SKU: 44034589410
art monsters: unruly bodies in feminist art

art monsters: unruly bodies in feminist art Art Monsters: Unruly Bodies in Feminist Art - Lauren Elkin Book

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art monsters: unruly bodies in feminist art Art Monsters: Unruly Bodies in Feminist Art - Lauren Elkin BookA transformative feminist intervention in the way we think about womens stories and bodies. Coming across the term art monster in Jenny Offills 2014 novel Dept. of Speculation, Lauren Elkin was intrigued. What kinds of connections might there be between art and monstrosity, and how was it different when the artist in question was a woman? Art Monsters is a landmark feminist intervention in the way we think about womens stories and bodies, calling

A transformative feminist intervention in the way we think about women’s stories and bodies.

Coming across the term “art monster” in Jenny Offill’s 2014 novel Dept. of Speculation, Lauren Elkin was intrigued. What kinds of connections might there be between art and monstrosity, and how was it different when the artist in question was a woman?

Art Monsters is a landmark feminist intervention in the way we think about women’s stories and bodies, calling attention to a radical genealogy of feminist art that not only reacts against patriarchy but redefines its own aesthetic aims. Exploring a rich lineage of visual artists, thinkers, and writers, Elkin examines the ways feminists have confronted the problem of how to tell the truth of their experiences as bodies. Queer bodies, sick bodies, raced bodies, female bodies: What are the languages of the body, and what are the materials we need to transcribe them? Above all, how can we use the notion of the feminist “art monster” to shape how we live our lives?

Writing in the tradition of Susan Sontag and Maggie Nelson, Elkin demonstrates her power as a cultural critic in this erudite and engaging book. From Kara Walker’s silhouettes to Theresa Hak Kyung Cha’s trilingual masterpiece Dictee, Art Monsters daringly weaves links between disparate artists and writers, and shows that their work offers a potent defense of beauty and excess, sentiment and touch, ambiguity and opacity.

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New edit. Upon further reflection, I’ve only had, a couple of exploratory years with Swatch excepted, Timex watches. My first one was when my mother replaced the Chicita Banana “tickity tock” sticker with a real Timex wind up watch before my first Cub Scout camp. In addition to many other Timex products, I’ve had these Ironman watches for the past 25+years. Usually the band wears out and can’t be replaced after three or four years. This particular watch fell apart less than six weeks old. It wasn’t hit by impact. It just came apart while I was driving down the road. I wonder if they’ve changed their manufacturing process. See photo for details. What is truly infuriating is that rather than replacing it, because it is truly a warranty issue, the told me to ship it to their offshore repair facility (which could take 3-5 months) and pay what might be half the value of the watch. Things happen, but the intentional friction they have created to avoid their obligations borders on malpractice and speaks to their indifference toward customer experience and subsequent lifetime value.
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