SKU: 4189191878
potting soil for citrus plants

potting soil for citrus plants Super Soil | High-Performance Mineral-Based Living Soil Blend

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Description

potting soil for citrus plants Super Soil | High-Performance Mineral-Based Living Soil BlendThe finest soil mixture money can buy what is it? It's Our own organic blend of the perfect potting soil for ANY plant, indoors or out. Made of real South Texas virgin sandy loam soil. The moment you realize that this soil is what your plant root's crave will be when you run your fingers through it. Firm but fluffy. Compressible but resilient. The weight of this soil will let you know that it means business. This soil has top of the line drainage,

The finest soil mixture money can buy...what is it?

It's Our own organic blend of the perfect potting soil for ANY plant, indoors or out. Made of real South Texas virgin sandy loam soil. 

The moment you realize that this soil is what your plant root's crave will be when you run your fingers through it. Firm but fluffy. Compressible but resilient. The weight of this soil will let you know that it means business. 

This soil has top-of-the-line drainage, aeration, water retention, porosity, and weight that is for the discerning gardener that wants a natural option.

The perfect ingredients to make the perfect mix. We call this soil because it is made of REAL SAND LOAM as its base.   No fake potting mixes made of sawdust.
  • sandy loam virgin soil from South Texas
  • organic coconut fiber
  • organic coconut coir
  • organic rice hulls 
  • biochar
  • volcanic ash for mineralization
  • organic sulfur for optimal pH control
  • Crab, Kelp, and Amino acids for biostimulants
  • innoculated with live microbes from Plant Super Boost

Steam Sterilized: A labor intensive, expensive and time consuming process. But it is completely organic and cleanses our soil of any possible bugs like: nematodes, protozoa, bad bacteria/fungi or viruses! All ingredients are sterilized with steam. 

Environmentally Superior: Our other products: rice hulls and coco are utilized as an environmentally friendly alternative to perlite and peat moss. Both are re-purposed secondary materials after agricultural production. We have enjoyed the benefits of ricehulls, which act as a top dressing for the plant. And coconut coir is renewable, unlike peat moss. Plus, we utilize a specific ratio of different sizes of the materials to create our unique fluffy but dense finger feel.

Fortified: To have living soil, you must have living microbials. We have the only batch of live microbials in the world, in Dr. Mani's Magic Mix. And we have fortified this soil with the microbes, including mycorrhzea, bacteria, fungi, nematodes, and protozoa. 

Magic Valley: The reason the Rio Grande Valley was marketed as the "Magic Valley" for decades was its incredible sandy loam soil. Fine soil with an ideal mix of moisture drainage and retention, this soil is the backbone of the agricultural industry in South Texas.

Our Own Land: All of the sandy loam we use is directly from our own land. A parcel of virgin soil, we have mapping surveys that lead us to the areas of perfect, run-through-your-fingers sandy loam soil, each batch tested and sterilized by us. No heaps of construction material imported in from a 3rd party. 

Greenhouse Tested: We have tested this on hundreds of thousands of plants of all varieties in our own greenhouse and many, many happy customers!

The Alternatives: The vast majority of potting mix or landscaper's mix is an abomination made primarily from pine tree sawdust and bark chunks. The mixes 'made for citrus' have a tiny amount of sand, peat, and fertilizer. Peat moss is a good material but it is usually dusted coir that is so small it will decompose rapidly and steal oxygen from plant roots.

Why is pine used for potting mix? Because it is a waste product from our forestry industry and they have plenty of it and it is very light and cheap. Pine has some of the highest toxins and chemicals, and has its own chemical industry. These chemicals, in the potting mixes unfortunately are terrible for plant root growth. Also, the small wood particles decompose very quickly, this takes up all the oxygen and some nutrients from the mix and the plant roots.

Contrary to popular opinion, organic media is not beneficial to plants in mix. It is good on TOP of the soil for slow nutrient release. Decomposing organic matter and sawdust make for a toxic environment for plant roots after about 3-6 months in a container, unless the roots are able to grow and get rootbound prior. 

Why we are different: This is a MINERAL based potting soil. Sandy loam is mineral, not organic material. Rice hulls are silica based, and they don't decompose. Coco chip and fiber are organic but they decompose much slower than peat moss or potting mix because of their size and they do not release toxic chemicals like pine. Biochar is excellent for nutrient retention and transporting and housing microbes. All of the products in our soil are beneficial for aeration. It retains water well, but also drains appropriately. The roots will plenty of oxygen.

Warning: This product is DENSE. Also do not use this for starting seeds as microbes consume seeds and this is fortified with live microbials.

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SKU: 4189191878

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4.2 ★★★★★
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DoubtfulReader
Port Orchard, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Matt M.
Draper, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
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J. Christian
New York, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
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Classics professor
Omaha, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017
D
Verified Purchase
Danley Wolfe
Lowell, US
★★★★★ 5
Super overview and commentary on the historiy and many iterations/amendments
Format: Hardcover
I purchased and carefully read Jeff Kosseff's "The Twenty-Six Words That Created the Internet." It is an illuminating and thorough account of all facets of the legislation including history, enactment, modifications and amendments etc. A complex subject to understand, Mr. Kosseff did an outstanding job of presenting the complicated history and details and understanding of why this is incredibly important leading up to the form that is now in use. Some reviewers complain about too much detail, but I disagree, it is very important to understand the detail. A difficult topic and a great job of presentation. I would like to have a time line e.g., something like a "herring bone" chart notating all of the critical stages of development up to the present ... from initial concepts to Section 230 rollout and the important changes / amendments in both substance and use of 230. I am now reading Koseff's latest book on a similar but different topic, "The United States of Anonymous" which deals with how the first amendment shaped the development of our online speech.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 16, 2023

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