SKU: 41114615485
ponytail palm care indoor

ponytail palm care indoor Ponytail Palm

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Description

ponytail palm care indoor Ponytail PalmCurly Ponytail Foliage on a Swollen Trunk Ponytail Palm is one of those plants that makes people smile at first glance. A swollen, bulbous base tapers into a slender trunk, crowned with a fountain of long, ribbon like leaves that spill over the sides like a green ponytail. Despite its common name, it isnt a true palm at all, but a caudex forming succulent native to Mexico, which has evolved to store water in its thick base. The look is part desert

Curly “Ponytail” Foliage on a Swollen Trunk

Ponytail Palm is one of those plants that makes people smile at first glance. A swollen, bulbous base tapers into a slender trunk, crowned with a fountain of long, ribbon-like leaves that spill over the sides like a green ponytail. Despite its common name, it isn’t a true palm at all, but a caudex-forming succulent native to Mexico, which has evolved to store water in its thick base. The look is part desert sculpture, part whimsical houseplant, and it fits just as well on a sunny windowsill as it does styled on a plant stand.

Slow, Compact Growth, and Long-Lived

Indoors, Ponytail Palm is slow-growing, which makes it a fantastic long-term companion plant. Young plants have a single trunk and a tight tuft of foliage, while older specimens gradually thicken their base and may branch into multiple heads over time. In containers inside the home, most plants typically top out at around 3–4 feet tall, although very old specimens in large pots can reach 5–6 feet. Because it grows slowly and stays relatively narrow, it’s easy to tuck into corners, tabletops, or grouped displays without worrying that it will outgrow the space overnight.

Bright Light and Infrequent Watering is all it requires

Think of Ponytail Palm as more of a succulent than a palm when it comes to care. It thrives in bright, indirect light and happily basks in a bit of gentle direct sun, especially morning or late-afternoon rays. A bright east or south window is ideal; in lower light, it will survive, but growth slows dramatically, and the trunk may elongate rather than stay stout. Plant it in a very well-draining mix—such as cactus or succulent soil, or potting mix heavily amended with sand and perlite—so that excess water runs through quickly and never lingers around the roots.

Watering is where Ponytail Palm really earns its “set it and forget it” reputation. The caudex stores water, so you’ll want to let the soil dry out completely between waterings, then soak thoroughly and drain well. In most indoor settings, that means watering every 2–4 weeks, less in low light or winter, and a bit more in bright, warm conditions. It prefers typical household temperatures of around 65–80°F and average humidity, shrugging off dry indoor air that would bother more finicky tropicals. Overwatering is just about the only way to truly get into trouble with this plant—if the base ever feels soft or the leaves pull out easily, it’s a sign the roots have stayed wet too long.

Pet-Safe Personality Plant for Home or Office

In the “indoor landscape,” Ponytail Palm is pure personality. Use it as a quirky focal point on a plant shelf, as a sculptural accent on a low stool, or lined up in multiples for a desert-inspired vignette. It pairs beautifully with cacti, snake plants, and other drought-tolerant houseplants, adding a softer, playful texture to an otherwise spiky or architectural grouping. And because it’s considered non-toxic to cats, dogs, and even horses, you can relax a bit if curious paws can’t resist playing with those tempting, dangling leaves.

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JR
Massapequa, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
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Reviewed in the United States on July 25, 2018
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Tahoeman
Cuba, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
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David R. Papke
Port Orchard, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
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DoubtfulReader
Lexington, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Dallas, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021

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