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Description
double stroller for infant and toddler nuna Nuna TRVL DUBL StrollerNothing about being a parent is what it seems. It's magical, scary, overwhelming, and full of changesidentity, style, body, work, travel. As your tribe grows, the answer to "What am I forgetting?" often becomes "Ah yes, myself!" Then, you begin to recognize the importance of self care and embracing parenthood on your own terms. Meet your new superpower, the TRVL dubl. This side by side double stroller becomes your lifeline, easily integrating into the
Nothing about being a parent is what it seems. It's magical, scary, overwhelming, and full of changes—identity, style, body, work, travel.
As your tribe grows, the answer to "What am I forgetting?" often becomes "Ah yes, myself!"
Then, you begin to recognize the importance of self-care and embracing parenthood on your own terms.
Meet your new superpower, the TRVL dubl.
This side-by-side double stroller becomes your lifeline, easily integrating into the multiplying demands of your day.It glides through doorways, navigates narrow spaces, and brings your two little explorers closer together for the journey.
Because life doesn't have to slow down when your family expands, the fun just doubles.
Features
Use
- Comfortably seats two children side-by-side from birth up to 50 lbs per seat
- Travel system ready—attach any PIPA™ series infant car seat to the wider seat without an adapter
- Removable and rotating armbar spans across both seats for easier ins and outs
- Folds easily with 1 hand and stands on its own when folded
- At 25.2 lbs it's lightweight for a double and easy to tote with armbar when folded
Safety
- Self-guiding MagneTech secure snap™ buckles automatically lock into place
- 3 to 5-point no-rethread harness makes it easy to fasten them in
- Quick-engaging 1-touch rear-wheel braking system provides scuff-free security
- Front swivel wheels with swivel locks for more comfortable strolls on uneven terrain
Comfort
- Seats and canopies are completely independent of one another for customized strolls for two
- Shadow Reel recline™ provides 1-handed independent recline adjustments with a more upright option
- Near flat recline and calf support that raises to convert seats to a carriage position for keeping the littlest babies extra cozy
- UPF 50+ water-repellent canopies are extendable and feature a flip-out eyeshade and peek-a-boo window
- Durable footrest provides a resting place for tired feet
- 2-position adjustable calf support for growing legs
Premium details
- Slender enough to fit through standard doorways and narrow aisles for convenience without compromise
- At 30.5 in wide it meets the size and design requirements set by various amusement parks and is Disney-compliant (Check park guidelines for restrictions)
- Exceptional maneuverability makes it a dream to push and turn even with two
- All-wheel suspension and durable EVA foam-filled tires are ready for any terrain
- Easy access extra-large storage basket holds up to 22 lbs
- Luxe leatherette accented pushbar and removable armbar lend style to your stroll
- Included rain cover for when the weather doesn't cooperate
Specifications
- Recommended Use: Up to 50 lbs per seat
- Stroller dimensions: L 37.5 in x W 30.5 in x H 45 in
- Stroller dimensions (folded): L 19.75 in x W 30.5 in x H 27.75 in
- Weight: 25.2 lbs
What's In The Box
- TRVL dubl
- Rain cover
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.9 ★★★★★
Based on 21 reviews
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Product Reviews
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist).
Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really.
While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
]
On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters.
(Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.)
All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut.
Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985.
I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail:
*In the 132-minute version you cut from Sam in bed with Jill, police sack goes
over head, then CUT TO Pull off police sack to reveal Sam in Torture
Chamber/Interrogation chair. This one cut is simply brilliant and very powerful.
In the Criterion Version you have the added scene of Mr. Helpman as Father
Christmas (completely out of charcater from the rest of the film) and the whole
interrogation scene of Sam hanging from the rack inside the police/mail pouch
which becomes narratively redundant and dilutes the impact of the final scene.
*To end it with cooling tower/interrogation room fade to clouds was a great Gilliam
wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to
the European cut of just credits over cooling tower/interrogation room.
*The Samurai Scene is divided into 3 separate scenes in the 132-minute version
versus 1 LONG scene in the European cut. And you know what? Like most things,
it works better in 3's.
*The 132-minute version cuts straight to the Dinner Scene with Ida (his mother)
ordering numero deux, trois, etc. while the European version has the entrance to
the restaurant of going through the metal detector which really doesn't add
anything and is again a bit redundant when the bomb does eventually go off in
the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert.
*And finally I just love that the 132-minute version opens on those clouds (outtakes
from The Never-Ending Story) then goes to the Central Services advert about
Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version
also has the clouds opening (The Original European Cut didn't) but it's funny
because the Studio asked Gilliam to start off with the clouds for the US Cut and he
actually prefers it as quoted in his Director's commentary. Hilarious.
Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future.
Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless.
Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar!
The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co.
And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today?
I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society.
The film can be a bit 'heavy' at times, though. Not everyone's cup of tea.
Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
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