SKU: 51025476255
dracaena draco dragon's blood tree

dracaena draco dragon's blood tree Dragon's Blood Tree (Canary Islands)

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Description

dracaena draco dragon's blood tree Dragon's Blood Tree (Canary Islands)Dracaena draco Origin: Canary Islands via California Improvement status: Unknown Seeds per packet: 10 BOTANICAL SAMPLE NOT GERMINATION TESTED Life cycle: Perennial Along with its cousin, the Socotra Dragon's Blood Tree (Dracaena cinnabari), from an island on the other side of Africa, the Canary Islands Dragon's Blood Tree is one of the major sources of the historically important red colored resin known as "dragon's blood." Long used as a dye, painting

Dracaena draco

Origin: Canary Islands via California

Improvement status: Unknown

Seeds per packet: 10

BOTANICAL SAMPLE - NOT GERMINATION TESTED

Life cycle: Perennial

Along with its cousin, the Socotra Dragon's Blood Tree (Dracaena cinnabari), from an island on the other side of Africa, the Canary Islands Dragon's Blood Tree is one of the major sources of the historically important red-colored resin known as "dragon's blood." Long used as a dye, painting pigment, varnish, incense, toothpaste, and ingredient in compounds both medicinal and magical, the garnet-red sap — which drips like slow-moving blood from any wounds to the plant's bark — has captured imaginations for thousands of years. Since the major sources of the resin were largely found on isolated islands, it was apparently easy for its marketers to pass it off as genuine dragon's blood — for few had firsthand evidence to dispute such tales. It is first mentioned (with the now-anonymous author acknowledging it comes from a plant) as a product of Socotra in a 1st century Greco-Roman periplus, a sort of first-hand travel and trading guidebook, called Periplus Maris Erythraeixi, which detailed economic opportunities for travelers and traders from the Red Sea across the Arabian Sea to modern-day India, almost all the way to Bangladesh (and including an overland route to China as well).

This species, Dracaena draco,  which not only is native to the Canary Islands, but also Cape Verde (Cabo Verde), Madeira, and a few places in western Morocco, is usually called the Canary Islands dragon tree or dragon's blood tree, or just drago. Early Portuguese introductions from Cabo Verde are believed to have given rise to the small population that still exists in the Azores as well. When the Swedish father of taxonomy, Carl Linnaeus, described the tree in 1762, he called it Asparagus draco — and indeed it is still placed in the Asparagaceae family. But this tree is no simple asparagus. It has a very distinctive growth form: young trees grow upward as a single stem topped by a dense crown of long, yucca-like leaves; then after ten years or so, the first pretty white flowers form (looking somewhat like lilies), followed by orange-red fruits; then a crown of buds forms and the plant begins to branch; each branch grows for another decade or so, then also flowers and branches again, in a process repeated over hundreds or thousands of years until the tree has a large, strong, woody trunk, topped with a maze-like crown of interlocking branches topped with a hemispherical crown of green leaves, flowers, and fruit. The oldest, largest individuals are stunning to see.

When the German naturalist and explorer Alexander von Humboldt visited the Canary Islands in 1799 he was shown a massive drago specimen in Tenerife that had been hollowed out by the indigenous Guanche people and used as a sanctuary long before the arrival of Spanish imperialist colonizers. The tree was 70 feet tall (21 meters) and 45 feet in circumference (14 meters) — and estimated to be 6,000 years old. Sadly, it was felled in a storm in 1868.

The resin from this species differs slightly from the resin of the Socotra dragon tree (which was known to Europeans for a millenium and a half longer), but upon its "discovery" in the 1400s, it began being used as a slightly more accessible substitute. It became particularly important as a varnish for the beautiful violins produced in Italy during the time of Stradivarius and his successors. There is little record of how the indigenous Guanche people (related to mainland Northern African Berber peoples), who arrived in the islands by the 6th century BCE, utilized the plant — because most of them were killed or died of exposure to novel diseases in the decades after Spanish conquest began (the language went extinct sometime in the 1600s) — but its likely they found many uses for it as well, as the local inhabitants of Socotra use theirs.

Today, dragon's blood is still used medicinally — primarily for wound healing, digestive issues, and pain relief — with scientists continually probing it for more uses. Modern research has found potent antioxidant, antibacterial, antiviral, anti-inflammatory, and wound-healing properties, validating its traditional uses, and studies note few negative side effects. Bioactive compounds in the plant show promise in the treatment of diabetic wounds, cardiovascular disease, and even cancer.

In most of the US, the tree can only be grown as a houseplant (and many people have very long-lived dragon's blood trees growing in pots, rarely growing taller than 4 or 5 feet over 50 years), but it can tolerate life outdoors in much of USDA Zones 9 to 12. It can tolerate brief dips below freezing, but prefers temperatures to stay above 50°F.

This California-grown seed comes to us from the good folks at Sheffield's Seed in Locke, New York.

GROWING TIPS: To germinate, soak seeds in hot tap water and let sit for 24-48 hours. Sow 1/4 inch deep, keeping soil warm (above 75°F) and moist, but not over-saturated. Seeds should sprout within 4-6 weeks. For potted plants, use regular potting soil in inividual pots. Put them in bright, indirect light. Do not leave roots wet. Trees grow in places that often see very little rain, so using a humidifier to keep your air more humid is sometimes best. You could also use the ice-cube method, placing a few ice cubes on top of the soil (away from the base of the plant) every week or two, to make sure you don't over-water them.

NOTE: The image of the old tree with the door in its trunk, comes from the Wellcome Collection, a website operated by Wellcome Trust, a global charitable foundation based in the United Kingdom. It is shared under the Creative Commons Attribution 4.0 International license. The image of dragon's blood resin may or may not come from this species, but all of the resins look similar (it may be Dracaena cinnabari, as the author believed, or Calamus draco, an unrelated species which produces a similar-looking resin, or Dracaena draco). It is from author Maša Sinreih in Valentina Vivod and is shared under the Creative Commons Attribution-Share Alike 3.0 Unported license. All others are public domain images of Dracaena draco.

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SKU: 51025476255

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Astronomere
Pawtucket, US
★★★★★ 3
Jone's Tome
This book seems more likely to be enjoyed by literary academics than by folks looking for a good story. While Henry Fielding is indeed a learned man of letters and does write in a fine and high style with many subordinate clauses, the actual substance thereof is no better than more earthy pedestrian fare. To put it plainly, I found most of the book a rather tedious slog. This is my personal subjective opinion only as I do believe Henry Fielding is well esteemed by serious literary scholars who undoubtedly see the matter quite differently. I am judging this book purely by my own personal enjoyment of the actual narrative and plot construction, and by my difficulty in teasing out the subordinate clauses which are so bound up with this age of writing. Imagine a very learned and erudite professor trying to tell you a common bawdy tale, but taking forever to do it while using the most stuffy language. I had thought that my deeper background in reading many Victorian era novels would qualify me to enjoy this one, but the language was a little too dense to make it an enjoyable read. I was however able to follow the story as well as the side epistles the author directly addresses the reader with (which I find to be an annoying device also much used in that era). I did read the whole thing and did take pleasure in some parts, but I must confess my bias towards this earlier era of novel writing. It takes very learned men of their age and has them writing long-winded tales of inferior construction when compared against later centuries. I know this is not their fault any more than you can blame a champion athlete of his time for having his record broken decades later when methods have universally improved.
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Reviewed in the United States on July 19, 2015
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Oren T. Bergfald
Louisville, US
★★★★★ 5
Text is nearly 300 years old…!!! 😅😅😅
Read this publication alongside Cliff Notes. It’s a fun book, but the Latin poems and phrases can be intimidating. In addition, watch the movie. It’s an old text, so utilize resources to develop your understanding. 📚📖📙📘📗📕
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Reviewed in the United States on June 1, 2026
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BVLenci
Lake Worth, US
★★★★★ 4
The book itself is five stars!
This is a review of the Oxford Classic Kindle edition. The book itself is one of the greatest novels ever written; this is maybe the third time I've read it. Fielding is a master of irony, by which I mean genuine irony, not the mean sarcasm that often passes for irony these days. Fielding is never mean-spirited. His irony is generous and his humor is benevolent. His characters are three-dimensional, never all good or all bad. Before reading this, I had been re-reading several Dickens novels, and the contrast is enormous. A Dickens villain is a villain to the core, and his heroes (and especially his heroines) are saints. Tom instead is a young man with many faults, but a great heart. Sophia, his beloved, is a genuinely good person, but she's got a certain fiery spirit, and has her moments of doubt and remorse. I advise you to read every word of this novel. It's divided into books, and the first chapter of each book is an address to the reader, expounding Fielding's theories on literature and on human nature. An impatient reader might be tempted to skip these, but that would mean missing a lot of worthwhile and enjoyable reading. I have some quibbles with the Kindle edition. There were some mistakes in the passage from print to pixels, but they were not excessive. The biggest problem is that the excellent notes often have a reference to another note, with the page number, e.g., a note might be only "See note on page 85." As the book proceeds, more and more of the notes are references to earlier notes. However, there is never a link to these earlier notes, and when reading a Kindle, finding the note on page 85 is not an easy matter. Other than that, the Kindle edition is a pleasure to read.
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Reviewed in the United States on September 21, 2013
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Michael the Bookish
Belleville, US
★★★★★ 5
Everyperson’s Library
Beautiful edition.
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Reviewed in the United States on April 1, 2026
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Joseph C. Martinak
Phoenix, US
★★★★★ 5
Fantastic movie.
THE best movie I have seen in years. You will remember and think about this movie long after you see it.
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Reviewed in the United States on December 28, 2025

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