SKU: 35423342190
medicinal herb garden seeds

medicinal herb garden seeds Grow 35 Herb Seed Varieties

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Description

medicinal herb garden seeds Grow 35 Herb Seed VarietiesHeirloom, non GMO herb seeds for indoor and outdoor home gardens! Introducing our 35 Herb Seeds Variety Pack, the ultimate selection for any herb garden enthusiast! This premium assortment includes heirloom herb seeds that are non hybrid, open pollinated, and non GMO, ensuring you get only the highest quality, naturally grown herbs. Perfect for indoor and outdoor gardening, this diverse collection of herb seeds offers everything you need to create a

Heirloom, non-GMO herb seeds for indoor and outdoor home gardens!

Introducing our 35 Herb Seeds Variety Pack, the ultimate selection for any herb garden enthusiast! This premium assortment includes heirloom herb seeds that are non-hybrid, open-pollinated, and non-GMO, ensuring you get only the highest quality, naturally grown herbs. Perfect for indoor and outdoor gardening, this diverse collection of herb seeds offers everything you need to create a thriving herb garden.

These herbs are both flavorful and packed with medicinal benefits that can enhance your health and well-being. From the calming effects of chamomile to the immune-supporting qualities of echinacea, this variety pack offers a wide range of wellness advantages.

This herb seed assortment includes the following varieties:

Anise - Pimpinella Anisum - 250mg - 85 seeds

Arugula - Roquette - 400mg - 270 seeds

Basil - Cinnamon - 300mg - 200 seeds

Basil - Genovese - 300mg - 200 seeds

Basil - Large Leaf Italian - 300mg - 200 seeds

Basil - Lemon - 300mg - 165 seeds

Basil - Purple Dark Opal - 300mg - 235 seeds

Basil - Red Rubin - 300mg - 215 seeds

Basil - Sweet - 300mg - 215 seeds

Basil - Thai - 300mg - 310 seeds

Catnip - 300mg - 560 seeds

Chamomile - German - 200mg - 2600 seeds

Chamomile - Roman - 200mg - 1200 seeds

Chervil - 1g - 390 seeds

Chives - Onion - 300mg - 230 seeds

Cilantro - Leisure - 2g - 175 seeds

Cilantro - Long Standing - 2g - 220 seeds

Cumin - 500mg - 160 seeds

Dill - Bouquet - 1g - 445 seeds

Dill - Dukat - 1g - 360 seeds

Dill - Mammoth Long Island - 1g - 810 seeds

Echinacea - Purple Coneflower - 800mg - 215 seeds

Lavender - 1g - 875 seeds

Lemon Balm - Mellissa Officinalis - 100mg - 180 seeds

Onion - Tokyo Long White Bunching - 1g - 295 seeds

Oregano - Italian - 200mg - 1850 seeds

Parsley - Italian Flat Leaf - 1g - 480 seeds

Parsley - Triple Curled - 1g - 450 seeds

Peppermint - 100mg - 1700 seeds

Rosemary - 100mg - 105 seeds

Sage - Broadleaf - 200mg - 25 seeds

Summer Savory - 250mg - 450 seeds

Thyme - Winter - 200mg - 1150 seeds

Wild Bergamot - Monarda Fistulosa - 150mg - 365 seeds

Yarrow - Western - 200mg - 1500 seeds

All seed counts are approximate. Substitutions may occur due to seed shortages.

Germination:

Most herb seeds germinate in 7-14 days, but some may take up to 21 days.

Ideal germination temperature for most herbs is 60-70°F.

Planting Depth:

Plant herb seeds ¼-½ inch deep in well-draining soil for best results.

Seeds planted too deep may not germinate, and seeds planted too shallow may dry out.

Sunlight Needs:

Most herbs prefer full sun (6-8 hours of direct sunlight daily).

Parsley and mint can tolerate partial shade, making them good for gardens with less sun.

Days to Maturity:

Days to maturity vary: some herbs, like cilantro, mature in 30 days, while others, like lavender, take over a year.

Check the back of each packet for more information.

With 35 varieties, this seed pack includes all your favorites, from culinary staples like basil, parsley, and cilantro to aromatic herbs like lavender, thyme, and rosemary. Whether growing herbs on your windowsill, in raised beds, or in a container garden, these seeds are perfect for any setup.

Our heirloom herb seeds are carefully selected for their exceptional flavor, fragrance, and hardiness, making them ideal for gardeners of all experience levels. Get ready to save money while enjoying the satisfaction of harvesting from your home garden.

This herb garden starter kit is a fantastic way to diversify your garden with various flavors and aromas. Order your 35 Herb Seeds Variety Pack today and start your herb-growing journey with confidence!

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4.7 ★★★★★
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D
Verified Purchase
Diana D
Charlottesville, US
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader. This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story. I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2016
J
Verified Purchase
JR
Belleville, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
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Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Chelsea, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
San Leandro, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Alexandria, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017

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