SKU: 41560998490
uppababy stroller with car seat

uppababy stroller with car seat UPPAbaby

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Description

uppababy stroller with car seat UPPAbabyby UPPAbaby Babesta Pick Best Full Size Single Stroller for NYC Families Category: Full size strollers Single strollers Travel systems Birth to toddler strollers Certifications: GREENGUARD Gold JPMA Certified REACH certified leather Warranty: 3 year transferable The UPPAbaby Cruz V3 is a 26. 5 lb full size single stroller suitable from birth (with the included infant insert) to 50 lbs. Its fully reversible, lay flat seat, 4 position one hand recline,

by UPPAbaby  |  Babesta Pick — Best Full-Size Single Stroller for NYC Families

Category: Full-size strollers  |  Single strollers  |  Travel systems  |  Birth-to-toddler strollers

Certifications: GREENGUARD® Gold  |  JPMA Certified  |  REACH-certified leather

Warranty: 3-year transferable

The UPPAbaby Cruz V3 is a 26.5 lb full-size single stroller suitable from birth (with the included infant insert) to 50 lbs. Its fully reversible, lay-flat seat, 4-position one-hand recline, integrated foot barrier for carriage mode, and magnetic harness buckle make it one of the most genuinely newborn-ready full-size strollers on the market — no separate bassinet required for the first weeks. As NYC’s expert baby boutique, Babesta considers the Cruz V3 the sweet spot for families who want full-size quality and a premium push without the bulk of a modular platform stroller.

The Cruz V3 is the ideal pick for first-time parents expecting one child who want a stroller that works from the hospital through preschool, delivers a smooth ride on NYC sidewalks, and still folds compactly enough for a car trunk or elevator lobby. If you’re planning to expand to two or more children in a single stroller, consider the UPPAbaby Vista V3 instead.

 

Specifications

Stroller weight (frame + seat)

26.5 lbs

Frame weight only

17 lbs

Seat weight only

9.5 lbs

Unfolded dimensions

37.5″ L × 22.5″ W × 41.8″ H

Folded dimensions (with seat)

17.5″ L × 22.5″ W × 33″ H

Folded dimensions (without seat)

13.5″ L × 22.5″ W × 30″ H

Fold type

One-step trigger fold; footrest and bumper bar tuck in automatically; self-standing

Suitable from birth?

Yes — with included infant insert in lay-flat reclined seat + integrated foot barrier

Suitable without accessories?

From birth with infant insert; up to 50 lbs

Max child weight

50 lbs (approx. age 4–5)

Basket weight capacity

30 lbs — extra-large, easy-access

Seat orientation

Reversible: forward-facing or parent-facing

Seat recline positions

4 positions, one-hand adjustment; full lay-flat for sleep

Leg rest

Adjustable with one hand

Handlebar

Telescoping, one-hand height adjustment; REACH-certified leather grip

Suspension

Enhanced FlexRide™ — all-wheel, frame-integrated for smooth city ride

Tires

Never-flat polyurethane; front wheel lock with visual indicator; reflective accents for low-light visibility

Canopy

UPF 50+ water-repellent; integrated sun shield; zip-out extension; mesh ventilation panels

Harness

5-point with magnetic buckle; infant-to-toddler tapered fit; no-rethread adjustment

Frame material

Durable aluminum; painted finish

Seat fabric

100% polyester; GREENGUARD® Gold certified; premium fabrics with leather details

Certifications

GREENGUARD® Gold; JPMA certified; REACH-certified leather

Warranty

3-year transferable

Included in box

Stroller, infant insert, bug shield, rain shield

 

Best For / Not For

Best For: First-time parents planning on one child, families who want a full-size premium push without a modular platform, parents building a UPPAbaby travel system with the Mesa or Aria infant car seat, elevator-building NYC residents, and anyone who needs a newborn-ready stroller without buying a separate bassinet. Also strong for parents who walk long distances daily and need a stroller that handles NYC sidewalks and park terrain comfortably.

Not For: Families planning to convert to a double stroller (choose the Vista V3 instead), parents in walkup buildings who need a carry-up stroller (the Joolz Aer2 is better for that), or parents who need an airplane-overhead-bin stroller. At 26.5 lbs it is a daily city stroller, not a travel stroller.

Available Colors & Pricing

Colors

Jake (black), Callum (blue), Greyson (charcoal), Evelyn, Julian, Owen, Savannah (white/grey), Ada — all $899.99

Frame options

Graphite or Carbon (matte) — matched per colorway

Availability

Most colors in stock at Babesta; allow 2–3 weeks for order fulfillment

 

Is it suitable for my baby's age?

Newborn (0–3 months)

Yes — seat reclines fully flat with included infant insert and integrated foot barrier for carriage mode. No separate bassinet required for newborn use (though the V3 Bassinet is available separately for maximum lie-flat comfort).

Infant (3–12 months)

Yes — seat reclined or semi-reclined, infant insert still in use, compatible with Mesa or Aria infant car seat for travel system use.

Toddler (1–4 years)

Yes — forward or parent-facing, 4-position one-hand recline, adjustable leg rest, magnetic harness, up to 50 lbs.

 

Is it good for NYC / city use?

Yes — the Cruz V3 is one of Babesta’s strongest recommendations for NYC parents who stroll daily. The Enhanced FlexRide suspension handles cracked sidewalks and dropped curbs better than most full-size strollers, and the never-flat tires mean no emergency trips to get a flat fixed mid-walk. The one-step fold is quick and intuitive; the footrest and bumper bar tuck in automatically so there are no extra steps when you’re managing a baby and a cab door at the same time.

The 22.5″ width is notably narrower than the Vista V3 (25.7″), which matters in NYC: restaurant aisles, elevator doors, and narrow hallway entries are all more manageable. The 30 lb basket is best-in-class for a single stroller and handles a full grocery bag without issue.

NYC note: The Cruz V3 folds compactly and self-stands, but it is not a subway-carry stroller. It works best for families with a car, a building elevator, or a ground-floor entrance. For subway-heavy days, many Cruz V3 families pair it with a lightweight like the Joolz Aer2.

 

Quick Comparison: Cruz V3 vs. Key Alternatives

Feature

Cruz V3

Vista V3

Joolz Aer2

Dragonfly

Weight

26.5 lbs

27.6 lbs

14.3 lbs

With seat 21.8 lbs; with bassinet 23.1lbs

Basket capacity

30 lbs

30 lbs

17.6 lbs

22 lbs; rear pocket 5lbs

Newborn-ready (no extra purchase)

Yes — incl. infant insert

No

Yes — incl. baby net

Yes when purchased with bassinet

Converts to double

No

Yes

No

No

Subway/walkup friendly

Manageable

Harder

Best in class

Good

 

Car Seat Compatibility

No adapter needed

UPPAbaby Mesa, UPPAbaby Aria

Adapter required (sold separately)

Clek, Cybex, Bugaboo x Nuna

Bassinet compatible?

Yes — UPPAbaby Cruz V3 Bassinet attaches directly; sold separately

 

What’s Included

       UPPAbaby Cruz V3 stroller frame

       Full-size reversible toddler seat with lay-flat recline

       Infant insert (for newborn use from birth)

       Bug shield

       Rain shield

       3-year transferable warranty

 

Optional Add-Ons Available at Babesta

       UPPAbaby Cruz V3 Bassinet — for full lie-flat newborn use; attaches directly without adapters (strongly recommended for 0–3 months)

       UPPAbaby Mesa Infant Car Seat — clicks in without adapters for instant travel system

       UPPAbaby Aria Infant Car Seat — clicks in without adapters

       Car seat adapters for Clek, Cybex, Bugaboo x Nuna, Chicco, Maxi-Cosi, Peg Perego (sold separately per brand)

       PiggyBack® Ride-Along Board — for an older sibling standing at the back

       Cozy Ganoosh — footmuff/sleeping bag for cold NYC winters

       Cup holder and parent organizer accessories

 

Babesta Pick — Why We Carry It

The Cruz V3 solves a problem that a lot of NYC first-time parents don’t anticipate: the other premium single strollers in this price range either require you to buy a separate bassinet for newborn use, or they’re so light that the ride quality suffers on cracked sidewalks. The Cruz V3 does neither. The included infant insert plus the lay-flat seat means you genuinely can take it home from the hospital. The FlexRide suspension means the push is smooth enough that you’ll want to keep strolling — which in NYC, where parents walk miles a day, is not a small thing.

We’ve also found that the magnetic harness buckle is one of those features that sounds like marketing until you’ve wrestled a squirming 18-month-old into a conventional buckle in the rain outside a restaurant. After that, you will never want a non-magnetic buckle again.

The one trade-off we are honest about: if there’s any chance you’ll want a double stroller, the Cruz V3 cannot convert. In that case, the Vista V3 at the same $899.99 price is the smarter long-term investment. But for the family that is confident in one child and wants the best single full-size stroller in the UPPAbaby lineup, the Cruz V3 is it.

 

Babesta Services on This Purchase

When you buy the Cruz V3 from Babesta, you get:

       Free in-store assembly and full stroller demo — we walk you through every fold, recline, and harness adjustment

       Home delivery below Canal Street NYC (assembled) and same-day courier delivery in NYC/Brooklyn (unassembled)

       Hold it until you’re ready — buy now, take delivery when baby arrives, no rush

       Price match guarantee — found it cheaper? We’ll match it

       Registry support — add the Cruz V3 and compatible accessories to your Babesta registry with expert guidance

 

Frequently Asked Questions

Can I use this stroller from birth without buying a bassinet?

Yes — the Cruz V3 is one of the only full-size strollers at this price point that is genuinely newborn-ready out of the box. The included infant insert, combined with the seat’s full lay-flat recline and integrated foot barrier, creates a carriage-mode position suitable from day one. That said, Babesta does recommend the separately sold UPPAbaby Cruz Bassinet for the first 3 months if you want true lie-flat comfort and a fully enclosed sleep environment.

What is the difference between the Cruz V3 and the Vista V3?

Both share the same FlexRide suspension, magnetic harness, canopy quality, and 30 lb basket. The key differences: the Cruz V3 is a single-only stroller (it cannot convert to a double), is 2 lbs lighter (26.5 vs. 27.6 lbs), and is 2.9″ narrower (22.8″ vs. 25.7″). The Vista V3 can expand to a double or triple stroller with accessories. If you might have a second child, choose the Vista V3. If you’re confident in one child and want a slightly lighter, narrower, more streamlined stroller, choose the Cruz V3. Babesta’s team can walk you through this decision in person.

Which infant car seats are compatible without adapters?

The UPPAbaby Mesa and UPPAbaby Aria click directly onto the Cruz V3 frame with no adapters needed, creating a seamless travel system. For Clek, Cybex, Bugaboo x Nuna, Chicco, Maxi-Cosi, and Peg Perego, brand-specific adapters are sold separately. Ask the Babesta team for the right adapter for your car seat brand.

Does the bassinet come included?

No — the UPPAbaby V3 Bassinet is sold separately. It attaches directly to the Cruz V3 frame without adapters. Babesta recommends it for the first 3 months, particularly for parents who want a dedicated sleep-safe lie-flat environment for their newborn.

Is it good for Central Park and outdoor walks?

Yes — the FlexRide suspension and never-flat tires handle grass, gravel, and mixed terrain well for everyday park use. The Cruz V3 is not a jogging stroller. For trail or beach use, stick to paved or packed surfaces.

Can I try it in person?

Yes — the Cruz V3 is on the floor at Babesta Tribeca, 56 Warren Street. Our team will walk you through the fold, the infant insert setup, the recline positions, and — if relevant — the side-by-side difference with the Vista V3 so you can decide between them confidently.

Can I put this on my baby registry?

Yes — the Cruz V3 is a top registry pick at Babesta. A Babesta registry comes with exclusive perks and services, and our team can advise on which accessories to register for from day one versus which ones to wait on based on your lifestyle.

Does it fit through a standard NYC doorway?

Yes — at 22.8″ wide, the Cruz V3 passes through standard 28″–32″ interior doorways, elevator doors, and most restaurant and retail aisles without issue. It is one of the narrower full-size strollers in its class.

Shipping Notes
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Amanda Becker
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★★★★★ 5
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Color: Lifting (Jericho Rose)
Just the best wrap mask!! A lot of peptides that make my skin soft and moisturizing. Very effective in only 20min use!
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Reviewed in the United States on May 20, 2026
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Amanda Boyd
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Color: Lifting (Jericho Rose)
Love this mask. I have really sensitive skin and this mask doesn't irritate my skin at all. It absorbs nicely and leaves my skin feeling moisturized and glowing. Great value for the price!
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Reviewed in the United States on April 21, 2026
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Tammy Marshall
Fort Morgan, US
★★★★★ 3
Full Moisturization of the face is lacking
Color: Lifting (Jericho Rose)
I would give it a 5 based on the appearance after the mask is removed your skin is glassy but the moisture level is lacking. It leaves behind an oily residue and my face didn’t feel hydrated. The search continues.
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Reviewed in the United States on March 25, 2026
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John P. Jones III
Houston, US
★★★★★ 5
“The fragments of a life”…
A formidable movie, in the stricter sense of the word. In a looser sense, it has helped shape the way that I’ve seen the world, ‘lo these past six decades. I saw this movie when it first came out, in 1963, at one of my favorite art theaters in Pittsburgh. Like most of us at the time, we’d only viewed rather straightforward movies of “good and evil,” Westerners, and the like. Predictable endings. The director of “8 ½,” Federico Fellini, offered something radically different, a foreshadowing of the stream-of-consciousness technique in literature, how the fragments of one’s life get all jumbled up in the brain. And he provided some takeaways that have long been with me. I was 16 at the time and took a date who was 15. In re-watching it now, if I thought it somewhat baffling at 16, I wonder what my date thought about the portrayal of the women in the movie, who are “fragments” in the life of the movie director, Guido Anselmi, excellently played by Marcello Mastroianni. There is his wife, Luisa, wonderfully played by Anouk Aimée, who was the motive force behind the re-watching of it now. There is the “virginal” Claudia Cardinale, usually in white (I had not realized that she was originally Tunisian). Sandra Milo plays Guido’s flighty bimbo of a mistress. And so many others: The airline stewardess; the caring mom who wraps the infant Guido in a blanket; the first stripper; the insightful and nagging friend of his wife… “Upstairs when you are 40.” That was one of the big takeaways. Anselmi is having this male fantasy about his “harem,” all those fragmented women who are there to serve him and do so in complete harmony when he realizes that the “stripper” is now 40 and must go upstairs, the metaphor for being placed on the “discard pile” for being too old. He gets out his bull whip even, to drive her up the stairs. Even at 16, when 40 is more than twice your life away, it did seem a bit harsh, particularly when the same rule does not apply to the guy with the bull whip. It was also my first viewing of the prototype of those pompous pedantic critics of movies or literature who toss around expressions like “impoverished poetic imagination,” “overabundant symbols,” and, of course, “self-indulgent.” I was in parochial high school at the time, so the scenes in which the priests were chasing down the young student Guido in order to shame and humiliate him because he found sexual imagery to be of interest, imagine that, strongly resonated. It was also the era that the Catholic Church published “The Index of Forbidden Books,” (which now seems to have been taken over by the woke crowd of today), and thus the scene in which Anselmi has to pay homage to the Cardinal also resonated. Anouk Aimée is absolutely mesmerizing. She has been a “fragment” of my own life, ever since I viewed “A Man and a Woman” in the ’60’s. Again, she played opposite the equally formidable Jean-Louis Trintignant, of “Z,” “Three Colors, Red,” and so much else, fame. Far more relevantly, the two of them recently played in “The Best Years of Our Lives,” again directed by Claude Lelouch. Aimée is now a young 90. In her role as Anselmi’s wife, Luisa, she wore those glasses that connotated a greater thoughtfulness than him. I searched that ever-so-youthful face watching for the subtle expressions of later movies. It struck to the core. Luisa is utterly fed up with Guido’s philandering and constant lies. And Guido is suffering from “director’s block” in trying to finish his movie, with what sort of message? Luisa fires off THE classic line that I have long remembered: “But what can you say to strangers when you can’t tell the truth to the one closest to you…”. The only problem is that I’ve felt that line was said in Ingmar Bergman’s “Scenes from a Marriage.” And maybe that line was ALSO said in Bergman’s movie, which means one more movie I need to watch to find out. As I said earlier, things can tend to get jumbled up in the brain, even more so as one ages. Fellini would understand, maybe Aimée would also. 5-stars, plus for Fellini’s classic, formidable film.
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Reviewed in the United States on March 14, 2023
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Stephen McLeod
Pawtucket, US
★★★★★ 5
One of the greatest in SPECTACULAR DVD package
This new Criterion Collection edition of *8 1/2* is one of the best DVD "special edition" sets I've come across. The Movie: Fellini's breakthrough film is a movie about itself. It is archetypal in the Fellini canon because it both settles old scores and announces a new cinema. The film's hero is an Italian filmaker (Mastroianni as "Guido" a quasi-alter ego for the director) who has just had his first major hit (=La Dolce Vita). He is not resting on his laurels, however. He is confronted with the necessity of the next movie. This necessity is both personal to the director and apparently contractual: the producer is forever hovering... To Guido, it is an inner necessity, an unrest, a creative suffocation, objectified in the opening sequence of the movie where Guido is seen/not seen by the camera, trapped inside a tiny car that is itself trapped in a traffic jam that stretches endlessly beyond available light as the car fills with toxic gas. We see the as yet unidentified hero in silhouette from behind. We see his hands and feet from outside the car, through the window as he desparately tries to escape. Then, he mysteriously escapes through the car's roof like a new bird escaping its shell and is carried off into the clouds, etc. The trouble is, this is a wish fulfillment dream. In "real" life, Guido is about to make a movie, and he has no idea what it's going to be about, or what to do with all the actors and extras, and the giant launching pad for some kind of space-ship that is the only thing even close to a concrete idea for the projected picture. The film is not, however, a perfect autobiographical fit. For one thing, Fellini gets to finish his movie and Guido, evidently, does not. But, that said, the movie is a virtual mirror of itself, which was a very hard thing to pull off in 1962, before the concept of "virtual" was annexed by the codifiers of computer jargon, and *8 1/2* is nothing if not a virtuoso performance. Fellini's breakthrough is the film we watch. But in the film, the hero finds the resolution to his anguish, not in finding the project - that is, in making what would have been the film-about-itself within the film-about-itself within the film-about-itself that we are, finally, watching - but in letting go of the project, in surrendering to the impossibility of finding it or making it. Precisely *on the other side of his own fantasy-suicide*, at the moment when he apparently gives in to despair, he discovers the circle of life and becomes able to join into the procession of lives into which his own life is finally intertwined. So, this is an essential film. And it is a film so rich in texture that a person could watch the movie a hundred times and find new things to wonder at, and discover new connections between the One and the Many - Fellini's personal/existential problem. The DVD: First disc contains a sparkling transfer of the movie that restores a luster to the angular lights and shadows in Fellini's final black & white movie. Audio commentary by a couple of scholars and Fellini's former close accomplice Gideon Bachman. Second disc contains Fellini's famous "Director's Notebook" of 1968(-9), an hour-long movie that was originally made for television, as well as another documentary about composer Nino Rota, and various interviews, including one with the ever-fiesty Lina Wertmueller who was Fellini's Asst. Director on *8 1/2*. The package also comes with a really interesting little booklet with lots of information and a thoughtful mini-essay. Overall a great package that I'll not regret buying.
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Reviewed in the United States on January 5, 2002

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