SKU: 45202734592
ergobaby four position 360 carrier dusty blue

ergobaby four position 360 carrier dusty blue Front-Facing Ergobaby 4-Position 360 Infant Carrier

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Description

ergobaby four position 360 carrier dusty blue Front-Facing Ergobaby 4-Position 360 Infant CarrierAt A Glance Features The Ergobaby Four Position 360 Carrier is a versatile favorite. Quick glance features: Give Baby the View She Wants with the Ergonomic Position She Needs ERGObaby has revolutionized the forward facing baby carrier by making it ergonomic for both you and your baby. Your babys comfort is key with this carrier. With full leg support, even in the forward facing position, this carrier allows parents to keep baby close comfortably in

At-A-Glance Features

The Ergobaby Four Position 360 Carrier is a versatile favorite. Quick glance features:

   

Give Baby the View She Wants with the Ergonomic Position She Needs


ERGObaby has revolutionized the forward-facing baby carrier by making it ergonomic for both you and your baby. Your baby’s comfort is key with this carrier. With full leg support, even in the forward-facing position, this carrier allows parents to keep baby close comfortably in the position of their choosing.

 

Four Position 360 Infant Carrier Features

  • Four Completely Ergonomic Positions
  • Comfort for Baby and Parents
  • Weight Limits from  7 lbs* - 33 lbs (* with use of infant insert from 7 lbs - 12 lbs)
  • Several Color Options

 

Four Completely Ergonomic Positions


A valid concern for most parents when it comes to forward-facing carriers is the safety of baby’s hips while front-facing. Most forward-facing carriers offer no leg support, but the ERGObaby Four Position 360 Infant Carrier solves that problem. Backed by the International Hip Dysplasia Institute, ERGObaby has created forward-facing carrier that supports baby’s hips in a healthy way, allowing your baby to be carried in a comfortable seated position -- even when facing the world.


Your baby can be worn in four comfortable ways:

  • Front-Inward
  • Front-Outward
  • Hip
  • Back

 

Comfort for Baby and Parents


ERGObaby means ergonomic comfort for you and your baby. By creating a sturdy and soft bucket seat for your baby, you can wear your baby in any of the four positions without worry of discomfort for yourself or your child. ERGObaby understands the importance of having your baby in the proper positioning while being worn (legs in an m-position, back in the c-position) and has implemented this into all of their carriers.


The ERGObaby 360’s comfort waistband hugs the parent’s waist while supporting baby’s weight optimally -- distributing the weight comfortably and evenly.


Weight Limits

 

The ERGObaby 360 can carry infants and babies between 7lbs and 33lbs. Babies 7lbs-12lbs should be supported using an appropriate ERGObaby infant insert.


Infants between the ages of 0-24 months or 7 lbs - 26.9 lbs should be carried in the front-inward facing position to be sure that their necks are fully supported. This also keeps your child from becoming over-stimulated and allows for a convenient nursing position in the carrier!


Front-outward carries are recommended for babies between the ages of 5-12 months or 14 lbs - 22 lbs. This front-outward carry will entertain a restless baby by giving them a view of the world from your perspective while still staying close to you.


Hip carries are recommended for babies ages 6-24 months or 17.2 lbs – 26.9 lbs. The hip carry is a natural way parents tend to carry their babies, but with the ERGObaby carrier, this position is much easier to maintain for longer periods of time. Your baby is used to this position and it allows for an entertaining view.


Back carries are recommended for babies who are 6-36 months old or 17.2 lbs – 33 lbs. For safety reasons, you baby should have full neck control before attempting back carries. Back carries are ideal for heavier babies as it is less strain on your back.


Several Color Options


The ERGObaby Four Position 360 Infant Carrier is available in several options for you to choose from:

  • Black/Camel
  • Dusty Blue
  • Green
  • Grey
  • Pure Black
  • Taupe/Lilac
  • Carbon Grey

Specifications for the Ergobaby Four Position 360 Carrier

Baby Weight: 7-33 lbs. (for infant with insert, sold sseparately
Warranty: 1 Year
Shipping Notes
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SKU: 45202734592

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Trendy Chic
San Leandro, US
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Reviewed in the United States on September 8, 2024
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Matthew
Phoenix, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
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T
Lexington, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
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AMD
Natrona Heights, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Waukegan, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020

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