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madagascar money tree

madagascar money tree Money Tree Plants ‘Pachira aquatica’ 8" Pot / Self Watering / With Pot

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madagascar money tree Money Tree Plants ‘Pachira aquatica’ 8" Pot / Self Watering / With PotThe Money Tree Plant, known as Pachira aquatica, is one of the best low maintenance houseplants prized for its braided trunk, lush green leaves, and association with prosperity and good fortune. In short, it's called the Money Tree because of its symbolic ties to luck, wealth, and good fortune, not because it actually grows money, though some people do jokingly wish it did! Originating from tropical wetlands, this plant has gained immense popularity

The Money Tree Plant, known as Pachira aquatica, is one of the best low-maintenance houseplants prized for its braided trunk, lush green leaves, and association with prosperity and good fortune. In short, it's called the Money Tree because of its symbolic ties to luck, wealth, and good fortune, not because it actually grows money, though some people do jokingly wish it did! 

Originating from tropical wetlands, this plant has gained immense popularity in modern homes, offices, and even business spaces across the world. The Money tree bonsai is a compact, artistic version of the traditional plant, often used to symbolize wealth and harmony in feng shui practices. 

According to the principles of Feng Shui, the Money Tree is believed to bring luck, financial prosperity, and positive energy when placed in specific areas of a home or office. It is commonly placed in the southeast corner—known as the "wealth corner"—to invite abundance and growth. The braided trunk is said to trap fortune within its folds, while the five-lobed leaves represent the five fundamental elements: earth, water, fire, wind, and metal, creating a balanced flow of chi (energy). 

The Pachira aquatica extremely fast growing up to 24 inches per year.

In its natural habitat, the Money Tree can grow up to 60 feet tall, but as a houseplant it can grow up to 6 feet tall indoors, and up to 12 feet tall outdoors in ideal your garden.

Native to Central and South America, the money tree plant has several other common names such as Malabar Chestnut, Guiana Chestnut, Chinese money tree, and Provision Tree.

The Money tree is admired for its glossy, hand-shaped palmate leaves that radiate from a central point, often with five to seven leaflets per stem, resembling an open hand.

The most iconic form features a braided trunk, achieved when several young stems are woven together while pliable and then grow as one. This braided appearance adds a sculptural quality and is often viewed as a symbolic protection of wealth.

The Money tree blooms during spring with large, showy white or cream-colored flowers with long stamens and a pleasant fragrance. These flowers later develop into large, woody seed pods containing edible chestnut-like nuts. 

One of the plant’s most unique qualities is its adaptability to various environments—it can thrive indoors with minimal care, tolerate low humidity if acclimated properly, and purify indoor air. Its symbolic significance, combined with its ornamental structure, makes it a favorite for gifting during housewarmings, business openings, and holidays.  

When and How to Water Your Monet Tree Plant 

The Money Tree is moderately drought-tolerant due to its thick, water-storing trunk, but it thrives with a consistent watering schedule that avoids soggy roots. Always check the top 2 inches of soil for dryness before watering to prevent overwatering. Water your Money Tree every 7–10 days during the growing season with deep watering and reduce to once every 3–4 weeks in the dormant season.  

From March to August, during the growing season, water thoroughly once every 7–10 days, ensuring excess water drains out of the pot. This is the Money tree plant’s active period, when it needs more hydration to support new foliage growth. Make sure the soil remains moist but never soggy, and consider misting the leaves lightly to increase humidity. 

From September to February, in the dormant season, reduce watering to once every 3–4 weeks, providing just enough to prevent the roots from drying out. Overwatering in winter is a common mistake that can lead to root rot. Keep it in a warm spot and ensure proper drainage during these cooler months. 

Light Requirements – Where to Place Your Money Tree 

When growing indoors, the Money tree plant thrives in bright, indirect light for 6–8 hours a day.

Place them near east- or south-facing windows, but avoid direct sunlight, which can scorch the leaves.

They also adapt well to fluorescent lighting, making them ideal for offices and low-light homes.

When grown outdoors, place your Pachira Money Tree in a location that receives partial shade or filtered sunlight for 4–6 hours daily.

Direct outdoor sun, especially in hot climates, can burn the leaves. A shaded patio, balcony, or under taller plants works well, as long as there's good airflow. 

Avoid low-light environments indoors or full sun outdoors, as both can cause stress. While adaptable, poor lighting leads to slow growth, leaf drop, or legginess. Rotate the plant occasionally for even light exposure and symmetrical growth. 

Optimal Soil & Fertilizer Needs 

Use a well-draining peat-based soil mixed with perlite or sand and fertilize once a year in the spring. The goal is to prevent waterlogging while retaining enough moisture for root absorption. Avoid heavy or clay-based soil. Planet Desert has specialized potting soil, opens in a new tabGo to Soil cactus mix blend 1 gal 4 qt cacti succulent dirt compost growing media that includes an organic substrate with mycorrhizae to help with the growth of a healthy root system, to help your money plant thrive. 

Fertilize once a year in the spring with a balanced, water-soluble NPK fertilizer of about 5-10-5. Do not fertilize in the dormant months, as the plant's growth slows and excess nutrients can harm it. Adding organic matter such as worm castings or compost can enhance soil fertility, especially in pots. Make sure the container has drainage holes and never let the plant sit in standing water. 

Indoor Money Tree Growing Requirements 

When growing indoors, the Money Tree prefers temperatures between 65°F and 80°F, moderate humidity, and bright indirect light. To keep it healthy, place it near a bright window where it can receive 6–8 hours of filtered sunlight daily—east, south, or west-facing windows are ideal. Avoid direct sun, which can scorch the leaves, and supplement with a grow light if natural light is limited. The plant thrives in humidity levels of around 50–60%, which you can maintain with a humidifier, pebble tray, or regular misting, especially during dry winter months. Consistent temperatures are important; keep the plant away from drafts, heaters, or AC vents, as sudden changes can lead to leaf drop or stress. With stable conditions and good light, the Money Tree makes a striking and low-maintenance indoor companion. 

Hardiness Zones & More 

In the United States, this is mostly grown as an indoor plant, but if you live in warmer climates like southern Florida or Hawaii, specifically in USDA Zones 10-12, you may be able to cultivate it outdoors year-round with care.

In these zones, choose a location that receives bright morning sunlight with partial shade in the afternoon to avoid scorching the leaves.

Humidity should be maintained at moderate to high levels, ideally above 50%, to support healthy growth and prevent leaf drop. Use a humidity tray or humidifier to maintain 40–60% humidity indoors during winter. 

Wildlife – Money Tree Flower Attracts the Following Friendly Pollinators 

The Money Tree Flower is known to attract a variety of friendly pollinators, including butterflies, bees, bats, and hummingbirds. These creatures play a crucial role in the ecosystem by helping to pollinate plants and ensure their reproduction.  

Butterflies
Bees
Hummingbirds
Lady Bugs
Multi Pollinators
Other Birds

According to the ASPCA, the Pachira aquatica is non-toxic to humans, cats, dogs, and horses. This makes it a great option for pet-friendly households. However, ingestion of large amounts may still cause mild stomach upset.

How to propagate a Money Tree 

The Chinese money tree can be propagated easily through stem cuttings taken during spring or early summer. Choose a healthy branch with at least two leaf nodes and cut it using clean, sharp scissors. Dip the cut end in rooting hormone and plant it in moist, well-draining soil. Keep the pot in bright, indirect light and maintain consistent humidity using a plastic dome or humidity tray. Roots typically form in 3–4 weeks. Once rooted, treat the new plant like a mature specimen. 

Key Takeaways

  1. According to feng shui, the popular houseplant money tree is a symbol that, when placed in homes or offices, attracts wealth, good fortune, and positive energy.
  2. This tropical plant can grow up to 24 inches per year, making it extremely fast-growing option for indoor greenery.
  3. According to ASPCA, it is non-toxic to cats and dogs, making it a pet-friendly houseplant.
  4. Money Tree plants are often grown and styled as bonsai, featuring braided trunks and compact foliage for decorative appeal.
  5. The plant thrives indoors with bright, indirect light and is easy to maintain with moderate watering and occasional pruning.

The Bottom Line 

Overall, the Money Tree ‘Pachira aquatica’ is a stylish, popular houseplant with braided stems and lush green leaves. It thrives with moderate watering, bright indirect light, and well-draining soil. Known for its symbolism of good fortune and prosperity, it is a popular choice for both indoor and outdoor décor. With its non-toxic nature, humidity tolerance, and low maintenance needs, it’s an excellent plant for beginners and collectors alike. As both a botanical treasure and a Feng Shui favorite, the Money Tree truly lives up to its name—bringing a sense of calm, balance, and prosperity to all who grow it. Order your very own Money tree for sale today! 

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AMD
Birmingham, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Cuba, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020
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Matt M
New York, US
★★★★★ 5
Will reading Wired for Story really make you smarter?
Format: Paperback
In my 36th year as a would-be and penniless writer, I found myself exiled to a dark rough and tumble city in the Far West, guns blazing as a steely-eyed wordslinger for hire. But then one day I stumbled upon Lisa Cron's book Wired for Story. The book's title had my curiosity. A few sample pages later grabbed my attention and has held it ever since. But the price wasn't right for a poor, humble English teacher living in China upon a Chinese salary. I had bills to pay, a mistress to please, and habits to feed. It seemed to me that Amazon.com was colluding with other dark powers to suck humanity dry; why else would they charge more for a digital book than its paper copy? But then I heard ghostly voices, the cinematic intonations of Morpheus telling me to choose between the red and blue pill; Obiwan Kenobi, "Use the Force"; Nike commercials, "Just Do It!"; and other such shadows flickering upon the wall of my TV room. Even this very particular retail website seemed to whisper across all the vastness of cyberspace, reminding me of my destiny via a personalized showcase of products, that I was not just born to buy... So I added it to my cart. About a download and two chapters later I found that I was still happy after the post-purchase buzz ran its course. This book should be required reading for all writers - and anybody else seeking an inoculation against the raging pandemic of competing narratives spewed out from marketers, pundits, prophets, and others posing as guardians of the truth - most of whom seem to be more enraptured than enlightened. For writers though, Wired for Story is quite different from other "how to" books, as Lisa Cron approaches the craft of storytelling from a neuroscientific point of view. She makes the case that writers aren't just entertainers: they are some of most powerful shakers and shapers of human perception. So if storytellers are like snake oil salesmen, then what is the difference? Both seem to be highly skilled in crafting story, using imagery, and evoking emotions, memories, desires. The difference is all about marketing. Salesmen claim to have knowledge, skills, and expertise, that they, and they alone have whatever it takes to get the facts right and fix things. They market their brands cloaked in story, as if they have a monopoly on truth, or at least the can-do spirit and problem-solving experience needed to improve the economy, save the world, whatever. It doesn't matter that time and time again reality proves them wrong; they will always have another story to spin. The difference between those who would use the power of story to express themselves versus those who would use it for personal gain is, perhaps, a fine red line marking the shadowy borders of between ethics and morality. Storytellers differ because they use words to hook audiences and manipulate a willing reader's central nervous system. They make no claims to knowledge or expertise. Indeed, fiction writers will be first to emphasize their work is fictional, and not based on any real life events or people. Their best writing leaves readers thinking, questioning, minds opening, empathizing, expanding their worldviews, the list goes on almost ad infinitum. Storytellers speak for themselves and let audiences think for themselves; pundits speak for others and tell audiences what to think. What's more, the art and craft of story, as well as the talent and hard time in solitary confinement required for their honing, is estimated to take an average storyteller at least 1,000,000 words or 10,000 hours - not including all the reading, language arts development, and life experience necessary to get to a point one needs to seriously embark on such a ludicrous and un-economical vocation. This means that fiction writers who risk everything for dubious prospects of financial reward must have something else driving them - and a good day job. A presidential candidate though, who has genuinely done the time, and crafts speeches with the skill of a poet or bard, should hypothetically have the critical thinking background, moral authority, and empathy to be a great leader. But in the final analysis, actions contradict words; their ability to spin tales proves the old universal theme that the pen is mightier than the sword. Now when I finish Wired for Story sometime this week, I will be one step further on this endless quest to actually sell stories for a living (i.e. stories fit for the fiction aisle of an actual bookstore, not a review for an online retailer). Until then, I'm probably just a hypocrite acting as if a single book alone makes a smarter man, when in fact I know little of anything (which is why I became a writer in the first place) -- or maintaining such a humble pretense. But I don't know myself well enough to be certain. That kind of exploration would be a whole other story - but it would be unsafe to say that I lived happily ever after reading this book. The End
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Reviewed in the United States on October 11, 2012
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arch_reviews
Draper, US
★★★★★ 4
A Cheeky Novel about writing cheeky novels
Format: Paperback
Wired for Story is a book full of solid, albeit basic, advice for story tellers, and in particular writers trying to develop their craft. It succeeds in some areas while falls down in others, however I found it solid and well written overall. Where it succeeds is in its brevity and clarity. The author gets right to the point and even provides short lists at times of what to do and how to do it. Her writing is also peppered with cheeky humor which is humorous in a thats-almost-funny kind of way that is refreshing compared to the textbook style adopted by many how-to-write books. Where the book fell down, for me, was in its limited examples and scope. It really felt like the author was addressing romance writers, for the most part. I could think of a few counter examples to some of her rules, although one would have to leave the romance genre for those to work. But for a 230 page book, that is minor discrepancy. The second thing I noticed, which has already been pointed out by others, is that the brain science was limited. In fact, it was mostly only refereed to in footnote. Personally, that was fine with me, but I could see why it made others feel misled (it is in the title, after all).
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Reviewed in the United States on December 5, 2014
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Martijn13Maart1970
Chelsea, US
★★★★★ 5
Unfortunately yet another one to add on the pile of writing books!
Format: Paperback
I say 'unfortunately another good book on writing' since I have been reading many books on the topic and each time I think I have read it all by now, pfff, but then another one like this comes along. But hey, it is fun to read about writing and especially if you get something useful and new out of it. Always worth the money. Why the accolades for this book? All the information on characters, plot, details etc, how they work and why they are important, is not new. You find them in many reading books, especially from Reader's and Writer's Digest series. I would especially recommend the books on plot and structure by James Scott Bell. Yet this book Wired For Story is not redundant, since it is unique in both the focus on the familiar subjects like what story is, the importance of details, details versus generics, how events affect a character etc. The approach of using brain science shows in a compelling way why all the stuff in the book (and for that matter, the classic theory on writing) is there for a reason, since it has evolved out of how we humans seem to perceive a story. Interesting though, a lot of rules like 'write about what you know' are shown to be myths. Of course, in the end it is you as a reader that has to decide what works for you, but you will find new things here and that is always good. If you are thinking about writing a story, this book can give you a very sharp focus on what to think about before you start. Or, like me, when you have a draft, and you want to get to the 'real story' behind it to come forward, this work gives you a very transparent way to get better clues as to what stays and what has to go. It is also entertaining and easy to read, so, all I can say is, yet again a book on writing you cannot afford to miss! I just added some extra information: I loved the humor and wisdom of the writer. She has worked for years reading manuscripts and she does know her stuff, and I liked her tone, which was both realistic but also fun! How many times have you read a reference work and actually had to laugh? But this book was also profound on many story issues. Many common writing rules are, as I said before, shown to be myths and more importantly, why this is so. I have read for instance so often that you should have some sensory info on every page, but, as I thought myself and I am not the only one: although this makes things more lively, it should only be there if the story would dictate it! The book has many more things like these. I have compiled a collection of notes I took from all the many many books on writing so I measure new books on writing in how much text I copied and pasted to look at again and this book has given me lots, so 5 stars and I hope we will see more of this author again! I also recommend the book by James Scott Bell on plot and structure which you can find here
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Reviewed in the United States on October 28, 2012

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