SKU: 4379378020
best temperature for lavender plants

best temperature for lavender plants Lavandula angustifolia 'Munstead' | Outdoor Plant

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Description

best temperature for lavender plants Lavandula angustifolia 'Munstead' | Outdoor PlantClassic compact lavender with Lavandula angustifolia 'Munstead' Lavandula angustifolia 'Munstead' is a compact English lavender with violet blue flower spikes and a strong, familiar scent. It forms a neat mound that reads cleanly as edging or as a repeated accent through sunny beds and container plantings. The plant keeps a woody framework, so it offers structure beyond flowering. With consistent, light shaping, the outline stays dense and the foliage

Classic compact lavender with Lavandula angustifolia 'Munstead'

Lavandula angustifolia 'Munstead' is a compact English lavender with violet-blue flower spikes and a strong, familiar scent. It forms a neat mound that reads cleanly as edging or as a repeated accent through sunny beds and container plantings.

The plant keeps a woody framework, so it offers structure beyond flowering. With consistent, light shaping, the outline stays dense and the foliage remains an active part of the display rather than a background layer.

Munstead growth and seasonal shape

Spring growth starts from the woody base and quickly fills out into a rounded mound. Flower stems rise above the foliage in summer, then the plant settles back into evergreen texture once spent stems are removed.

A mature plant usually reaches around 45-60 cm in height with a spread around 60 cm, depending on root space and pruning. In pots, growth tends to stay more restrained, which can be useful when you want a compact lavender shape close to seating.

Sunny placement and soil texture

Open sun supports firm growth and better flowering. A lean, well-drained root zone is the main requirement; lavender copes with a wide pH range when drainage is good and the crown is not kept damp.

If soil is heavy, improve structure with grit through the planting area and avoid thick organic mulch against the base. In gravel-style planting, the foliage and flowers read especially well against stone and pale mineral surfaces.

Reading pot moisture by depth

Use a pot with generous drainage and a gritty outdoor mix. Water thoroughly when needed, then allow the mix to dry back so roots regain air.

A simple check is the top third of the pot: when it feels dry and the container is noticeably lighter, water deeply and let excess drain away. Avoid keeping the centre constantly moist, especially during cool or wet spells.

Pruning Munstead after flowering

Light shaping after bloom keeps the mound tight and helps prevent woody gaps forming. Keep cuts in green growth where leafy buds are present.

  • After flowering: cut off spent stems and lightly round the mound.
  • Spring tidy: remove winter damage once new shoots are moving.
  • Cut depth: avoid cutting back into bare wood with no leafy growth.
  • Feeding: keep nutrition light; overly rich growth softens stems and scent.

Munstead issue signals

A dull, soft centre is usually a drainage signal rather than a drought signal. In containers, repeated rain plus a heavy mix can trigger quick decline unless excess water can escape freely.

Reduced flowering most often links to reduced sun or pruning that was too late in the season. If the plant looks open and leggy, a slightly earlier trim and brighter exposure usually restores density.

Practical uses for Munstead

Lavandula angustifolia 'Munstead' suits herb gardens, path edging, small sunny beds, and container groups where you want a compact lavender mound with reliable summer colour. It pairs easily with rosemary, thyme, salvias, and fine grasses, and it holds its place in a scheme beyond peak flowering.

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SKU: 4379378020

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4.6 ★★★★★
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M
Max
Boise, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
M
M. J. Smith
Grantham, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Charlottesville, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Lowell, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Dallas, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001

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