SKU: 39730604836
congo rojo philodendron care

congo rojo philodendron care Philodendron Rojo Congo - How to Care for Philodendron Rojo Congo

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Description

congo rojo philodendron care Philodendron Rojo Congo - How to Care for Philodendron Rojo CongoDescription Light Soil Water Hardiness Philodendron Rojo Congo is native to South America, specifically regions in Brazil and neighboring countries. Its natural habitat is the rainforests, where it thrives in the warm and humid climate. This philodendron typically grows upright with a bushy habit, making it a fantastic choice for enhancing interior decor or filling a corner that needs a dramatic touch. Rojo Congo's most notable feature is its deep,

  • Philodendron Rojo Congo is native to South America, specifically regions in Brazil and neighboring countries. Its natural habitat is the rainforests, where it thrives in the warm and humid climate. This philodendron typically grows upright with a bushy habit, making it a fantastic choice for enhancing interior decor or filling a corner that needs a dramatic touch.

    Rojo Congo's most notable feature is its deep, velvety, burgundy-red leaves. These large, heart-shaped leaves have a glossy sheen, adding a touch of luxury to any space. The contrast between the red foliage and the plant's green stems creates an exquisite visual display.


    As with many Philodendrons, the Rojo Congo contributes to improved indoor air quality by helping to remove common pollutants and toxins, making your home a healthier place to live. It's also considered relatively easy to care for, making it a good choice for both novice and experienced plant enthusiasts.

    Philodendron Rojo Congo is not primarily grown for its flowers, and it is relatively rare for it to produce blooms when cultivated as a houseplant. However, when it does flower, the blooms are typically inconspicuous and pale in color.


  • Rojo Congo prefers bright, indirect sunlight, but it also tolerates medium light conditions.It needs at least a few hours of light daily. Avoid harsh direct sun to prevent scorching leaves.

    This plant prefers slightly moist but not waterlogged soil. Water thoroughly and drain well after each watering. Check the soil twice per week and only water when the top 1" of the soil is dry to the touch.

    Rojo Congo likes rich soil that can retain some moisture, but the soil should also drain well to prevent root rot. It is recommended that you mix some peat with general houseplant soil to improve drainage.

    This plant grows best in normal room temperatures (between 65°F-80°F). It does not grow well in temperatures below 50°F and over 90°F. Red Congo thrives in normal indoor humidity, and it is recommended that you mist your plant and use a humidifier when the environment is too dry (humidity level falls below 50%).


    This plant should be fertilized once during the growing season (spring/summer) with diluted houseplant fertilizer.


    Rojo Congo plant is toxic if ingested, so keep it out of reach of pets and children.

  • USDA Zone 9-11

    USDA Zone 9b: to -3.8 °C (25 °F)

    USDA Zone 10a: to -1.1 °C (30 °F)

    USDA Zone 10b: to 1.7 °C (35 °F)

    USDA Zone 11: above 4.5 °C (40 °F)


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SKU: 39730604836

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David R. Papke
Omaha, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
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DoubtfulReader
Massapequa, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Port Orchard, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Louisville, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
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Classics professor
Port Orchard, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017

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