SKU: 54347185039
planting mustard seed cover crop

planting mustard seed cover crop Mighty Mustard Seed For soil fumigation

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Description

planting mustard seed cover crop Mighty Mustard Seed For soil fumigationBiofumigation for control of soil fungi and nematodes Kodiak is described as "mustard on steroids"! Produces 4 5 tons of organic matter per acre. Mow before plants set seed and incorporate into the soil immediately to have the best effect on these soil pests. With proper management, this crop may be used as an organic replacement for methyl bromide. Sow at 18 lb. acre. Blue label Certified seed. Avg. 180,000 seeds lb. Planting and care of mustard:

Biofumigation for control of soil fungi and nematodes

Kodiak is described as "mustard on steroids"! Produces 4-5 tons of organic matter per acre. Mow before plants set seed and incorporate into the soil immediately to have the best effect on these soil pests. With proper management, this crop may be used as an organic replacement for methyl bromide. Sow at 18 lb./acre. Blue label/Certified seed. Avg. 180,000 seeds/lb.

       Planting and care of mustard:

       Kodiak Mustard: 8-ounces per 1,000 sq ft.

  • Rake in or very lightly till.
  • Lightly irrigate.
  • 6-8 weeks till flowering (depending on season).
  • Chop mustard to break up cells to release glucosinolates.
  • Till under and water to form a crust and release gas
  • Must wait three weeks till planting another crop.

What is Biofumigation?

Is the suppression of various soil-borne pests and diseases through naturally occurring compounds. The higher the level of glucosinolates in mustard the better the biofumigant effect.

BENEFITS

Test results before application of Mighty Mustard

Test results after use of Mighty Mustard

Kodiak Mustard Tech Sheet

What can Mighty Mustard® do for me?

  • Suppress weeds
  • Reduce harmful insects, nematodes and fungal disease
  • Increase organic matter
  • Recycle & redistribute nitrogen in the soil profile
  • Reduce wind & water erosion
  • Improve the long-term health of your soil
  • Sequester carbon
  • Provide an all-natural alternative to toxic chemicals

     1. Suppresses weeds & soilborne pathogens

Mighty Mustard® contains high levels of glucosinolates, natural chemical agents that make certain members of the brassica family spicy. Mighty Mustard’s® glucosinolates deliver a deadly punch to many soilborne pathogens and weeds, making them an effective, all-natural alternative to chemical herbicides. 

  1. Reduces insects

The all-natural glucosinolates in Mighty Mustard® are the basis for many commercial pesticides, including Vapam and Vorlex. Our mustards will not totally eliminate insects, as do some chemical treatments. But unlike chemicals, Mighty Mustard® provides multiple benefits while improving soil health. 

  1. Increases organic matter

Mighty Mustard® is a fast-growing cover crop, with plant heights reaching up to 6 feet. Once you incorporate the above-ground plant material, or biomass, into your soil, the new organic matter will break down, supporting beneficial fungus and bacteria.

  1. Recycles & redistributes nitrogen in the soil profile

    Mighty Mustard® taproots can grow 2 to 6 feet, depending on the growing conditions.  These taproots pull nitrogen from deep in the soil profile, and push it up into the plant's leaves.  
  2. Reduces wind & water erosion

During its growth cycle, the mustard’s root structure breaks the hardpan in soil, creating new pathways for water and the root expansion of future crops. Mighty Mustard’s® taproots, which can range from 2 to 6 feet in length, improve tilth and water infiltration, thereby reducing wind and water erosion.

  1. Improves the long-term health of soil

When you grow Mighty Mustard®, you add organic matter to your soil, as well as improve tilth, reduce wind & water erosion, and eliminate or reduce the use of toxic chemicals. You’re actually adding new life to your soil, feeding the beneficial microorganisms that support healthy soil. All of Mighty Mustard’s® benefits are cumulative, so the more often you grow it, the healthier your soil becomes.

  1. Sequesters carbon

Like all plants, Mighty Mustard® pulls carbon dioxide from the air into the soil. But our mustards go a bit farther. They help reduce or eliminate the need for petroleum-based chemical soil amendments. Mighty Mustard® also helps hold soil and water in the field, thereby reducing erosion. 

  1. Verified Non-GMO by the Non-GMO Project:

Mighty Mustard® has undergone third-party evaluation and is verified non-GMO by the Non-GMO Project. Learn more about The Non-GMO Project here:http://www.nongmoproject.org/

  1. Non-toxic and safe to use around children & pets

Mighty Mustard® is non-toxic, untreated planting seed. However, due to its extreme spiciness, children and pets SHOULD NOT eat the mustard seeds or plants, or rub their eyes after touching the mustard seeds or plants.

    10. Safe for organic and sustainable farms & gardens

Mighty Mustard® is not certified organic, but many certified organic growers petition to grow it. Why? Because to our knowledge, there are no organic mustard cover crops with comparable glucosinolate levels to Kodiak, IdaGold or Pacific Gold.

 

Test results before application of Mighty Mustard

Test results after use of Mighty Mustard

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J
JeFF Stumpo
Louisville, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Grantham, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
Houston, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020
A
Verified Purchase
amber a
Birmingham, US
★★★★★ 5
I tend to leave most books in this genre disappointed. I miss the classics
Format: Hardcover
I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down. I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long. Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
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Reviewed in the United States on August 24, 2015
R
Verified Purchase
Ruth Franklin
Chelsea, US
★★★★★ 4
Good, Fun, Important Topics
Format: Paperback
Good, solid, read for ages 12+. Somewhat unrealistic and yet believable story of two strong young female characters traveling west disguised as boys. Couldn't stop reading it until I was finished with the book, and now my granddaughter is doing the same. This book has many relevant themes about race, gender, class, religion, and other stereotypes and is an excellent choice for a classroom or family read aloud. Get it.
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Reviewed in the United States on February 26, 2017

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