SKU: 38076356466
white lily looking flower

white lily looking flower Texas Spider Lily, White Spider Lily, or Marsh Lily – The Southern Bulb Co

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Description

white lily looking flower Texas Spider Lily, White Spider Lily, or Marsh Lily – The Southern Bulb CoThis native lily is also known as the "Texas Spider Lily." Every April, these spidery white blooms begin to appear in wetland areas across Texas and the Southeastern United States. They make large clumps and showy displays in settings that are often too hostile to other bulbs and plants. The flowers fade as we head into May, but the show is well worth it! They produce multiple softball size blooms atop strong stalks amid dark green foliage. In pond

This native lily is also known as the "Texas Spider Lily." Every April, these spidery white blooms begin to appear in wetland areas across Texas and the Southeastern United States. They make large clumps and showy displays in settings that are often too hostile to other bulbs and plants. The flowers fade as we head into May, but the show is well worth it! They produce multiple softball-size blooms atop strong stalks amid dark green foliage. In pond areas, they look like islands of white color!

We can start with a lot of things to say about the "Texas Spider lily", but let's just start with that it is one-of-a-kind and one of the only natives we readily grow and promote. As gardeners, we are always looking for something to make our garden beautiful yet connected to our environment as well. The "Texas Spider lily" offers a unique opportunity to satisfy both of those goals. As a native though, we want to be very clear on something. Natives like to be in specific conditions.

WARNING: Yes, we have this above, but we want your bulbs to be successful for you and this is extremely important! Please note that the native habitat for this bulb is an environment in which it is extremely wet in the spring, and dry in the summer. Some examples of this would be fields that have standing water in the spring but dry out in the summer, spillways from lakes or ponds that over flow in the spring but don't in the summer, stream banks that are high in the spring and low in the summer, bar ditches that collect water in the spring off the side of a road, etc. The bulbs are smaller than what you would expect for the amount of blooms they eventually put out once they are mature. We have them circling the farm ponds at the Southern Bulb Company farm. In August, these ponds are lower and dry around the banks...the bulbs love it, and bloom in standing water in April when the ponds are high.

Appearance: When the "Texas Spider lily" blooms, the white "spiders" sit on tall, narrow stems. The dark green stems usually stand about 2 feet tall, but they can grow up to 3 feet tall depending on the conditions. The blooms usually appear in April, and the white blooms cluster to create a softball-size clump. The Hymenocallis liriosme is distinguished from other varieties by the yellow center deep in the bloom's center. The "Texas Spider lily" has a light sweet fragrance.

Resilient: The "Texas Spider lily" is a hardy plant that can grow in zones 8-10. This bulb needs to be planted in an area that is extremely wet in the spring and dry in the summer. WARNING: Native flowers and bulbs can be hard to sometimes adapt to modern landscapes. Please note that the native habitat for this bulb is an environment in which it is extremely wet in the spring, and dry in the summer.

Uses for this Bulb: Some examples of this would be fields that have standing water in the spring but dry out in the summer, spillways from lakes or ponds that over flow in the spring but don't in the summer, stream banks that are high in the spring and low in the summer, bar ditches that collect water in the spring off the side of a road, etc.

Urban examples of use for this water loving flower include detention areas required for commercial construction, natural drainage areas that need native plants and aren't easily mowed, or areas that have clean water requirements and needs plants to help filter the water before it drains off site.

The bulbs are smaller than what you would expect for the amount of blooms they eventually put out once they are mature. We have them circling the farm ponds at the Southern Bulb Company farm. In August, these ponds are lower and dry around the banks...the bulbs love it, and bloom in standing water in April when the ponds are high.

Native and History: This bulb is a native Texas bulb. It can endure the tough weather that Texas has to offer especially the hot dry summer in full sun. We have an early historical account of this bulb in the State of Texas. In the early to mid-1800's, explorer Jean Louis Berlandier, a Swiss-French botanist, charted the plants of Mexico, an area that included sections of present-day Texas. In his journal he describes a scene where his expedition party that hiked from San Antonio to Rusk, TX found itself surrounded by knee-high white lilies. Many believe these flowers were the white spidery blooms of Hymenocallis liriosme. Berlandier wrote of many interesting aspects of life in Texas in the mid 1850's, such as foot long fresh water prawns from the rivers taken to open markets in San Antonio in wooden wheel barrows. Alas, abundant foot long fresh water prawns in Texas rivers can no longer be found. However, the botanical displays of these white spider lilies have persisted and can still be enjoyed today! Drive county roads in April, and you could find yourself in the middle of these spectacular beauties. We're excited to offer them to our customers!

You will receive small to medium bulbs in this special offer. The bulbs were harvested from our wet spring soil so be prepared for them to look this way. The best thing that you can do is to plant them as soon as possible in conditions similar to their native environment - somewhere wet right now that will be dry this summer. We know that this means digging in the mud, but you are doing this for the bulbs and for the beautiful stand that you will have in the future!

If we are sold out, contact our office to be put on a waiting list for the Texas Spider Lily! You can email us at [email protected] or call us at 1-888-285-2486.

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SKU: 38076356466

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4.1 ★★★★★
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Matt M
Port Orchard, US
★★★★★ 5
Will reading Wired for Story really make you smarter?
Format: Paperback
In my 36th year as a would-be and penniless writer, I found myself exiled to a dark rough and tumble city in the Far West, guns blazing as a steely-eyed wordslinger for hire. But then one day I stumbled upon Lisa Cron's book Wired for Story. The book's title had my curiosity. A few sample pages later grabbed my attention and has held it ever since. But the price wasn't right for a poor, humble English teacher living in China upon a Chinese salary. I had bills to pay, a mistress to please, and habits to feed. It seemed to me that Amazon.com was colluding with other dark powers to suck humanity dry; why else would they charge more for a digital book than its paper copy? But then I heard ghostly voices, the cinematic intonations of Morpheus telling me to choose between the red and blue pill; Obiwan Kenobi, "Use the Force"; Nike commercials, "Just Do It!"; and other such shadows flickering upon the wall of my TV room. Even this very particular retail website seemed to whisper across all the vastness of cyberspace, reminding me of my destiny via a personalized showcase of products, that I was not just born to buy... So I added it to my cart. About a download and two chapters later I found that I was still happy after the post-purchase buzz ran its course. This book should be required reading for all writers - and anybody else seeking an inoculation against the raging pandemic of competing narratives spewed out from marketers, pundits, prophets, and others posing as guardians of the truth - most of whom seem to be more enraptured than enlightened. For writers though, Wired for Story is quite different from other "how to" books, as Lisa Cron approaches the craft of storytelling from a neuroscientific point of view. She makes the case that writers aren't just entertainers: they are some of most powerful shakers and shapers of human perception. So if storytellers are like snake oil salesmen, then what is the difference? Both seem to be highly skilled in crafting story, using imagery, and evoking emotions, memories, desires. The difference is all about marketing. Salesmen claim to have knowledge, skills, and expertise, that they, and they alone have whatever it takes to get the facts right and fix things. They market their brands cloaked in story, as if they have a monopoly on truth, or at least the can-do spirit and problem-solving experience needed to improve the economy, save the world, whatever. It doesn't matter that time and time again reality proves them wrong; they will always have another story to spin. The difference between those who would use the power of story to express themselves versus those who would use it for personal gain is, perhaps, a fine red line marking the shadowy borders of between ethics and morality. Storytellers differ because they use words to hook audiences and manipulate a willing reader's central nervous system. They make no claims to knowledge or expertise. Indeed, fiction writers will be first to emphasize their work is fictional, and not based on any real life events or people. Their best writing leaves readers thinking, questioning, minds opening, empathizing, expanding their worldviews, the list goes on almost ad infinitum. Storytellers speak for themselves and let audiences think for themselves; pundits speak for others and tell audiences what to think. What's more, the art and craft of story, as well as the talent and hard time in solitary confinement required for their honing, is estimated to take an average storyteller at least 1,000,000 words or 10,000 hours - not including all the reading, language arts development, and life experience necessary to get to a point one needs to seriously embark on such a ludicrous and un-economical vocation. This means that fiction writers who risk everything for dubious prospects of financial reward must have something else driving them - and a good day job. A presidential candidate though, who has genuinely done the time, and crafts speeches with the skill of a poet or bard, should hypothetically have the critical thinking background, moral authority, and empathy to be a great leader. But in the final analysis, actions contradict words; their ability to spin tales proves the old universal theme that the pen is mightier than the sword. Now when I finish Wired for Story sometime this week, I will be one step further on this endless quest to actually sell stories for a living (i.e. stories fit for the fiction aisle of an actual bookstore, not a review for an online retailer). Until then, I'm probably just a hypocrite acting as if a single book alone makes a smarter man, when in fact I know little of anything (which is why I became a writer in the first place) -- or maintaining such a humble pretense. But I don't know myself well enough to be certain. That kind of exploration would be a whole other story - but it would be unsafe to say that I lived happily ever after reading this book. The End
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Reviewed in the United States on October 11, 2012
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arch_reviews
Alexandria, US
★★★★★ 4
A Cheeky Novel about writing cheeky novels
Format: Paperback
Wired for Story is a book full of solid, albeit basic, advice for story tellers, and in particular writers trying to develop their craft. It succeeds in some areas while falls down in others, however I found it solid and well written overall. Where it succeeds is in its brevity and clarity. The author gets right to the point and even provides short lists at times of what to do and how to do it. Her writing is also peppered with cheeky humor which is humorous in a thats-almost-funny kind of way that is refreshing compared to the textbook style adopted by many how-to-write books. Where the book fell down, for me, was in its limited examples and scope. It really felt like the author was addressing romance writers, for the most part. I could think of a few counter examples to some of her rules, although one would have to leave the romance genre for those to work. But for a 230 page book, that is minor discrepancy. The second thing I noticed, which has already been pointed out by others, is that the brain science was limited. In fact, it was mostly only refereed to in footnote. Personally, that was fine with me, but I could see why it made others feel misled (it is in the title, after all).
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Reviewed in the United States on December 5, 2014
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Martijn13Maart1970
Draper, US
★★★★★ 5
Unfortunately yet another one to add on the pile of writing books!
Format: Paperback
I say 'unfortunately another good book on writing' since I have been reading many books on the topic and each time I think I have read it all by now, pfff, but then another one like this comes along. But hey, it is fun to read about writing and especially if you get something useful and new out of it. Always worth the money. Why the accolades for this book? All the information on characters, plot, details etc, how they work and why they are important, is not new. You find them in many reading books, especially from Reader's and Writer's Digest series. I would especially recommend the books on plot and structure by James Scott Bell. Yet this book Wired For Story is not redundant, since it is unique in both the focus on the familiar subjects like what story is, the importance of details, details versus generics, how events affect a character etc. The approach of using brain science shows in a compelling way why all the stuff in the book (and for that matter, the classic theory on writing) is there for a reason, since it has evolved out of how we humans seem to perceive a story. Interesting though, a lot of rules like 'write about what you know' are shown to be myths. Of course, in the end it is you as a reader that has to decide what works for you, but you will find new things here and that is always good. If you are thinking about writing a story, this book can give you a very sharp focus on what to think about before you start. Or, like me, when you have a draft, and you want to get to the 'real story' behind it to come forward, this work gives you a very transparent way to get better clues as to what stays and what has to go. It is also entertaining and easy to read, so, all I can say is, yet again a book on writing you cannot afford to miss! I just added some extra information: I loved the humor and wisdom of the writer. She has worked for years reading manuscripts and she does know her stuff, and I liked her tone, which was both realistic but also fun! How many times have you read a reference work and actually had to laugh? But this book was also profound on many story issues. Many common writing rules are, as I said before, shown to be myths and more importantly, why this is so. I have read for instance so often that you should have some sensory info on every page, but, as I thought myself and I am not the only one: although this makes things more lively, it should only be there if the story would dictate it! The book has many more things like these. I have compiled a collection of notes I took from all the many many books on writing so I measure new books on writing in how much text I copied and pasted to look at again and this book has given me lots, so 5 stars and I hope we will see more of this author again! I also recommend the book by James Scott Bell on plot and structure which you can find here
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Reviewed in the United States on October 28, 2012
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C. F. King
Louisville, US
★★★★★ 5
Great book
Format: Kindle
I have been an author for decades and published 4 books. I've been an editor for over a decade and this book is perfect for seasoned and new writers. It certainly made me take a new, long look at the latest book I'm busy with. I think it's great for getting one focused on the important points. I loved it. There wasn't too much about how the brain works to bore one or make it feel like a technical book on neuroscience. I found her writing style amusing and entertaining. I will definitely recommend it to all my clients and writing friends. There was nothing in the book I didn't know, but this book forces one to focus on the bigger picture. It doesn't matter how accomplished one is as a writer, one can always learn more. And I certainly did with this book. So, thank you, Ms. Cron. I saw the negative three or fewer star comments and can only think the commentators didn't see what the author was actually trying to convey. It's a classic lesson in the KISS method (keep it simple stupid) and I loved it. This isn't a full-on, in-depth analysis of every part of the craft of writing, as many seemed to expect, that would take 12 full books or more. This is also not only for beginners as some suggest. To them I would say, don't let hubris cloud your ability to write better--think beyond that--read the book again. I think the book serves as an excellent reference to keep us on track when we lose the plot, so to speak. Seasoned writers can get quite jaded and write almost on auto-pilot at times--not good. Thank you, Ms. Cron, for putting me back on track and making me excited to re-write and re-edit my latest book, my first YA fantasy, for the zillionth time. I was out of my comfort zone with this book and feeling a bit overwhelmed and unsure. Wired for Story has me fired up to go forth and do this. I highly recommend this book, especially for seasoned writers.
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Reviewed in the United States on January 26, 2018
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robert lanier
Dallas, US
★★★★★ 5
Quality writing information
Format: Paperback
A book that was fun to read and informative. I feel as though I have a better understanding of writing fiction now.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 11, 2026

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