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Description
copper fungus philodendron Philodendron Lupinum 4" Rare Plant – Jungle RelicsThe Philodendron Lupinum is a rare, enchanting aroid admired for its lush, velvety foliage and dramatic color transformation. New leaves emerge in a striking copper tone, gradually fading into rich, dark green with a soft sheen that catches the light. As both a trailing and climbing species, Lupinum thrives when given support, rewarding growers with larger, more dramatic leaves when trained up a moss pole or trellis. This tropical gem brings a touch
The Philodendron Lupinum is a rare, enchanting aroid admired for its lush, velvety foliage and dramatic color transformation. New leaves emerge in a striking copper tone, gradually fading into rich, dark green with a soft sheen that catches the light. As both a trailing and climbing species, Lupinum thrives when given support, rewarding growers with larger, more dramatic leaves when trained up a moss pole or trellis. This tropical gem brings a touch of elegance and mystery to any plant collection.
Why Philodendron Lupinum is Unique & Rare 🌿
- Velvety Texture: Soft, plush leaves create a luxurious look and feel.
- Color Shifts: Copper-toned new growth fading to deep green makes every leaf a showpiece.
- Limited Availability: Not mass-produced and slower to grow, making it harder to find.
- Collector’s Favorite: Its uncommon beauty and climbing habit make it highly prized among rare aroid enthusiasts.
Why You’ll Love It 💚
- Velvet Foliage: Dark, rich leaves with a soft sheen add instant sophistication.
- Dynamic Growth: Versatile as a trailing plant or trained as a climber for larger foliage.
- Rare & Collectible: A distinctive addition to any rare plant collection.
Plant Care FAQs 🪴
- Plant Type: Chill & Rare
- Plant Vibe: Lush & Velvety
- Botanical Name: Philodendron ‘Lupinum’
- Light Requirements: Bright, indirect light; avoid harsh direct sun
- Watering: Keep soil lightly moist but not soggy; let the top 1–2" dry between waterings
- Humidity: Prefers high humidity (60–80%) for velvety leaves and vibrant growth
- Soil Type: Well-draining aroid mix (peat, perlite, orchid bark)
- Fertilizer: Feed monthly during growing season with a balanced fertilizer
- Special Care: Provide a moss pole or trellis for climbing; leaves enlarge significantly with vertical growth
- Toxicity: Toxic to pets and humans if ingested; keep out of reach
🏆 Pro Care Tip: High humidity is key—aim for 70%+ to maintain that velvety texture and prevent leaf crisping. Consistent moisture and bright, filtered light will encourage larger, more dramatic leaves.
✨ Styling Tip: Place your Philodendron Lupinum in a decorative planter with a moss pole for vertical drama, or let it trail luxuriously from a hanging basket for a softer, cascading look. Pair it with other velvety aroids like Anthurium Clarinervium for a textural statement display.
🍵 Tea Pairing: Enjoy with a cup of roasted oolong tea—the deep, earthy notes mirror the richness of Lupinum’s dark green leaves, while the copper tones of new growth echo the warm undertones of the brew.
⚠️ Please note: The plant you receive may not be the exact one pictured, but it will be of the same type and size. Each plant is unique! Expect natural variation in color, leaf shape, and size. Cosmetic blemishes are normal and do not impact plant health.
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4.7 ★★★★★
Based on 27 reviews
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Product Reviews
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation.
I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation.
For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following:
ABA webinar available with an internet search for "Storytelling for Lawyers"
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Reviewed in the United States on July 25, 2018
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021