SKU: 38238903489
sansevieria cylindrical snake plant

sansevieria cylindrical snake plant Sansevieria Cylindrica Boncel | Snake Plant

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Description

sansevieria cylindrical snake plant Sansevieria Cylindrica Boncel | Snake PlantSansevieria Cylindrica 'Boncel' The Starfish Snake Plant Sansevieria Cylindrica 'Boncel' is a captivating succulent that stands out from the crowd of other snake plants. Its unique, fan shaped form and robust, cylindrical leaves have earned it the common name "Starfish Snake Plant." This low maintenance and visually striking plant is a fantastic choice for both novice and experienced gardeners, adding a modern, architectural element to any indoor

Sansevieria Cylindrica 'Boncel' | The Starfish Snake Plant

 

Sansevieria Cylindrica 'Boncel' is a captivating succulent that stands out from the crowd of other snake plants. Its unique, fan-shaped form and robust, cylindrical leaves have earned it the common name "Starfish Snake Plant." This low-maintenance and visually striking plant is a fantastic choice for both novice and experienced gardeners, adding a modern, architectural element to any indoor space.

 

 

Full Description

 

Sansevieria Cylindrica 'Boncel' is a dwarf cultivar of the Sansevieria cylindrica species. Instead of the tall, upright spears of its parent plant, 'Boncel' features short, chubby, cylindrical leaves that grow outwards in a fan-like or rosette pattern, resembling a starfish. The leaves are typically a light green to gray-green with subtle, dark green concentric bands. This compact and slow-growing plant usually reaches a height of 1-2 feet and spreads with "pups" or new shoots that emerge from the base.

 

Like other snake plants, 'Boncel' is renowned for its air-purifying qualities, filtering common indoor toxins like formaldehyde and benzene. It's a succulent that stores water in its thick leaves, making it highly drought-tolerant and forgiving of neglect.

 

 

Growing Tips

 

  • Soil: The most crucial factor for a healthy 'Boncel' is well-draining soil. Use a cactus or succulent potting mix, or create your own by mixing regular potting soil with sand, perlite, or pumice to ensure good drainage and prevent waterlogged roots.

     

  • Fertilizer: 'Boncel' is not a heavy feeder. You can apply a balanced, diluted liquid fertilizer formulated for succulents or houseplants once a month during the active growing season (spring and summer). Avoid fertilizing in the fall and winter.

     

  • Pruning: This plant requires minimal pruning. Simply remove any yellowed, dead, or damaged leaves from the base of the plant using sharp, clean scissors or a knife to keep it tidy.

     

 

Sunlight Requirements

 

Sansevieria Cylindrica 'Boncel' is highly adaptable to a range of light conditions, making it an excellent houseplant.

 

  • Ideal Light: It thrives in bright, indirect sunlight. A spot near an east- or south-facing window with filtered light is perfect for promoting vibrant color and steady growth.

     

  • Tolerance: It can tolerate low light conditions, but its growth will be slower, and the leaves may not be as robust. Avoid placing it in very dark corners.

     

  • What to Avoid: Direct, harsh sunlight for extended periods can scorch the leaves and cause them to fade. If you live in a very sunny climate, a little afternoon shade is beneficial.

     

 

Water Requirements

 

Overwatering is the number one killer of snake plants. As a succulent, 'Boncel' is built to withstand dry conditions.

 

  • Watering Frequency: Allow the soil to dry out completely before watering again. This can be as infrequent as once every 2-3 weeks during the spring and summer. In the cooler, dormant months of fall and winter, reduce watering to once a month or even less.

     

  • How to Water: Water the plant thoroughly, ensuring water drains out of the pot's drainage holes. Do not let the pot sit in standing water. It's also best to water the soil directly and avoid getting the leaves wet, as this can lead to rot.

     

 

Propagation

 

Propagating Sansevieria 'Boncel' is straightforward and a great way to expand your plant collection.

  • Division: This is the easiest and most reliable method. When the plant becomes pot-bound or produces new "pups" (offsets), you can gently separate the rhizomes with a sharp, clean knife or your hands. Replant the new sections in their own pots with fresh, well-draining soil.

     

  • Leaf Cuttings: You can also propagate from a leaf cutting, though this method is slower. Take a healthy leaf and cut it into 2-4 inch sections. Let the cut ends callus (dry out and form a scab) for a day or two. Then, plant the cuttings upright in a pot with moist, well-draining soil. Keep the soil slightly moist until roots and new shoots develop. Note that cuttings from variegated plants may revert to a solid green color.

     

 

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Relevant Hashtags:

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Not what I was expecting, but I liked it.
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My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Not worth the hype. Was poorly written and had to put it down and not finish it.
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I’m not an avid reader, but this was finished in a few days. Such a good book!
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Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Dr.C.J.Singh.Wallia
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★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020

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