "the train" "She was fireproof" "she wore gloves, & she"
"took" "the baby" "took the baby" "away from the"
"mother" "Extracted" "the burning baby" "From the fire" "they
made together" "But the baby" "still burned"
("But not yours" "It didn't happen" "to you")
"We don't know yet" "if it will" "stop burning,"
"said the uniformed" "woman" "The burning woman" "was crying"
"she made a form" "in her mind" "an imaginary" "form" "to
settle" "in her arms where" "the baby" "had been" "We saw
her fiery arms" "cradle the air" "She cradled air" ("They take your
children" "away" "if you"re on fire")
"In the air that" "she cradled" "it seemed to us there" "floated"
"a flower-like" "a red flower" "its petals" "curling flames"
"She cradled" "seemed to cradle" "the burning flower of" "herself gone"
"her life" ("She saw" "whatever she saw, but what we saw" "was that flower")
After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns.
The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book.
The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole.
If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems.
The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses.
I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book.
I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020