SKU: 44032429876
plant ponytail palm

plant ponytail palm Ponytail Palm

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Description

plant ponytail palm Ponytail PalmCurly Ponytail Foliage on a Swollen Trunk Ponytail Palm is one of those plants that makes people smile at first glance. A swollen, bulbous base tapers into a slender trunk, crowned with a fountain of long, ribbon like leaves that spill over the sides like a green ponytail. Despite its common name, it isnt a true palm at all, but a caudex forming succulent native to Mexico, which has evolved to store water in its thick base. The look is part desert

Curly “Ponytail” Foliage on a Swollen Trunk

Ponytail Palm is one of those plants that makes people smile at first glance. A swollen, bulbous base tapers into a slender trunk, crowned with a fountain of long, ribbon-like leaves that spill over the sides like a green ponytail. Despite its common name, it isn’t a true palm at all, but a caudex-forming succulent native to Mexico, which has evolved to store water in its thick base. The look is part desert sculpture, part whimsical houseplant, and it fits just as well on a sunny windowsill as it does styled on a plant stand.

Slow, Compact Growth, and Long-Lived

Indoors, Ponytail Palm is slow-growing, which makes it a fantastic long-term companion plant. Young plants have a single trunk and a tight tuft of foliage, while older specimens gradually thicken their base and may branch into multiple heads over time. In containers inside the home, most plants typically top out at around 3–4 feet tall, although very old specimens in large pots can reach 5–6 feet. Because it grows slowly and stays relatively narrow, it’s easy to tuck into corners, tabletops, or grouped displays without worrying that it will outgrow the space overnight.

Bright Light and Infrequent Watering is all it requires

Think of Ponytail Palm as more of a succulent than a palm when it comes to care. It thrives in bright, indirect light and happily basks in a bit of gentle direct sun, especially morning or late-afternoon rays. A bright east or south window is ideal; in lower light, it will survive, but growth slows dramatically, and the trunk may elongate rather than stay stout. Plant it in a very well-draining mix—such as cactus or succulent soil, or potting mix heavily amended with sand and perlite—so that excess water runs through quickly and never lingers around the roots.

Watering is where Ponytail Palm really earns its “set it and forget it” reputation. The caudex stores water, so you’ll want to let the soil dry out completely between waterings, then soak thoroughly and drain well. In most indoor settings, that means watering every 2–4 weeks, less in low light or winter, and a bit more in bright, warm conditions. It prefers typical household temperatures of around 65–80°F and average humidity, shrugging off dry indoor air that would bother more finicky tropicals. Overwatering is just about the only way to truly get into trouble with this plant—if the base ever feels soft or the leaves pull out easily, it’s a sign the roots have stayed wet too long.

Pet-Safe Personality Plant for Home or Office

In the “indoor landscape,” Ponytail Palm is pure personality. Use it as a quirky focal point on a plant shelf, as a sculptural accent on a low stool, or lined up in multiples for a desert-inspired vignette. It pairs beautifully with cacti, snake plants, and other drought-tolerant houseplants, adding a softer, playful texture to an otherwise spiky or architectural grouping. And because it’s considered non-toxic to cats, dogs, and even horses, you can relax a bit if curious paws can’t resist playing with those tempting, dangling leaves.

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Trendy Chic
Boise, US
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Reviewed in the United States on September 8, 2024
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Matthew
Carnegie, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
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Lowell, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
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AMD
Lake Worth, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Chelsea, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020

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