SKU: 47909549463
aglaonema black dragon

aglaonema black dragon Aglaonema 'Romeo' – Foliage Factory

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Description

aglaonema black dragon Aglaonema 'Romeo' – Foliage FactoryAglaonema 'Romeo' Aglaonema 'Romeo' has long, narrow leaves with a cool silver to grey green surface and darker green markings. The slim leaves create a vertical, lightly arching plant shape with a cool toned pattern. New leaves unfold close to the existing stems, keeping the plant compact at the base. Filtered light reduces scorch on the silvered areas, and watering after the upper substrate dries helps prevent yellowing from wet roots. Slim silver

Aglaonema 'Romeo'

Aglaonema 'Romeo' has long, narrow leaves with a cool silver to grey-green surface and darker green markings. The slim leaves create a vertical, lightly arching plant shape with a cool-toned pattern.

New leaves unfold close to the existing stems, keeping the plant compact at the base. Filtered light reduces scorch on the silvered areas, and watering after the upper substrate dries helps prevent yellowing from wet roots.

Slim silver leaves on Aglaonema 'Romeo'

  • Leaf colour: Silver, light green to grey-green surface tones.
  • Pattern: Dark green markings and veins across the narrow leaves.
  • Leaf shape: Long, slim leaves with a pointed finish.
  • Growth habit: Clumping Aglaonema with upright to slightly arching leaves.
  • Light response: Long leaves can angle toward the brightest side.
  • Pattern variation: Markings can differ slightly between older and newer leaves.

Leaf angle and indoor growth for Aglaonema 'Romeo'

Aglaonema 'Romeo' keeps most of its growth close to the pot, but its long leaves may angle toward the brightest side. Regular rotation keeps the clump more even and reduces one-sided leaning.

The narrow leaf edges can brown when watering is irregular or air is very dry. A consistent watering pattern and an airy substrate lower the risk of tip burn and cold, wet roots.

Aglaonema 'Romeo' care

  • Light: Give bright filtered light. Direct sun can scorch the silvered leaf surface.
  • Water: Let the upper substrate dry slightly, then water evenly through the pot.
  • Substrate: Use a structured houseplant mix that drains cleanly and does not compact around the roots.
  • Temperature: Keep above 13 °C and away from cold draughts.
  • Humidity: Moderate humidity reduces dry tips on the long leaves.
  • Feeding: Use diluted fertiliser during active growth; brown tips after feeding can indicate salt build-up.
  • Rotation: Turn the pot regularly because the narrow leaves can lean toward light.

Aglaonema 'Romeo' issue checks

  • Brown tips: Often linked to dry air, irregular watering or accumulated fertiliser salts.
  • Scorched silver leaves: Move the plant out of direct sun if pale areas turn dry or tan.
  • Yellowing lower leaves: Wet, cool substrate is a common trigger in Aglaonema.
  • Pests: Fine webbing, stippled leaves or sticky residue call for a close check under the leaves and around the petiole bases.
  • One-sided growth: Rotate the pot and check that light reaches the full clump.
  • Small or pale new leaves: Check light, temperature and root condition before increasing fertiliser.

Aglaonema 'Romeo' safety

Aglaonema 'Romeo' contains calcium oxalate crystals. Place it away from pets and children that chew leaves, and avoid contact with sap from cut or damaged stems if your skin reacts easily.

Aglaonema 'Romeo' name and origin note

The genus Aglaonema belongs to Araceae and occurs naturally from north-east India to Papua New Guinea. 'Romeo' is a cultivated Aglaonema selection. The genus name comes from Greek aglaos, meaning bright or clear, and nema, meaning thread, referring to the stamens.

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SKU: 47909549463

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David R. Papke
San Leandro, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
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DoubtfulReader
Bozeman, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Boise, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Charlottesville, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
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Classics professor
Pawtucket, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017

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