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large potted aloe vera plant

large potted aloe vera plant Buy 'Large Aloe Vera Plants - Aloe barbadensis' Care and Growing Guide

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large potted aloe vera plant Buy 'Large Aloe Vera Plants - Aloe barbadensis' Care and Growing GuideIntroducing the fabulous Aloe Vera plant also known as Aloe barbadensis 'miller,' it is also known as a medicinal aloe and burn plant. The Aloe vera plant is by far the most popular out of over 400 varieties of the Aloe genus. This incredible tropical succulent is not your average houseplant. It's a superstar known for its leaves, which hold a magical aloe vera gel for soothing sunburn and as a popular drink to help your stomach. This large Aloe vera

Introducing the fabulous Aloe Vera plant- also known as Aloe barbadensis 'miller,' it is also known as a medicinal aloe and burn plant. The Aloe vera plant is by far the most popular out of over 400 varieties of the Aloe genus.

This incredible tropical succulent is not your average houseplant. It's a superstar known for its leaves, which hold a magical aloe vera gel for soothing sunburn and as a popular drink to help your stomach.

This large Aloe vera plant boasts fleshy lance-shaped grey-green leaves with small white teeth along the edges growing out from a starfish-like basal rosette. 

The edible aloe vera flowers burst into bloom in vibrant shades of yellow at the tips of their stalks when given favorable conditions. Only mature plants will yield flowers, so you'll have to wait at least four years to see an aloe vera bloom. However, in some growing conditions (especially hybrid plants), the flowers can sometimes appear with orange or reddish hues. 

This fast-growing succulent can grow into a large aloe vera plant up to 3 feet tall and 2 feet wide and even produce adorable pups that you can repot or share as delightful gifts with fellow plant enthusiasts.

How to Get Aloe Vera Gel from the plant to use on your skin

  1. Choose and Cut a Leaf: Select a large, healthy leaf from the bottom of the plant. Use a sharp knife to cut the entire leaf off at the base.
  2. Prepare the Leaf: Let the leaf sit upright in a container for 10–15 minutes to allow the yellow sap (aloin) to drain out. This sap can be irritating to the skin.
  3. Slice and Extract the Gel: For a small amount of gel, cut a section from the leaf rather than using the whole thing. Slice the leaf lengthwise to expose the gel. Use a spoon or knife to scoop out the clear gel.
  4. Apply or Store: Apply directly to your skin for soothing relief. Store extra gel in an airtight container in the fridge for a few days.

Aloe vera juice has many benefits for humans, this succulent rich in antibacterial, antioxidant, and anti-inflammatory properties, may enhance digestion, blood sugar levels, and oral health, although certain compounds, particularly aloin, may cause digestive discomfort and other side effects.

An aloe vera indoor plant is a great addition to any home, as it is easy to aloe vera care for and provides a variety of aloe vera benefits. 

According to the American Academy of Dermatology, Aloe vera has anti-inflammatory properties that can help in wound healing. It can also help to moisturize the skin and prevent peeling.

When and How to Water Your Aloe Vera 

As a desert dweller, watering the aloe vera succulent may be tricky, it may shrivel and die if given too little water, but it may also easily rot when given excessive water. So be careful not to overwater your aloe plantyou only want to give it enough to keep it from drying out completely, not drown it! 

A good rule of thumb is to water the Aloe plants deeply and then allow the soil to dry out completely before watering again. In the spring and summer, during the growing season, watering can be done once every 2-3 weeks.

During the winter months, when aloe vera is in a dormant period, it can be watered even less frequently. If you live in a rainy climate, consider planting aloe in gravel or stones. 

It is also important to note that aloe vera plants are sensitive to water quality. They prefer water that is low in minerals and salts, so it is best to use distilled or filtered water. Tap water can be used, but it should be left out for 24 hours before watering the plant to allow the chlorine to evaporate.

Light Requirements - Where to Place Your Aloe Vera Plant 

When growing indoors as a houseplant, place the aloe vera a few feet away from the south-facing window that receives plenty of sunlight, but it is important to avoid direct sunlight, as this can cause the leaves to burn. If the aloe plant is not receiving enough light, the leaves will start to droop and turn brown. In this case, it may be necessary to move the aloe vera plant to a brighter location. 

When planted outdoors, your Aloe plants need their daily dose of sunshine like a beach-loving teenager needs their favorite tunes!

They thrive on at least 6 to 8 hours of direct sunlight, soaking up those glorious rays with joy.

But wait, before you go dragging your aloe plant from its cozy shady spot into the blazing sun, be cautious. That sudden move can dry out your leafy buddy and leave it looking as yellow as a lemon.  

Now imagine you live in one of those cooler climates where clouds have permanent residency or if your home lacks these sunny windows altogether.

Fear not; you can use artificial lights – they're like little suns in bulb form! Hang them about one to two feet above your precious plant during daylight hours (that's roughly 16 hours per day) and watch it flourish happily amidst dim interiors.

Optimal Soil & Fertilizer Needs 

Aloe vera plants prefer well-draining soil that is a mixture of sand, perlite, and peat moss. It is critical to avoid soil that retains excessive moisture, as this can cause root rot. Instead, make or buy a well-draining potting mix, or ideally use our specialized succulent potting mix soil for aloe vera that contains 5 natural substrates and mycorrhizae to promote the development of a strong root system that helps your succulent to thrive.  

In terms of fertilizer, aloe succulents do not require a lot of nutrients. They can be fertilized once a year in the spring with a balanced fertilizer (NPK) of 5-10-5 in ratio. It is important not to over-fertilize the aloe plant, as this can lead to root burn. 

Hardiness Zones & More 

When grown indoors as a houseplant, aloe vera plants prefer a warm and dry environment. They thrive in temperatures between 60°F and 80°F. Aloe vera is a succulent, so it's adapted to arid conditions and doesn't do well in overly humid environments. Aim for a humidity level of around 30% to 40% for your indoor aloe vera plant.

In the United States, this is mostly an indoor plant, but if you live in southern Florida or Hawaii then you can cultivate it outdoors in USDA zones 9-11

Aloe vera can tolerate temperatures as low as 40°F for short periods, but prolonged exposure to freezing temperatures can damage or kill the plant. If you live in a colder climate, it's best to keep your aloe vera indoors or provide protection during winter months.

Aloe vera plants prefer dry air and do not require high levels of humidity. They can tolerate low humidity levels and do not need to be misted or placed in a humid environment. 

Wildlife - Aloe Vera Attracts the Following Friendly Pollinators

Aloe vera plants attract a variety of friendly pollinators, including bees, butterflies, and hummingbirds. These pollinators are essential for the reproduction of aloe vera plants, as they help transfer pollen between flowers, ultimately leading to the production of seeds. Additionally, these pollinators play a crucial role in maintaining biodiversity and ecosystem health.

Butterflies
Bees
Hummingbirds
Lady Bugs
Multi Pollinators
Other Birds

According to the ASPCA, the Aloe vera can be mildly toxic to pets and humans. It is rare but can occur if consumed in large quantities and can cause abdominal cramps, diarrhea, and electrolyte imbalances. It is important to consult a healthcare professional if you experience any adverse effects from consuming aloe vera.

How to Propagate Your Aloe Vera Plant

To propagate your aloe vera plant, you can separate the offsets or "pups" that grow at the base of the main plant. Gently remove these pups and plant them in their own pots with well-draining soil to encourage root growth. Water sparingly until they establish themselves, and place them in a sunny spot to promote healthy growth.

Aloe Vera: The Natural Sunburn Remedy


Aloe vera gel is known for its ability to moisturize the skin, it helps soothe burns and sunburns, as well as being known for its anti-inflammatory and antibacterial properties.

Aloe Vera is also rich in vitamins and minerals that are essential for healthy skin. It is best to use pure aloe gel extracted directly from an aloe vera plant.

To use aloe vera gel to soothe sunburns, cut off a piece of the large aloe vera leaf and open it to reveal the gel.

To maintain the aesthetic appeal of your aloe plant, it is advisable to cut off the entire leaf of the large aloe vera plant when cutting one. Just chop the leaf off as close to the main stem as you can. Cutting leaves from the base of the plant is always preferable. These leaves will be thicker since they are older. If you cut off the tip of a leaf, it will eventually turn brown at the tip because cut leaves keep their scars.

Key Takeaways

  1. Aloe vera is renowned for its medicinal properties, particularly its soothing gel, which is widely used for treating burns, wounds, and skin irritations. Its natural compounds, like aloin and acemannan, have anti-inflammatory and healing properties.
  2. When cut, aloe vera can seal its own wounds by producing protective latex, showcasing its remarkable survival mechanism in harsh environments.
  3. Aloe vera is not just a skincare savior; it also purifies indoor air by removing harmful pollutants like formaldehyde and benzene, making it a great addition to homes and offices.
  4. Native to arid regions, aloe vera thrives in minimal water conditions. It stores water in its thick, fleshy leaves, allowing it to endure prolonged droughts.
  5. The inner gel of aloe vera leaves is edible and used in drinks and food for its health benefits, such as aiding digestion, boosting immunity, and providing hydration. Always ensure proper preparation to remove any bitter or toxic compounds.
  6. The presence of yellow flower buds is a strong indicator of the edible variety.

The Bottom Line

Overall, Aloe vera is a popular plant known for its healing properties and versatility. It has gained popularity for its ability to help heal wounds, cuts, and burns, including sunburns. The gel inside the aloe vera leaves contains soothing and moisturizing properties that can provide relief and promote healing. In terms of care, aloe vera is relatively low-maintenance. It thrives in well-draining soil and requires moderate watering. It prefers bright, indirect sunlight but can tolerate some shade. 

A lot of people have a hard time finding large aloe vera plants, but here at Planet Desert, we regularly have large sizes in stock. Don't miss out on adding an Aloe vera plant for sale to your garden! Order now and enjoy its beauty for years to come. 

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Christina Reynolds
Port Orchard, US
★★★★★ 5
A Tangled (But Necessary) Mess
My rating is more of a 4.5 Thanks for reading! 𝑰'𝒎 𝒏𝒐𝒕 𝒂𝒇𝒓𝒂𝒊𝒅 𝒂𝒏𝒚𝒎𝒐𝒓𝒆 𝒐𝒇 𝒕𝒆𝒍𝒍𝒊𝒏𝒈 𝒕𝒉𝒆 𝒕𝒓𝒖𝒕𝒉, 𝒐𝒇 𝒕𝒉𝒆 𝒕𝒉𝒊𝒏𝒈𝒔 𝑰 𝒅𝒐𝒏'𝒕 𝒌𝒏𝒐𝒘, 𝒘𝒉𝒂𝒕 𝑰'𝒎 𝒍𝒐𝒐𝒌𝒊𝒏𝒈 𝒇𝒐𝒓 𝒂𝒏𝒅 𝒉𝒂𝒗𝒆𝒏'𝒕 𝒇𝒐𝒖𝒏𝒅. 𝑻𝒉𝒊𝒔 𝒊𝒔 𝒕𝒉𝒆 𝒐𝒏𝒍𝒚 𝒘𝒂𝒚 𝑰 𝒄𝒂𝒏 𝒇𝒆𝒆𝒍 𝒂𝒍𝒊𝒗𝒆 𝒂𝒏𝒅 𝑰 𝒄𝒂𝒏 𝒍𝒐𝒐𝒌 𝒊𝒏𝒕𝒐 𝒚𝒐𝒖𝒓 𝒇𝒂𝒊𝒕𝒉𝒇𝒖𝒍 𝒆𝒚𝒆𝒔 𝒘𝒊𝒕𝒉𝒐𝒖𝒕 𝒔𝒉𝒂𝒎𝒆. 𝑳𝒊𝒇𝒆 𝒊𝒔 𝒂 𝒄𝒆𝒍𝒆𝒃𝒓𝒂𝒕𝒊𝒐𝒏. 𝑳𝒆𝒕'𝒔 𝒍𝒊𝒗𝒆 𝒊𝒕 𝒕𝒐𝒈𝒆𝒕𝒉𝒆𝒓! 8 & ½ s a 1963 Italian surrealist psychological comedy-drama film directed and co-written by Federico Fellini. Troubled Italian filmmaker Guido Anselmi struggles with creative stasis as he attempts to get a new movie off the ground. Overwhelmed by his work and personal life, the director retreats into his thoughts, which often focus on his loves, both past and present, and frequently wander into fantastical territory. As he tries to sort out his many entanglements, romantic and otherwise, Anselmi finds his production becoming more and more autobiographical. In the time it takes to complete a single project a director will don countless hats and faces, 8 & ½ centered around the demands of this position and the chaos that transpires on a given film set. Born January, 20th, 1920, Fellini started working on movies in the capacity of a screenwriter, his earliest works including varying radio sketches and recipiency of his first screen credit for 𝑻𝒉𝒆 𝑷𝒊𝒓𝒂𝒕𝒆'𝒔 𝑫𝒓𝒆𝒂𝒎 in 1940. Shortly thereafter Fellini found himself continuously having more responsibility put on his plate, with some assignments requiring him to provide labor he hadn’t expected before: example of which being when he had to some acting of his own while 𝑳'𝑨𝒎𝒐𝒓𝒆 (1948) was in production. These roles run amok in 8 & ½, eventually culminating in Guido’s hesitancy to hand full reign of a given task to a given (But seemingly qualified) colleague, his worry somewhat rooted in the anticipated receptiveness of his anticipated audience to his final product; likewise, this disposition is further informed by what Fellini’s perceived as overt failures prior to the 8 & ½, as 𝑽𝒂𝒓𝒊𝒆𝒕𝒚 𝑳𝒊𝒈𝒉𝒕𝒔 (1950) left him with debts that took a decade to resolve on the account of it being poorly received. So begs the question at the root of Guido’s tangential laments and ruminations: Should movies be made primarily for an audience as a remote victory or reflective of its crew as a personal disaster? 8 & ½ opens on Guido Anselmi: Marcello Mastroianni bringing just the right amount of cool and cosmopolitan with an almost hitman disposition; as the production he is in charge of unfolds his appearance cracks under the pressure of this creation, in due time revealing someone that isn’t as confident as he appears and further upon at great risk of sinking in to an otherwise listless existence. Anselmi’s woes are interspersed with what can only be described as hazy dreams, the latter more overtly inspired by the subjects of religion and a pair of parental figures whom remain unimpressed by their sons’ abilities after having already passed away. Further investigation reveals to what extent these may be manifestations of insecurity on Fellini’s behalf; prior to working on films Fellini enrolled in a law school for the sake of pleasing his parents (though no record exists of him ever attending a class), and in spite of considering himself to be Catholic he avoided former activity in a corresponding church. No-one can speak with confidence as to what drove this refusal, except to say on the topic of faithfulness in the context of his marriage he was a known transgressor: so much so that in spite of marrying Giulietta Masina in 1943 he attended the funeral of his father with an identified mistress in 1956. Whether out of embarrassment, shame, or whatever else may be attributable, Guido’s stream of consciousness (And disloyalty to his partner Luise), as it play out in 8 & ½ is a muddle of personal experiences, and then some as evidenced by Fellini’s own comments aside: 𝑰𝒕 𝒊𝒔 𝒏𝒐𝒕 𝒎𝒆𝒎𝒐𝒓𝒚 𝒕𝒉𝒂𝒕 𝒅𝒐𝒎𝒊𝒏𝒂𝒕𝒆𝒔 𝒎𝒚 𝒇𝒊𝒍𝒎𝒔. 𝑻𝒐 𝒔𝒂𝒚 𝒕𝒉𝒂𝒕 𝒎𝒚 𝒇𝒊𝒍𝒎𝒔 𝒂𝒓𝒆 𝒂𝒖𝒕𝒐𝒃𝒊𝒐𝒈𝒓𝒂𝒑𝒉𝒊𝒄𝒂𝒍 𝒊𝒔 𝒂𝒏 𝒐𝒗𝒆𝒓𝒍𝒚 𝒇𝒂𝒄𝒊𝒍𝒆 𝒍𝒊𝒒𝒖𝒊𝒅𝒂𝒕𝒊𝒐𝒏, 𝒂 𝒉𝒂𝒔𝒕𝒚 𝒄𝒍𝒂𝒔𝒔𝒊𝒇𝒊𝒄𝒂𝒕𝒊𝒐𝒏. 𝑰𝒕 𝒔𝒆𝒆𝒎𝒔 𝒕𝒐 𝒎𝒆 𝒕𝒉𝒂𝒕 𝑰 𝒉𝒂𝒗𝒆 𝒊𝒏𝒗𝒆𝒏𝒕𝒆𝒅 𝒂𝒍𝒎𝒐𝒔𝒕 𝒆𝒗𝒆𝒓𝒚𝒕𝒉𝒊𝒏𝒈: 𝒄𝒉𝒊𝒍𝒅𝒉𝒐𝒐𝒅, 𝒄𝒉𝒂𝒓𝒂𝒄𝒕𝒆𝒓, 𝒏𝒐𝒔𝒕𝒂𝒍𝒈𝒊𝒂𝒔, 𝒅𝒓𝒆𝒂𝒎𝒔, 𝒎𝒆𝒎𝒐𝒓𝒊𝒆𝒔, 𝒇𝒐𝒓 𝒕𝒉𝒆 𝒑𝒍𝒆𝒂𝒔𝒖𝒓𝒆 𝒐𝒇 𝒃𝒆𝒊𝒏𝒈 𝒂𝒃𝒍𝒆 𝒕𝒐 𝒓𝒆𝒄𝒐𝒖𝒏𝒕 𝒕𝒉𝒆𝒎. 8 & ½ in its infancy came to Fellini in 1960, at that time described as being about a man with an unidentified profession suffering from creative block on the account of his life being disrupted by a “not-too-serious disease”. Given the go ahead to start production in 1962, Fellini would eventually draft a letter confessing that he had “lost his film” with the intent of abandoning the production, this action interrupted by a request to launch the celebration of it; it was only then that Fellini decided to tell a story about a director who know longer knew what kind of film he wanted to make. Both a sign of the times and personal preference, 8 & ½’s dialogue was edited and finalized in its post-production phase: a practice that allowed for the use of less experienced actors at the cost of them needing more direction on set in addition to the dubbing of related noises after the fact. In light of this, and perhaps needless to say, what 8 & ½ reflects in regards to stifled expressiveness feeds into its otherwise harebrained pacing, not to mention the drab of its monotone landscape. During the earlier part of Fellini's career his film related assignments took on an ulterior motive: they allowed for him to avoid the draft associated with a declaration of war made against France and Britain on Benito Mussolini’s behalf, and was something that would inform the nature of his work until approximately 1945. The extent to which this habit of coming on board any given film-related opportunity affected the entirety of his filmography was never addressed - much less inquired about - though it would be appropriate to underscore what this had to have demanded in light of reception that was unpredictable. The good news is that by the time 8 & ½ was released Fellini had made well-enough of a name for himself given the broad applicability of the themes he entertained, though this established competency made him no more immune to the demands made by the Production Studios he’d end up collaborating with: this is most reflected in 8 & ½’s conclusion, as it was originally intended to implicate suicide more explicitly as a ‘viable option’ for Guido. Fairly describable as a tangled mess of hope, fantasy, and some extent delusion, 8 ½ walks that fine line between pleasing the masses and rubbing its own ego, and perhaps that’s why it was robbed of its working title, ‘𝑻𝒉𝒆 𝑩𝒆𝒂𝒖𝒕𝒊𝒇𝒖𝒍 𝑪𝒐𝒏𝒇𝒖𝒔𝒊𝒐𝒏’; but, then again, maybe that’s what happens when art imitates life and vice versa.
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Reviewed in the United States on May 13, 2024
R
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Randy Keehn
San Leandro, US
★★★★★ 5
How Good is Great?
I purchased this DVD because of its' sustained superior ratings in the Sight and Sound survey every decade of the best films of all time. Obviously, there must be something very great about this movie. There is but but there are some second thoughts that plagued me along the way. First of all, I am always impressed by a film's ability to hold our attention. This is often where the skill of film editing is best appreciated. I confess that I found myself looking for some scenes in "8 1/2" to move along. This is a cerebral movie, not an action movie but there seemed to be a fair amount of redundancy. Secondly, I was surprized by the sound work on this movie. I made a quick glance at a few other reviews but didn't see any similar comments. Thus I don't know if it was just my copy. However, the sound didn't match up with the film very well at all. This gives the movie an odd appearance of being an Italian movie dubbed in Italian. Was I missing something? Finally, the message in this film, for me, was "to your own self be true" which is certainly a valid philosophy; just ask Socrates. However, it was stretched to come across as "accept me for who I am, not whom you want me to be". This message is still a valid philosophy but a bit harder for some of us to accept. Having said all of that, let me praise the movie; (I DID give it a "5" after all). The acting is terrific; especially Marcello Mastroianni whose air of detachment fit the movie so well. The photography (B&W) was excellent, as well. The story is one of a director who has lost his own direction. As he stumbles aimlessly along supposedly putting together a film, his inteactions with others and his reminiscences give us an insight to his confusion. His world is overwhelming him and he can't figure out where to turn. He is much the victim of himself (which makes the message that much harder to swallow). As his crisis reaches its' own crisis, the movie rights itself with his discovery of his own self-awareness. Everything comes together at the end with a message of hope (primarily for the director). The beauty of the movie is how we are able to follow the character's collapse and rebirth. It is also in the way we can see the rest of the world through his own eyes. This is the sort of movie that will expand with each re-viewing. The DVD contains a second disc with information and reviews about the movie and the Director. This is a good movie that caught me off-guard because I was victimized by too much advance hype. I understand the hype but it would have been better to discover it for myself. Discover it for yourself and it will be a movie you'll remember.
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Reviewed in the United States on April 4, 2004
Y
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yummymayo
Carnegie, US
★★★★★ 5
BD Version.
One of my top five films of all time. I won't speak much about the film itself, under the assumption most readers have already seen it. You can be guaranteed a fantastic film if you haven't seen this yet. As far as the BD itself, the transfer is absolutely fantastic! The DVD version itself already had a pretty pristine transfer, but of course with the BD upgrade the resolution and detail is so much better, and of course comes loaded with extras and an accompanying booklet that is actually quite thorough and should be considered an item in itself, and not just a supplement to the disc. I haven't watched them all, but the extras that are bundled with the film are plentiful and quite informative. Often times with extras you feel as though it is just filler and fodder (let's be honest, it usually is) but at least Criterion makes a conscious effort to make it interesting. I'd say the extras are worthwhile, and also an upgrade from the DVD version. The biggest difference I noticed from my first viewing is that the subtitles are slightly changed from the DVD version, and also theatrically. There are probably lots of different translations, but it IS different from the DVD but not drastically. The same point is made, but just using a different delivery. Not sure how I feel about some of the changes, but I probably just got used to the previous translation. I'm not sure where some of these discrepancies or complaints are coming from that have surfaced recently, but my copy was packaged in the special made Criterion jewel cases, NOT the cardboard ones, and of course not the actual blue ones. For a while, with some of the earlier releases, Criterion was releasing its BDs in cardboard slip case and digi-pack format which angered a lot of customers who spoke their voice and got them to upgrade to the now standard jewel cases. A good move in my opinion, but now I'm stuck with Third Man and 400 Blows in cardboard. Reportedly, you can send in the old cases to get upgraded to new ones, but it'll cost you 5 bucks each, so... I think I can live with it.
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Reviewed in the United States on January 24, 2010
A
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Andy
Birmingham, US
★★★★★ 5
Sublime Masterpiece Is One Of Criterion Collection's Finest
This is one the Criterion Collection's best and most impressive Blu rays and one of my favourites. A defining work of cinematic genius, and crowning achievement of Italian master director Federico Fellini. The first truly "Felliniesque" of his films, a complex semi-autobiographical carnival mirror of artist as film maker, an unsurpassed portrait of the creative process, with a film within a film and dream and fantasy structure, it's difficult to understate the seminal impact on cinema. An astoundingly choreographed, highly stylized, fully realized, deeply personal work of artistic subconscious and expression. Extraordinary in all regards, filled with memorable and iconic scenes. One of the perfect films that is magical and magnetic, as compelling and entertaining each and every time. I must confess that La dolce vita is my favourite film (it's a bit more accessible) , but acknowledge 8 1/2 as the greater artistic work. This Criterion Collection Blu ray is truly outstanding. the film looks excellent, and contains great extra content, including a scholarly audio commentary that is highly recommended, three interesting documentaries, interviews, photo gallery and a fine essay booklet. An essential. All of Fellini's films are also recommended. This disc is also part of Criterion Collection's Essential Fellini box set, superb for those looking to collect a large portion of the director's works.
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Reviewed in the United States on March 10, 2022
I
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Issac
Waukegan, US
★★★★★ 5
Great Movie
I liked it.
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Reviewed in the United States on January 21, 2026

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