SKU: 36479306052
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knockout herbicide label Prosecutor Pro Non-Selective Liquid Herbicide

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Description

knockout herbicide label Prosecutor Pro Non-Selective Liquid HerbicideProsecutor Pro Non Selective Liquid Herbicide Professional Weed, Brush & Vegetation Management Concentrate Prosecutor Pro Non Selective Liquid Herbicide is a professional use, broad spectrum herbicide concentrate designed to control unwanted vegetation in turf, ornamental, industrial, roadside, and non crop areas. This post emergent herbicide is formulated with 41% glyphosate in the form of its isopropylamine salt and is intended for use on actively

Prosecutor Pro Non-Selective Liquid Herbicide

Professional Weed, Brush & Vegetation Management Concentrate

Prosecutor Pro Non-Selective Liquid Herbicide is a professional-use, broad-spectrum herbicide concentrate designed to control unwanted vegetation in turf, ornamental, industrial, roadside, and non-crop areas. This post-emergent herbicide is formulated with 41% glyphosate in the form of its isopropylamine salt and is intended for use on actively growing weeds, grasses, vines, woody brush, and certain trees.

As a systemic herbicide, Prosecutor Pro is absorbed through treated foliage and moves through the plant toward the root system. This helps provide more complete control of difficult vegetation compared with contact-only weed killers. Visible results may appear within a few days on many annual weeds, while perennial weeds and woody plants may take longer depending on plant size, weather, and application conditions.

Because Prosecutor Pro has no soil residual activity, it controls vegetation that has already emerged but does not provide long-term pre-emergent weed prevention. This makes it a practical choice for site preparation, turf renovation, trim-and-edge work, spot treatments, and general vegetation cleanup where future planting flexibility is important.


Key Features & Benefits

Feature Benefit
41% Glyphosate Concentrate Delivers professional-strength control of many listed weeds, grasses, brush, and woody plants.
Non-Selective Formula Ideal for areas where complete removal of unwanted vegetation is desired.
Systemic Plant Movement Travels from treated leaves into the plant, helping control roots and regrowth points.
Post-Emergent Weed Control Works on vegetation that is already visible and actively growing.
Water-Soluble Liquid Mixes easily with water for use in properly calibrated spray equipment.
Surfactant Included Helps improve spray coverage and herbicide uptake on leaf surfaces.
No Soil Residual Activity Helps preserve flexibility for future planting or site renovation after labeled intervals.
Broad Use Range Suitable for many industrial, ornamental, turf, roadside, and non-crop vegetation management applications.

Best Uses for Prosecutor Pro Herbicide

Prosecutor Pro is a strong choice for professionals who need dependable vegetation control across commercial, municipal, agricultural, and property maintenance settings.

Use Category Common Application Areas
Industrial Vegetation Control Storage yards, utility sites, substations, petroleum tank areas, warehouses, manufacturing sites
Property Maintenance Fence lines, sidewalks, driveways, gravel areas, building edges, parking lots
Rights-of-Way Management Roadsides, railroads, utility corridors, guardrails, signposts
Landscape Preparation Renovation areas, ornamental bed preparation, shrub bed cleanup, pre-construction sites
Turf Renovation Existing turf removal before reseeding, sodding, or turfgrass renovation
Non-Crop Areas Parks, recreational areas, rangeland, wildlife management areas, dry ditches, municipal sites

The product is labeled for a wide variety of non-crop and managed sites, including commercial areas, fencerows, golf courses, landscape areas, parks, railroads, roadsides, schools, turfgrass areas, utility sites, and wildlife management areas.


Common Vegetation Controlled

Prosecutor Pro is designed for broad-spectrum control of many annual weeds, perennial weeds, vines, brush, and woody plants when applied according to label directions.

Annual Weeds Perennial Weeds Brush, Vines & Woody Plants
Crabgrass Bermudagrass Blackberry
Foxtail Bahiagrass Honeysuckle
Pigweed Johnsongrass Kudzu
Lambsquarters Quackgrass Poison Ivy
Chickweed Field Bindweed Poison Oak
Ragweed Canada Thistle Sumac
Goosegrass Dandelion Willow
Horseweed / Marestail Dock Sweetgum
Barnyardgrass Milkweed Oak
Spurge Nutsedge Small Trees & Saplings

Performance can vary depending on weed species, plant maturity, spray coverage, weather, and application rate. Heavy growth, dense infestations, dusty foliage, drought stress, or recently mowed vegetation may reduce control.


Product Specifications

Specification Details
Product Name Prosecutor Pro Non-Selective Liquid Herbicide
Container Size 2.5 Gallons
Herbicide Type Non-selective systemic herbicide
Active Ingredient Glyphosate, isopropylamine salt
Active Ingredient Percentage 41.0%
Formulation Water-soluble liquid concentrate
Application Type Post-emergent foliar spray
Surfactant Included Yes
Soil Residual Activity None / no residual weed control
Primary Use Weed, grass, brush, vine, and vegetation control
Application Sites Industrial sites, turf renovation areas, ornamental areas, roadsides, railroads, rights-of-way, non-crop areas
Application Equipment Broadcast sprayers, hand-held sprayers, backpack sprayers, spot-treatment equipment, selective equipment where labeled

Mixing Reference for Hand-Held Sprayers

Finished Spray Volume 0.5% Solution 1% Solution 1.5% Solution 2% Solution 5% Solution 10% Solution
1 Gallon 2/3 oz 1-1/3 oz 2 oz 2-2/3 oz 6-1/2 oz 13 oz
25 Gallons 1 pint 1 quart 1-1/2 quarts 2 quarts 5 quarts 10 quarts
100 Gallons 2 quarts 1 gallon 1-1/2 gallons 2 gallons 5 gallons 10 gallons

For hand-held and high-volume applications, apply uniformly to the foliage of the vegetation being controlled. Annual weeds under 6 inches may require lower concentrations, while larger annual weeds, difficult perennials, woody brush, and directed low-volume treatments may require stronger labeled solutions.


How Prosecutor Pro Works

Prosecutor Pro targets unwanted vegetation through foliar absorption. After the spray contacts actively growing leaves and green plant tissue, the active ingredient moves internally through the plant. This systemic movement helps reach underground structures such as roots, rhizomes, and other growth points, making it useful for controlling established weeds and hard-to-manage perennial vegetation.

For best results, apply when target weeds are actively growing and have enough leaf surface to absorb the spray. Avoid treating weeds immediately after mowing, grazing, or cutting unless sufficient regrowth has occurred. Heavy rainfall shortly after application may reduce performance and may require retreatment according to label directions.


Why Choose Prosecutor Pro Non-Selective Liquid Herbicide?

Prosecutor Pro is a dependable option for professionals who need a powerful, flexible, and easy-to-mix herbicide for broad-spectrum vegetation control. Its systemic glyphosate formula helps control unwanted plants from the leaves down through the root system, while the included surfactant supports effective spray coverage and uptake.

This 2.5-gallon concentrate is especially useful for:

Professional Need Why Prosecutor Pro Fits
Fast site cleanup Controls emerged weeds and unwanted vegetation before renovation or construction.
Turf renovation Helps remove existing turf and weeds before reseeding or sodding.
Fence line maintenance Reduces unwanted growth around boundaries, posts, and hard-to-mow areas.
Industrial vegetation control Helps manage weeds in storage yards, utility sites, and non-crop areas.
Brush and vine control Can be used for listed woody brush, vines, and saplings when applied as directed.
Flexible future planting No soil residual activity means it does not provide long-term soil carryover control.

Important Safety & Application Notes

Prosecutor Pro is non-selective and may severely injure or kill desirable turf, plants, trees, crops, and ornamentals if spray drift, mist, splash, or direct contact occurs. Use care around desirable vegetation and apply only with properly maintained and calibrated equipment.

Keep people and pets away from treated areas until the spray has dried. Always follow all label directions, PPE requirements, mixing instructions, application restrictions, storage guidance, and disposal requirements. This description is for product information only and does not replace the full product label.


Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
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4.4 ★★★★★
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KEITH
Natrona Heights, US
★★★★★ 5
Displeasure And Distance
The movie 'Point Blank' is like staring at a visual of Alcatraz prison from the opposite shore. Meaning accumulates over landmarks when we are suspicious about the details. On such a sound the channel of moving water has a stationary dock. A metal walkway connector bridge glows in unnatural radiances; the sun seems set on it, at dusk. These sea shore implements, at Alcatraz or at another bay denote civility and schedules of operation. When money and it's acquisition exist in our brains as enticements the places become spectrums with loose enthusiasms and burnished red-glows. Walker(Lee Marvin) the anti-hero of the movie 'Point Blank' is a tall, laconic, dark-suited figure. Walker's parted white hair gets swept up in the wind, unstraightened, but his bushy eyebrows are solid supports of displeasure and distance. 'Point Blank' directed by John Boorman is a 1967 classic crime film and is the story of a solo struggle-Walker's-to reconnect and recover the money that was stolen from him by his ex-partner Mal Reese(John Vernon). Walker importunes abandoned places, like an Alcatraz prison cell with questions: "How did it happen?" He is ruminating over incidents that are seen in flashback entries, but these brief remonstrance are also plot points on a scheme of surreal adventuring. Lynne(Sharon Acker), Walker's wife, has reproachments about herself, her 'past', but the enviable story is told. Lynne's monotonous sentiments recall a walk on the pier in the rain, with herself and Walker in mild drunkeness. Lynne's voice is synthesized to a soft, dreamy intercession; another vision from Walker's life, also an evocative impression of a stoic wanderer's accentuated provocateur encounters. In his film direction Boorman takes the novel "The Hunter" written by Donald Westlake and gives weight to a story about the cavorting of a slick, popular, caper anti-hero named Parker (From "The Hunter" , also other serial books written by Hunter under pseudonyms like Richard Stark). This story is recreated by Boorman for Parker of the novel and his hyperbolic lurid situations. 'Point Blank' invests visuals with sensual revelations of mystery. The breaths of relaxed reflection give toxicity to moods and the imagination has righteous experience of titillation. The viewer is invited to understand the whisperings of breezes brushing against one another at random convexes-these are soft exposing indescrepancies. At a reunion, another recounting of Walker being hailed over by Mal Reese is one twist. At another rally, in a room in San Francisco, that is similar, Walker warns his target bluntly: "If you don't, I'll kill you." There is an abrupt appearance, also in a semi-populated venue, of assistance made towards Walker. This inviting frenemy says: "If you're looking for Carter, I may be able to help you." This is Yost played by Keenan Wyn. The themes of thrifty fantasy contrive to bounce off Walker. In sunlit rooms and concrete runs ambush attacks set by Walker realize glib confrontations. One such scene involves Brewster(Carroll O'Connor) in an amorous exchange with Walker that suggests that the veritable energies of excitement between Walker and Brewster were procured and transcribed for 'Point Blank' from other products of fictitious dealings. 'Point Blank' co-stars Angie Dickinson as Chris and Lloyd Bochner as Frederick Carter.
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Reviewed in the United States on July 17, 2025
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Parker
Grantham, US
★★★★★ 3
Dated, but....
Compared to the novel on which it is based, this movie is a complete letdown, so fans of the Parker series of novels who are drawn to this book may want to think twice about watching the film if they are looking for a faithful adaptation of the first Parker novel. That being said, it was not the intention of the director John Boorman to adapt Richard Stark's excellent novel, "the Hunter" to film, but rather to create an entirely new piece of fiction from the skeleton of the original story, so one most try to judge the movie on its own merits, which is difficult to do. As in other reviews, I must commend the directing. The style of the film is way ahead of it's time, with stark visuals, stylized fight scenes, and prolonged moments of silence. I love the long Walk lee Marvin takes thru the a multi-colored corridor where his footsteps drown out all other sound. Marvin's performance is also very strong, and he shows himself to have been an actor who took chances with his image and, in this case, used his clout to make a movie which otherwise would not have been so memorable. In the end, one must ask the question "Why?" Why not faithfully adapt "The Hunter" into film? It certainly would not have stifled the film's creativity, and nothing in the movie's script was any better than what was in the book. There is also the annoying occurrence of changing the protagonists' name from Parker to something else; in this case, Walker. This trend continued in another six film adaptations of the Parker novels, the last of which was 1999's Payback, starring Mel Gibson as Porter.
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Reviewed in the United States on July 1, 2011
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Clare Quilty
New York, US
★★★★★ 5
A stark, brutish "Petulia" with a pistol in its pocket
It's about time this movie got released on DVD. It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank." The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released? It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex. This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film). I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
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Reviewed in the United States on August 1, 2005
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Joe Movie
Bozeman, US
★★★★★ 4
One of Marvins better offerings
Like the Killers before marvin was almost destined to play the part of Walker in this fast moving gut wrenching but always realistic thriller brilliantly collaborated by Marvin and Boorman who had no peer in this type of film.For those unenlightened souls who downplay Marvins career this was the one that to my mind surpassed most of his prior efforts with the exception of the Killers which was above par in all respects.Marvin was ahead of the pack in the 60s playing this type of hard nosed no nonsense gangster type, no other actor came close and type casted him to some extent in this type of role which unlike may actors became a positive in his career. Just to show his brilliance as an actor he gave us later comedy roles which produced more acting accolades than that material for which he was better known namely what we see in Point Blank.He carries the whole movie as did all the great actors of that era and many since which in itself is the hallmark of greatness. Marvin was a man who so perfectly personified the parts he was playing that often other actors looked wooden in comparison.He was one of the rare individuals who could take a small co starring role and end up being the star of the movie, no mean feat when you were up against the best in the business at that time and there were plenty in the 60 and 70s.To my mind Point Blank will always be a MARVIN film and this is not to downplay other good workmanlike performances in the film but it will always rank highly in Marvins body of work which is a cut above his contemporaries in the roles for which he was known and appreciated.As for the film it played out in fairly predictable fashion until the final scenes under the golden gate brige which gave a nice twist and left the viewer unsure whether Walker did in fact take his money or simply leave the scene of the set up empty handed. The obvious answer is that he waited till the coast was clear and took his money. It is hard to accept that he did otherwise.In retrospect a movie that stands up 40 odd years later and is just as watchable as it was in 67. No mean feat.
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Reviewed in the United States on May 20, 2010
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Patrick Selitrenny
Port Orchard, US
★★★★★ 5
A forerunner to Dirty Harry and Lee Marvin shining...
If you liked "The Getaway" or "Dirty Harry", then meet their forerunner. "Point Blank" is explosive, fast-paced, and still the acting is there. Good acting that is. Lee Marvin is at his best. Angie Dickinson. in her strong performance, is as beautiful as ever. Keenan Wynn and Carroll O'Connor play their parts to the hilt and it truly shows. John Vernon (who was The Mayor in "Dirty Harry") plays a slimy type with diligence and very believable. Add the killing pace of the entire picture, and you have a hot item, as sharp and cutting as "Film Noir" can be. Yes, because this is still a "Film Noir", despite the fact that it was filmed in Color and in the mid-sixties. John Boorman ("Hell in the Pacific", "Deliverance" and "The Emerald Forest"), skillfully "color coded" the entire movie, bringing it from absolute colors at the beginning, to more red-tinted ones towards the end. The only difference from a true "Film Noir" is its fast-paced storyline, that would lead us to movies as I have mentioned above. Marvin's minimalistic acting, but forceful presence, is enough to fill every frame of the movie with tension, action and complete mayhem. Compare him in "The Dirty Dozen" and "The Big Red One" and you will see what I mean. A big plus was the release on DVD. An excellent transfer with a sharp picture resolution, a clearcut sound, make it a very enticing experience to watch it at home. This is not just a Highly Recommended title. It is simply a Must!
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Reviewed in the United States on April 20, 2007

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