SKU: 38094471367
sansevieria laurentii silver

sansevieria laurentii silver Sansevieria Laurentii — Mother-in-Law's Tongue

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Description

sansevieria laurentii silver Sansevieria Laurentii — Mother-in-Law's TongueUpright marbled green leaves with golden yellow edges Bright to medium light Water every 2 3 weeks 3 sizes available The Sansevieria trifasciata 'Laurentii', also called mother in law's tongue or snake plant, is an iconic tropical succulent native to the tropical regions of Africa. Its upright, rigid marbled green leaves are highlighted by clear, continuous golden yellow edges a classic and timeless visual signature that makes it one of the most

🌿 Upright marbled green leaves with golden yellow edges • ☀️ Bright to medium light • 💧 Water every 2-3 weeks • 🏙️ 3 sizes available

The Sansevieria trifasciata 'Laurentii', also called mother-in-law's tongue or snake plant, is an iconic tropical succulent native to the tropical regions of Africa. Its upright, rigid marbled green leaves are highlighted by clear, continuous golden yellow edges — a classic and timeless visual signature that makes it one of the most recognizable houseplants worldwide.

Drought-tolerant, low light tolerant, and able to withstand the dry air of heated apartments, it thrives in conditions where most tropical plants fail — an exceptional robustness that makes it the most accessible graphic plant for low-maintenance interiors.

Which Sansevieria variety to choose?

The Sansevieria genus offers a great diversity of shapes and colors — here are the most distinctive profiles in the catalog:

  • Sansevieria 'Laurentii' (this plant) — marbled green leaves with golden yellow edges, classic form 40-70 cm. The most iconic and well-known in the range.
  • Sansevieria zeylanica — dark green leaves with very pronounced silver marbled patterns, 55 cm. The choice for a more contrasted silver marbled effect.
  • Sansevieria 'Moonshine' — very light green, almost silver leaves, 40 cm. The choice for a very bright and almost metallic palette.
  • Sansevieria 'Black Coral' — very dark green, almost black leaves, 35 cm. The choice for a dramatic and very contemporary palette.
  • Sansevieria 'Dragon' — dark green leaves with very pronounced silver veins, sculptural form 55 cm. The choice for the most spectacular texture in the family.
  • Sansevieria 'Whitney' — dark green leaves edged with silver, compact size 27 cm. The choice for a very compact and very graphic format.
  • Sansevieria Spearmint — green and white variegated leaves, 55 cm. The choice for a very light and bright palette.
  • Sansevieria Fernwood Punk — cylindrical leaves in a compact fan, 35 cm. The choice for a very original cylindrical silhouette.
  • Sansevieria Mikado — very slender cylindrical leaves, structured form. The choice for a very vertical cylindrical silhouette.

Exposure & placement

The Sansevieria 'Laurentii' is one of the most adaptable indoor plants — it maintains its shape and golden edges equally well in bright light or low light, among the few graphic plants suited for low-light spaces.

  • Light: bright to partial shade — also tolerates low light, although the golden edges are more intense in strong light.
  • Locations: living room, entryway, bedroom, office — anywhere, including less sunny rooms.
  • Temperature: 18 to 30 °C — tolerates cooler rooms better than most tropical plants.
  • Avoid: cold drafts and standing water — its only real weaknesses.

In bright indirect light, the golden yellow edges intensify and the contrast with the marbled green is more pronounced — if the edges gradually fade, move the plant to a brighter spot.

Watering & care

The Sansevieria 'Laurentii' is a succulent — its thick leaves store water and allow it to go through long periods without watering. As with all indoor succulent plants, the soil must be completely dry before watering again.

  • Frequency: every 2 to 3 weeks in spring and summer — wait until the substrate is completely dry.
  • In winter: every 3 to 4 weeks, or less — the plant enters dormancy.
  • Drainage: essential — pot with drainage holes filled with cactus substrate, never let water stagnate in the decorative pot.
  • Cleaning: wipe the leaves with a soft cloth to maintain the shine of the golden edges.

Overwatering is the only real threat to the Sansevieria 'Laurentii' — when in doubt about watering frequency, always wait an extra week. You will never damage it by underwatering.

Decor ideas & plant pairings

The graphic verticality and golden edges of the Sansevieria 'Laurentii' make it a very effective structural plant — its upright and rigid leaves naturally contrast with rounder, softer foliage in any contemporary composition.

  • For a very graphic sculptural trio, pair the Sansevieria 'Laurentii' with an Euphorbia acrurensis and an Aloe vera — the upright golden leaves of the Sansevieria, the vertical ribbed stems of the Euphorbia, and the fleshy rosette of the Aloe create three very distinct silhouettes in a desert-style composition fully resistant to watering neglect.
  • For a very sophisticated contrast of textures and colors, pair it with a Zamioculcas and a Ficus elastica 'Abidjan' — the upright golden leaves of the Sansevieria, the shiny oval leaves of the Zamioculcas, and the large almost black leaves of the Ficus create three very complementary shades of green in a composition perfectly suited for low-light apartments.
  • In a trio of different heights, the 3 sizes of the Sansevieria 'Laurentii' (40, 55, and 70 cm) allow you to create a very architectural totem composition — the height gradation effect in matching decorative pots is immediately very decorative in an entryway or hallway.
  • In a raw concrete or matte black ceramic decorative pot, the dark, textured tones highlight the golden yellow edges by contrast — choose a matte dark ceramic decorative pot for a very contemporary and very graphic look.

Verdeia tips

  • Always wait until the substrate is completely dry before watering: this is the most important rule with Sansevieria — watering when the substrate is still moist causes silent root rot that destroys the plant from the inside before the leaves show visible signs.
  • Turn the pot every two months for balanced growth: Sansevieria 'Laurentii' grows slowly but orients its leaves toward the light — regular rotation maintains a symmetrical shape and evenly exposes the golden edges on all sides.
  • Repot every 2 to 3 years in spring in a cactus substrate: Sansevieria prefers a slightly snug pot — wait until roots come out of the bottom before repotting, following the steps in the succulent plant repotting guide.

Technical characteristics

  • Botanical name: Sansevieria trifasciata 'Laurentii'
  • Common name: Mother-in-law's tongue, Snake plant
  • Family: Asparagaceae
  • Origin: Tropical regions of Africa
  • Dimensions at delivery: 🏙️ 3 sizes available — H40 cm | Pot Ø14 cm, H55 cm | Pot Ø14 cm, H70 cm | Pot Ø17 cm
  • Exposure: Bright light to partial shade, tolerates low light
  • Watering: Very moderate, allow to dry completely between waterings
  • Temperature: 18 – 30 °C
  • Care: Very easy
  • Toxicity: Slightly toxic to pets and children if ingested
  • Decorative style: Classic / Timeless / Graphic

Each plant is unique: the photos show a representative example. The shades of green and the intensity of the golden edges naturally vary depending on the light and the season.

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SKU: 38094471367

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4.5 ★★★★★
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Pamela K.
Port Orchard, US
★★★★★ 5
Mr. Hancock Intrigues Once Again!
Format: Paperback
Mr. Hancock is a fabulous writer/author that I have had the pleasure of reading for many years now! Be it his non-fiction books or like this book, historical-based fiction, he always leaves you thinking and contemplating life and where we come from and how we fit in on this planet and in the this universe! This book had me right from the very first paragraph, I knew it wouldn't take me long to finish it, which it didn't...of course, leaving me hungry for the next book in this trilogy! I have always been intrigued and fascinated with the paranormal and was pleasantly surprised to find it fitting in perfectly and so naturally in this tale. What I would like to thank Mr. Hancock for is his ability to describe scenes, people, actions, interactions, rituals, etc. in such clear, concise and extreme detail using many rarely-used (anymore in this day and age) adjectives making every page come alive for me! I was so enthralled with his writing in this book that I felt like I was watching a movie...very vivid! I almost felt as if I was in that world and that time while reading this fabulous book! I was relating part of the book to my husband one day and actually started out a sentence by saying to him..."she told me", my gosh...I caught myself in mid-sentence...what was I saying?!?! That's how captivating this book and the story was to me...I WAS there! Thank you once again Mr. Hancock for all you do and all your studies...you are always thought-provoking in all you bring to us...your readers, listeners and followers! Your work and travels are much appreciated and certainly needed for the awakening of mankind...please don't quit sharing with us anytime soon!
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Reviewed in the United States on December 30, 2013
Z
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Zen
San Leandro, US
★★★★★ 5
Gripping & Enthralling
Format: Kindle
Get this book, and jump on the thrill ride. Savage war dogs in full plate armor, human sacrifice on an industrial scale, cannons firing grapeshot point blank into charging hordes of unsuspecting warriors, intense duels within the Spanish and Native groups... this book is graphic and hard to put down. Just be aware that as pt. 1 of a trilogy, it WILL leave you hanging, and wanting more. I suppose that is just the nature of the beast... and we must patiently await pt. 2. Far more historical than a fantasy, but more fantastic than a history... this novel falls almost perfectly into that middle ground, sweet spot. It is extremely well researched, with few liberties taken, so you really feel like you are observing things that could very well have transpired. However, it goes beyond a flat, boring recreation of the extant journals and histories of the conquest of New Spain, and introduces vivid characters, visions, dreams, and witchcraft to bring the tale to life. Historians might appreciate the graphic and accurate depictions of battles and intrigue, and fantasy buffs might dig the subplots involving mushroom visions, metaphysical "gods," and a young witch in Tenochtitlan (being stuff that couldn't be derived from source material and must come from the prolific mind of Mr. Hancock). Some might prefer these things stay separate and "never the twain shall meet," but there are books enough for purists out there. What Graham Hancock has done is present a page-turning story which fully draws the reader into a world which is a fairly good estimation of that world that existed when Cortez & his worldview met the Mexica & the Maya... and supplanted theirs. Given that most everyone on Earth already knows this story--and how it ends--it was IMHO a very wise decision for the author to add drama and tension by fleshing this out into a "fictional" novel. I would say the breakdown is 1/3rd non-fiction, 1/3rd logical extrapolations from what we know, and 1/3rd pure fantasy. I honestly can't say which part I prefer. Just do yourself a favor and read this.
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Reviewed in the United States on March 6, 2014
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Gsorme
Belleville, US
★★★★★ 4
Very impressive
Format: Paperback
I approached this one with caution and came away impressed, glad to have read it, and looking forward to the sequel. It's a fascinating and occasionally breathtaking novel. Hancock has a knack for writing compelling fiction. It's funny: often when people write reviews of his non-fiction books they'll say they read like good thrillers. This one is compelling as fiction but also had enough historical detail to keep me interested beyond the plot and to make me think about the Spanish conquest of Mexico in a different light. I was very grateful for the endnote by Hancock giving an overview of the types of "fictional" elements he introduced into the book (such as combining a couple of historical events into a single event in order to keep the appropriate pace for a novel) because this clarified things and allowed me to come away from the book with a deeper overall understanding of that period in history--which Hancock really does bring alive. Granted, this is Hancock's take on it--even non-fiction historical books have an author's "take" on events--but it seems to be a very well-informed take. Mixed in are supernatural elements and hints of the non-orthodox elements of history that Hancock is known for investigating in his non-fiction. For me, the blend was good. It's not a perfect novel. For example, the style of switching perspective from character to character from short chapter to short chapter was a bit jarring at first; I found it unnecessary and it ended up taking me out of the narrative for a few short moments. (Perhaps this was done to "hit the ground running" and introduce the large cast of characters and plot threads quickly; still, for me it was too much at first.) However, this stylistic approach shifts as the book goes on; the sequences become longer and occasionally blend together. Ultimately this worked, especially given the large cast and numerous plots the book juggles. If it hadn't worked, I would've put the book down; as it was, I did end up turning pages (on my Kindle) rather quickly and not getting bored. There is an immense amount of blood and gore. Very graphic. I won't pass judgment on it. It did give a pretty visceral impression of the whole human sacrifice element of the Mexica and other peoples, and of what battle was probably like at the time. Character-wise the book is diverse and interesting. There are a few semi-saccharine moments and lightly-drawn characters, but in general all are developed to help drive the story forward and to offer possible insights into their historical counterparts. Ultimately I guess we could call this a "sprawling epic," one that wraps up the first part of its story at the end but leaves a huge section to be developed in the next installment. I hope we don't have to wait too long. As I said at the beginning of this review, I didn't really know what to expect from this book but it really was quite fluid, exciting, surprising, and enlightening. Very impressive.
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Reviewed in the United States on August 3, 2013
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Jason M.
Alexandria, US
★★★★★ 5
Graham Hancock has woven a compelling tale of historical fiction that does not feel like history or fiction
Format: Kindle
This has been a relentless and compelling read from page one and comes from one of the most innovative thinkers of our time. Graham Hancock has woven a compelling tale of historical fiction that does not feel like history or fiction. Its characters are real and relatable for their humanity, their virtues, their vices, and their corruption. I especially enjoy his characterization of Montezuma and Cortes, two iconic characters from the pages of history who become living, breathing, understandable humans for the readers. The supernatural elements of the story are undeniably present, but they are handled in a way that blends into the tapestry of the story rather than as silly plot devices. Also, those same supernatural elements help throw into sharper relief the unimaginable brutality and horror of which both of these great civilizations on a collision course were capable. The violence is brutal and horrific, no doubt, but for me the gentleness and humanity of the author in describing it softens its impact. Also, even though the book ventures into some very dark, cruel times in human history, the goodness and humanity of many of the characters prevents the story from becoming a tale of despair or hopelessness. I am a fan of Graham Hancock's non-fiction work, and this book firmly cements him as a fiction author I will be revisiting. Superb!
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Reviewed in the United States on April 28, 2015
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Amazon Customer
Chelsea, US
★★★★★ 5
Cortes sails out of Cuba with a few hundred men under bad circumstances. He brings a priest along who rapes ...
Format: Paperback
Graham Hancock's War God is a novel about Cortes, the Spanish conquistador, taking over Central America in the 16th century. Although fiction, the author tells most of the story through the eyes of the Mexicas, Aztecs, Mayans, and Tlascans in the 1520s. The book begins with Montezuma tripping out on mushrooms, praying to the god Hummingbird, and sacrificing thousands of people on his pyramid. He is preparing for the return of Quetzalcoatl and wants to be ready. Two of the main characters, Malinal and Tozi, escape to influence history. Cortes sails out of Cuba with a few hundred men under bad circumstances. He brings a priest along who rapes and murders children. Other generals and captains help him first take over Ponchantan by using cannons and guns which the Mayans believe are supernatural powers. They defeat tens of thousands of people with advanced weaponry. Disappointed the city doesn't have much gold, they loot nearby towns and come up with almost nothing. They find their way to Tenochtitlan and take over instantly. Montezuma believes Cortes is Quetzalcoatl, the plumed serpent god, and doesn't even put up a fight. My Review: I bought this book because I like Graham Hancock's work on aliens and Ancient Aliens. I thought the story would have more of a supernatural twist. Tozi, one of the supporting characters, could turn invisible, but that was the extent of magic. The book fits in better with historical fiction. The story was an amazing epic. Hancock researched every angle possible, and put it into a highly entertaining story while teaching the reader about Central American history. I really loved the character of Malinal, a young woman forced into being a sex slave. Tozi the teenage witch was also interesting as she escaped from the sacrifice of Montezuma. Cortes was portrayed as a thoughtful leader who sought new lands and gold. I really enjoyed the book, but I do have one criticism. Hancock can get very wordy per my reading tastes, especially in battle scenes. Otherwise, this was a terrific read for anyone who loves history. 4.5/5 Stars http://dinaraeswritestuff.blogspot.com/
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Reviewed in the United States on October 11, 2015

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