SKU: 41680109862
sansevieria zeylanica vs black coral

sansevieria zeylanica vs black coral Black Coral

Sale price$23.53 Regular price$26.14
Save 10%

Pay in installments of $6.54 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Sep 3 - Sep 8

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

sansevieria zeylanica vs black coral Black CoralDracaena (Sansevieria) trifasciata 'Black Coral' Dracaena trifasciata 'Black Coral' is a dark leaved snake plant with tall, firm blades that rise from the base in strong vertical fans. The foliage is deep green to almost black, crossed by softer grey green horizontal banding that gives the leaves a layered look. Its shape stays simple and defined, while the colour gives the plant a deep, shadowed look in the pot. This cultivar combines height, dark

Dracaena (Sansevieria) trifasciata 'Black Coral'

Dracaena trifasciata 'Black Coral' is a dark-leaved snake plant with tall, firm blades that rise from the base in strong vertical fans. The foliage is deep green to almost black, crossed by softer grey-green horizontal banding that gives the leaves a layered look. Its shape stays simple and defined, while the colour gives the plant a deep, shadowed look in the pot.

This cultivar combines height, dark foliage and muted banding in a clear sword-leaf outline. It grows from a rhizome, so new leaves appear from the base and gradually increase the density of the clump. Over time, fresh shoots fill the pot beside the older leaves, creating a fuller plant with a steady vertical shape.

Dark banded leaves with a strong vertical line

  • Leaf colour: Deep green to near-black blades give the plant a saturated, grounded look in the pot.
  • Pattern: Horizontal grey-green banding softens the dark foliage and adds depth across the blade.
  • Growth base: The rhizome produces new shoots beside older leaves, slowly thickening the plant.
  • Indoor size: Mature plants can reach around 0.5–1 m, depending on light, pot size and growing conditions.
  • Flowering: Older, settled plants may occasionally send up fragrant, greenish-white flower spikes.

Seasonally dry origins behind the tough leaves

Dracaena trifasciata is a rhizomatous geophyte from seasonally dry tropical parts of Africa. Its firm leaves store moisture, while the rhizome needs air around it after watering. The visible plant is only part of the structure; below the substrate, the rhizome stores energy and sends up new leaf fans when conditions are warm and stable.

'Black Coral' keeps the broad, sword-shaped leaf form associated with Dracaena trifasciata, with darker colouring across the blade. The muted banding gives the leaves depth and keeps the surface visually rich. In steady filtered light, the blades usually stay firm and clearly patterned. In dimmer positions, adjust watering to the slower drying pace of the pot.

Repotting intervals are usually long. A slightly snug container helps the substrate dry predictably and keeps the rhizome stable. When the pot becomes crowded, new shoots may press against the sides or distort the nursery pot. That is usually the right moment to move it into a slightly larger container.

Water, light and potting mix

  • Light: In bright indirect light, leaves stay firm and the banding remains visible. Lower light is tolerated, with longer drying time between waterings.
  • Watering: Water thoroughly after most or all of the potting mix has dried. Let excess water drain away, then wait for the substrate to dry again before the next soak.
  • Substrate: A mineral-structured mix with pumice, lava rock, coarse sand or fine bark keeps air around the rhizome after watering.
  • Pot choice: Drainage holes are essential. A decorative cover pot is fine when standing water is emptied after each watering.
  • Temperature: Keep it in normal indoor warmth, ideally around 18–27 °C. A warm root zone keeps the pot drying more steadily after watering.
  • Humidity: Average household humidity is enough. The leaves are adapted to dry intervals and normal room air.
  • Feeding: A diluted balanced or cactus fertiliser during active growth is sufficient. Slow rhizome growth needs light feeding.
  • Repotting: Move it on when the rhizome has filled the pot, the container is deforming, or the substrate has lost structure.
  • Propagation: Divide established clumps by separating rooted rhizome sections. Division preserves the full clump shape.

Dark foliage problem signs

  • Soft tissue near the base: Inspect the rhizome area, cover pot and substrate depth. Mushy bases usually come from moisture held too long around the lower plant.
  • Wrinkled or folding leaves: Check whether the pot is very dry, then inspect root health. A plant with damaged roots can look thirsty even when the mix has been watered.
  • Brown leaf tips: Review watering consistency, mineral buildup and old handling damage. Dry tips can be trimmed within the dead tissue.
  • Leaning growth: Turn the pot occasionally so the leaves receive light evenly. A crowded clump can also push older leaves sideways.
  • Slow shoot production: Slow growth is normal, especially in winter. Check light and warmth first, then adjust feeding only during active growth.

Safe placement at home

Keep Dracaena trifasciata 'Black Coral' away from pets and small children who may bite the leaves. Snake plants contain saponins, which can cause nausea, vomiting or diarrhoea in cats and dogs if ingested. The firm leaves also benefit from a stable position where the pot stays secure.

Dracaena, Sansevieria and the banded species name

The accepted botanical name for the species is Dracaena trifasciata, while Sansevieria trifasciata remains the older name still widely used in plant shops and care guides. The genus name Dracaena comes from the Greek drakaina, meaning “female dragon”, a name historically linked to red resin in some dragon tree relatives. The species epithet trifasciata means “three-banded” or “marked with three bands”, from Latin tri- for three and fasciatus for banded.

Dracaena trifasciata 'Black Coral' has tall, dark, banded leaves with a steady upright form.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 41680109862

Discover Niche Categories That Outsell sansevieria zeylanica vs black coral

Top-Converting Item to Boost Your Average Order

4.6 ★★★★★
Based on 9 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
P
Verified Purchase
P. Biealczyc
Battle Creek, US
★★★★★ 5
Really nice
Format: Paperback
Great read and gift
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 31, 2026
K
Verified Purchase
Kindra Foster
Alexandria, US
★★★★★ 4
Classic, but a bit disappointed
I’ve always wanted to read this book. Heard a lot about it and it’s importance in the science fiction genre. But I didn’t care for Heinlein’s style of writing. There was a lot of subtle humor in it that was enjoyable, and I suspect he meant for it to be a caricature of humanity. I enjoyed the analysis of human nature throughout the story. But I was disappointed in the direction the story took toward the end. It seemed like a cheap way to develop the possibilities that had been laid out in the rest of the book. I want to believe human beings would value the opportunity and show up in a better way if such a thing really happened. I felt like the main character was so rich and unique in the beginning, but in the end, he felt flat and inscrutable. Having said all of that, maybe if I hadn’t been swayed by my own expectations, I would have enjoyed the story more. I’ll have to try some of his other books and see what I think!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 28, 2024
C
Verified Purchase
Craig in NE CT
Whiting, US
★★★★★ 5
Great story!
Format: Mass Market Paperback
I read this book as a teenager, in the 1960s, and just, now, finished rereading it, at age 65. I see that I missed many of the author's ideas (due to my youthful lusts, antics, and ignorance of life and of the Bible). "Stranger in a Strange Land" struggles with boundaries of self, morality, and what may constitute/govern a normal healthy society. The author pokes at our spiritual needs, ideas, or rituals upon which we all depend to order our lives, whether we be atheistic, pantheistic, or monotheistic. By minimizing God and godhood to the level of individual understanding and growth, the Heinlein's story posits that all philosophical views need not be antagonistic toward one another; that, by default, truth is and should be relative, given our potentially reformed natural self-interests. Whether a `religious' or irreligious person or organization is primitive, civilized, or `who-cares', Heinlein poses that, despite our ideologies that distinguish us from others, or unite us, only a growing constructive self-awareness is really important, not whether God really exists or whether we will face a final judgment. The author's trick to redemption is how we decide to get along with ourselves and our neighbors, within a `fly right, or mess up and go back to the beginning' scenario, in contrast to the biblical one-life-one-chance view. By design or default, in this story, Heinlein relegates God below human self-actualization, and allows no room for absolute truth. Heinlein's self-fulfilling self-actualization is entirely at odds with biblical Christianity and biblical Judaism, yet quite at home with most religions and faiths that rely on salvation by personal works, and reincarnation-based religions. Maybe that was part of the author's point in telling the story. When it comes to putting a halt to abusive powers, I have to chuckle at how Heinlein has Smith frustrate the overbearing powers-that-be. A thought struck me about twenty years ago that those who have power or understanding have a God-given responsibility to exercise discipline and restraint with those who lack power or understanding. Having more power or understanding than someone or something else does not obviate one's responsibility to exercise that power or understanding to better the world in which we live, nor does it entitle one to do ought but to treat others with love, respect, and decency, which, for the betterment of society and our world, may require that one's power or understanding be exercised to identify or destroy evil. Though this philosophy is exercised by the lead character within the story, the clarity of this comes late to Valentine Michael Smith, yet, sadly, such clarity does not move him to embrace an absolute God, absolute truth, nor his own existence as a created being that is not God, leaving Heinlein's view of life and after-life harshly in contrast to the biblical viewpoint, hence at odds with God. Martian or human, in the end, Heinlein simply does a shell game with his characters, when the issue of death arises, leaving readers to guess in what level the author will eventually hide them, to avoid a final judgment, leaving each soul's story to continue ad infinitum, ad nauseam, without any ultimate accountability. This is an entertaining science fiction story, yet, Heinlein's ideas, in this sexual-religious-social romp, border on theological sophistry. His ideas will probably offend most established points of view. Despite his general bravado, and so bold a topic, Heinlein omits balanced discussion among the characters, fails to deal with any absolute truth or true final judgment of evil, and perfunctorily dismisses biblical views that might be germane to cogent biblical discussion. There are two upwelling truths that the author has twisted and cheapened them considerably, by his denial of absolute truth and avoiding our accountability to God's perfect righteousness. Those are self-sacrificing love and the inevitability that every soul is responsible for her/his own thoughts and actions. Though he allows watered down versions of those traditional moral elements to remain, Heinlein (who must have seen too many money-hungry medicine shows, tent meetings, and carnival acts) relies solely on human constructive self-awareness, self-discipline, and self-empowerment to pose a stab at a positive future for humanity and the afterlife. The story's quasi-moral might read, "Find any way to beat the present system and exploit it at almost any cost, so long as no one really gets hurt." Smith's earthly end-game of self-sacrifice is a corrupted shadow of Christ's. Smith's is a twisted image of self-sacrifice, a huckster's trick to work the crowd, avoiding entirely the biblical God and plan of Christ. Heinlein's bootstrap theology, in the end, can neither respect nor agree upon one God, nor save itself from its own moral meanderings and wishful unthinking of human sin. As an author, myself, I would add that every one of our actions, gestures, and our written or spoken utterances, has its consequences, and that we are ultimately responsible, to God, for everything that we generate and utter. I believe that Heinlein's story agrees partly with my belief, except that Heinlein leaves the one true God completely out of his story. Despite Heinlein's philosophical thrust that everyone can claim "Thou art God", for self or others, I personally subscribe to the biblical view that all things and people are created by God, and that He holds us together by His Laws and will, and that there is, yet, a separation that He reserves between us and Him, that can only be bridged or reconciled through His Christ, and, furthermore, that we are the only part of His Creation that has been offered that exclusive plan of redemption. By contrast, Heinlein's story offers the carrot of constructive self-awareness as the means of possible redemption for humanity, insecurely hoping to save us from ourselves. Craig M. Szwed (Author, photographer, combat veteran, father, composer)
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 18, 2013
M
Verified Purchase
M. Estopinal
Charlottesville, US
★★★★★ 5
A True Arthurian Legend
Format: Mass Market Paperback
The Once and Future King provides an excellent perspective into the world of Arthur, the King of England. This book is divided into four sections, each dealing with the different aspects of Arthur's life, including both the good and the bad. The first book, the Sword and the Stone, has been immortalized by countless movies, such as the one by Disney. This book deals with the upbringing of Arthur, or in this case, Wart, his childhood nickname. Here we see the trials Wart must face as he learns about the many forms of leadership, courtesy of his mentor, Merlyn. The second book, the Queen of Air and Darkness, is a prelude to the collapse of Arthur's kingdom. The result of this book begins to brew throughout the entire novel, finally impacting at the end of the final book. The third book, the Ill-Made Knight, is my personal favorite. This book is about Lancelot's personal quest to become the best knight in the world. This book is filled with exciting quests that Lancelot has taken up, including such things as saving a maiden from a boiling pot of water, as well as the ill-fated quest to find the Holy Grail. The fourth and final book, the Candle in the Wind, deals with the collapse of Arthur's kingdom. Arthur's sins "come home to roost" in this book, forcing him to make decisions that could jeopardize the safety of his wife, Guenever, and his best friend, Lancelot. This novel is truly one of the classic fantasy books that one reads and never forgets. Although there are many portrayals of the Arthurian legend, this is without a doubt one of the better ones.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 6, 2004
A
Verified Purchase
Amazon Customer
Alexandria, US
★★★★★ 5
A novel about all of life
I've read this novel (and listened to the excellent audio book narrated by Neville Jason) in all its different versions over several decades and every time come away with fresh admiration not only for White's fantastic prose style but also for his insight into all aspects of human character and the workings of society. I cannot over-emphasise how rich it all is. For those who have only read The Sword in the Stone (or seen the Disney version), it is important not to write this volume off as a children's story. Each of the four or five books that make up The Once and Future King reflects a different stage in life and experience. The greatness and the tragedy of the story is something we fully recognise only as we grow older. All of the books are wonderful, but The Ill-Made Knight (the third) is an education in adulthood. The background of the entire work from individually-published volumes is a little messy. The Kindle edition I have seems to match the Harper Voyager paperback complete edition which has the integrated four-book version (with the geese and ants integrated into The Sword in the Stone, and Madam Mim removed) and The Book of Merlyn added at the end without any changes to fix the resulting duplication. This is the form in which I am most familiar with all the parts. The Neville Jason audio book available through Audible is synchronised with the Kindle book but actually includes a different version of The Sword in the Stone (Madam Mim included). When I first listened to this, it frustrated me, because the sections on the geese and ants seem so essential. However, taking it all in its entirety, it works very well and avoids the duplication that otherwise occurs. Neville Jason's reading is of the highest quality, with clearly recognisable voices for all characters.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 14, 2014

recommand products