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Description
nuna stroller black Nuna Demi Next Stroller – Bebeang BabyNuna Demi Next Stroller With an all season seat, swanky storage system and the ability to expand to a doublethe DEMI grow really does have it allno matter what fate may throw your way. This exceptionally engineered stroller with Custom Dual Suspension provides the best ride for baby and you. The Water repellent UPF 50+ Aire protect canopy protects child from the elements with a built in privacy drape and ventilation to create the ultimate customized
Nuna Demi Next Stroller
With an all-season seat, swanky storage system and the ability to expand to a double—the DEMI grow really does have it all—no matter what fate may throw your way. This exceptionally engineered stroller with Custom Dual Suspension™ provides the best ride for baby and you. The Water-repellent UPF 50+ Aire protect canopy protects child from the elements with a built-in privacy drape and ventilation to create the ultimate customized comfort for baby. Plus, the innovative MagneTech Secure Snap™ makes getting your little one out as quick and easy as putting them in.
DETAILS THAT MATTER
Stroller
- 25+ modes–convert from a single stroller to a double or twin and use the included rider board or sibling seat accessory (sold separately).
- Super easy to fold, flip the seat, or convert to bassinet or car seat mode.
- Four recline positions and an upright backrest angle for just-right rides.
- Easily adjust recline with just one hand.
- Forward and rear-facing seat options.
- One-touch rear-wheel braking system for scuff-free shoe control.
- Custom dual suspension™ provides a nice, smooth ride.
- Wide, swivel-lock front wheels make it a master of smooth riding motion.
- One-hand adjustable calf support and footrest to accommodate growth.
- Self-guiding MagneTech secure snap™ buckles automatically lock into place.
- Quick-release 3 to 5-point harness makes it easy to fasten them in.
- Fenders and built-in hub caps protect from dirt and debris.
- Easily removable premium Merino wool insert provides ultra-soft comfort.
- Eye-to-eye connection is easier with the elevated seat level.
- Rotating and removable armbar fits kids of all sizes.
- Water-repellent UPF 50+ Aire protect canopy™ protects from the elements.
- Built-in privacy drape and ventilation panels in the canopy for ideal airflow.
- All-season seat keeps baby cozy in winter and easily converts to mesh in summer.
- Tires are tough, foam-filled, and ready for any terrain.
- No-rethread harness makes it easy to adjust for comfort and growth.
- Large basket with 22 lbs.
- Adjustable pushbar with luxe leatherette accents to accommodate varying heights.
- Included rain cover for when the weather doesn't cooperate.
Rider board
- Creates more riding options for family travels made easy.
- Cleverly positions your child between your arms for closeness.
- Easily attaches to the stroller's lower seat mounts.
- Two swivel wheels for easy maneuvering.
- Holds up to 50 lbs.
- Flips into the stroller basket when not in use.
- Folds with stroller.
KEY PRODUCT POINTS
- Compatible with the DEMI next sibling seat and DEMI series bassinet.
- Other parts that can be purchased: DEMI next sibling seat, DEMI series bassinet + stand, Ring adapter, MIXX series and DEMI series cup holder, Wheeled travel bag and Child's tray and handle.
- Imported.
THIS SET INCLUDES
- Stroller frame, Stroller seat, Rider board, Infant car seat ring adapter, Infant car seat post adapters, Fenders and Rain cover.
DIMENSIONS
- Overall (open): 24" wide x 39.5" deep x 43.5" high
- Overall (folded): 24" wide x 23.5" deep x 35" high
- Handle: 19" wide x 8" deep x 2" high
- Wheels: 8.5" diameter
- Harness: 1" wide x 17" long
- Storage Basket: 17" wide x 27" deep x 14" high
- Hood: 16" wide x 15" deep x 19"-28" high
- Stroller Weight: 26 lbs
- Storage Basket Weight: 22 lbs
- Stroller Weight Capacity: 50 lbs
CARE
Removable Fabric
- Wash in cold water, delicate cycle.
- Do not bleach.
- Do not tumble dry.
- Do not iron.
- Do not dry clean.
Frame, Plastic parts, and any Non-removable Fabric
- Clean with a damp cloth
- Do not use abrasives or bleach
- Do not use silicon lubricants
- Do not store your stroller in a damp place.
- Wipe with a soft, absorbent cloth after using it in rainy weather and before storing away.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.5 ★★★★★
Based on 19 reviews
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Product Reviews
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
]
On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters.
(Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.)
All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut.
Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985.
I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail:
*In the 132-minute version you cut from Sam in bed with Jill, police sack goes
over head, then CUT TO Pull off police sack to reveal Sam in Torture
Chamber/Interrogation chair. This one cut is simply brilliant and very powerful.
In the Criterion Version you have the added scene of Mr. Helpman as Father
Christmas (completely out of charcater from the rest of the film) and the whole
interrogation scene of Sam hanging from the rack inside the police/mail pouch
which becomes narratively redundant and dilutes the impact of the final scene.
*To end it with cooling tower/interrogation room fade to clouds was a great Gilliam
wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to
the European cut of just credits over cooling tower/interrogation room.
*The Samurai Scene is divided into 3 separate scenes in the 132-minute version
versus 1 LONG scene in the European cut. And you know what? Like most things,
it works better in 3's.
*The 132-minute version cuts straight to the Dinner Scene with Ida (his mother)
ordering numero deux, trois, etc. while the European version has the entrance to
the restaurant of going through the metal detector which really doesn't add
anything and is again a bit redundant when the bomb does eventually go off in
the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert.
*And finally I just love that the 132-minute version opens on those clouds (outtakes
from The Never-Ending Story) then goes to the Central Services advert about
Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version
also has the clouds opening (The Original European Cut didn't) but it's funny
because the Studio asked Gilliam to start off with the clouds for the US Cut and he
actually prefers it as quoted in his Director's commentary. Hilarious.
Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future.
Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless.
Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar!
The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co.
And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today?
I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society.
The film can be a bit 'heavy' at times, though. Not everyone's cup of tea.
Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things.
The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring.
The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world.
If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016
★★★★★ 5
My favorite movie musical
The Umbrellas of Cherbourg (1964, Jacques Demy, Director) is a very straightforward love story that’s fairly predictable, but that doesn’t take away from its absorbing allure. In fact, I love this film so much that I’m willing to overlook some of the minor flaws in the blu ray transfer from Criterion. This transfer is somewhat grainy/hazy in picture quality, and the sound isn’t exactly clear; in fact, it can be slightly muffled at times. However, I’m not going to dwell on these few minor imperfections. Now, for the heart of the review: The Umbrellas of Cherbourg is so unique in that all of the dialogue is sung. This is definitely an acquired taste, but about 15-20 minutes in, I was used to it and all-in. The next thing that becomes obvious is its rich color; it’s sort of pastel-like, with some backgrounds that are quite striking. Finally, the last thing that jumps out is the continuous upbeat music in the film, with the exception of the main theme, which is an emotionally-charged melancholy number by Michel Legrand that is the heartbeat of the film. This film is really a heartfelt love story where fate is the prevailing narrative and force. It’s a film about important decisions and their outcomes. Along the way, there are familial issues, death, rebuilding with emotional crutches, and some humor injected at just the right times. Some of the dialogue is cliched, but I guess that’s par for the course in a love story? Finally, while watching this film, I could definitely see where the 2016 film, La La Land took so much inspiration from, especially the ending sequence and the upbeat musical numbers. Overall, The Umbrellas of Cherbourg is a masterpiece of a film that’s essential to your blu ray collection. The Criterion Collection usually does a stellar job with resorting older films, but for some reason this isn’t their best work. I was expecting better quality. The blu ray also contains some nice special features.
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Reviewed in the United States on July 22, 2025