SKU: 47017503467
iwarenge succulent

iwarenge succulent Orostachys Malacophylla var. iwarenge

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Description

iwarenge succulent Orostachys Malacophylla var. iwarengeThe Chinese Dunce Cap is a perennial succulent plant that belongs to the plant family Crassulaceae, Genus Orostachys. These succulents are native to Japan, Mongolia and Northern China. They flourish in cold, mountainous regions and grow quickly in the spring, summer and autumn. They form open rosettes of lavender gray leaves that can grow to a diameter of 2 inches. The rosettes produce tiny plantlets on thin stems that spread out up to 6 inches away

The Chinese Dunce Cap is a perennial succulent plant that belongs to the plant family Crassulaceae, Genus Orostachys. These succulents are native to Japan, Mongolia and Northern China. They flourish in cold, mountainous regions and grow quickly in the spring, summer and autumn. 

They form open rosettes of lavender-gray leaves that can grow to a diameter of 2 inches. The rosettes produce tiny plantlets on thin stems that spread out up to 6 inches away from them to form a clump. After some time, the rosettes make small pale yellow flowers with greenish bracts on spikes.      

This species has beautiful leaf shape and color, are easy to propagate and maintain, and has a certain ornamental value.

 

Care Tips

Light: It is very light-loving and best to have full sunlight during its growth period. In the summer, it is better to put it in a place with sufficient diffused light and sunlight in the morning and evening. And in winter, it is better to put it in a sunny balcony to avoid prolonged shade, otherwise it will easily lead to the excessive growth of the plant and affect its shape.

Water: It’s better to follow the method of watering only when it is dry and not dry, otherwise it will lead to waterlogging and rotten roots and rotten leaves if we are not careful. Therefore, in the summer, we should water 3-5 times a month but 2 times a month in other seasons.

Soil: They need to be drained well, but they’re able to adapt to both nutrient-rich and nutrient-poor soil. 

Potting: It is recommended to use ceramic pots. Ceramic pots have a certain degree of permeability. Clay pots lose water too quickly, and plastic pots tend to retain water for too long and permeability is poor.

Temperature: They are very sensitive to high temperature, so they need to be placed in a cool place that’s well ventilated in the summer. The suitable temperature for their growth is 15℃-25℃. The temperature in the winter should not be lower than 3℃ because at low temperatures, it’s easy for them to suffer frostbite and may even die.

Humidity: Chinese Dunce Cap grows well in average household humidity levels. It doesn’t like too much humidity.

 

Shipping & Handling

    • The 2 Inch Chinese Dunce Cap plants are shipped with the pot and soil
    • The 4 Inch and larger plants are shipped bare roots without the pot and soil:
    • You will receive a very similar plant to the one shown in the photos; shape and color may vary
    • Ship within USA & its outlying territories only
    • Please visit Order Processing & Shipping info page for additional details

     

    Care Instructions

    Please visit our Succulent Care info page for more details.

    To ensure the health of succulents, it is important to plant them in porous, well-draining soil. Succulents require little watering, but don't like to sit in wet soil. To create an adequate cactus mix, simply add pumice, perlite, or grit to cactus soil to provide the proper drainage.

    Make sure to leave drought periods between waterings to prevent the plant from water-logging.

     

    Weather Conditions

    • When ordering, be mindful that living succulents can be damaged by the cold weather.
    • If you live in an area that is below 40 degrees Fahrenheit, please add a shipping warmer to your order or consider purchasing plant until the weather is more suitable.
    • Shipping Warmer: 72+ Hours Heat Packs available for $1.7 each
      Shipping Notes
      • Free Standard Shipping on $100+ Orders to the USA.
      • Except Preorder products are shipped in 48 hours.
      • Delivery to the USA:
      1. Standard Shipping : 3-10 business days
      • If time is of the essence, please consider selecting expedited delivery for faster service.
      Exchange/Return Notes
      • We offer a 30-day return/exchange service after receiving.
      • Final sale items are not eligible for returns or exchanges.
      • To process your return/exchange, please contact us at [email protected]
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      SKU: 47017503467

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      4.3 ★★★★★
      Based on 22 reviews
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      Product Reviews
      D
      Verified Purchase
      Diana D
      Whiting, US
      ★★★★★ 5
      Very well written and easy to read.
      Format: Paperback
      Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader. This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story. I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on November 22, 2016
      J
      Verified Purchase
      JR
      Belleville, US
      ★★★★★ 4
      Must Read for Novice Litigators
      Format: Paperback
      This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on July 25, 2018
      T
      Verified Purchase
      Tahoeman
      Natrona Heights, US
      ★★★★★ 5
      Much needed guide to narration in law practice
      Format: Paperback
      Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on February 10, 2014
      D
      Verified Purchase
      David R. Papke
      Chelsea, US
      ★★★★★ 5
      Recommended for All Lawyers
      Format: Paperback
      Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on May 7, 2014
      D
      Verified Purchase
      DoubtfulReader
      Omaha, US
      ★★★★★ 3
      Notes on Legal Style by a Law Professor and Experienced Lawyer.
      Format: Kindle
      BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on June 27, 2017

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