SKU: 5669656196
sansevieria bacularis fernwood

sansevieria bacularis fernwood Fernwood Mikado

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Description

sansevieria bacularis fernwood Fernwood MikadoDracaena (Sansevieria) bacularis 'Fernwood Mikado' Dracaena bacularis 'Fernwood Mikado' is a narrow, rod leaved snake plant with cylindrical foliage arranged in tight bundles. The leaves are slim, firm and almost spear like, with mid to dark green colouring and softer horizontal banding that becomes easier to see as the leaves mature. Young growth can emerge from darker, purplish basal sheaths before settling into the familiar green, stick like

Dracaena (Sansevieria) bacularis 'Fernwood Mikado'

Dracaena bacularis 'Fernwood Mikado' is a narrow, rod-leaved snake plant with cylindrical foliage arranged in tight bundles. The leaves are slim, firm and almost spear-like, with mid to dark green colouring and softer horizontal banding that becomes easier to see as the leaves mature. Young growth can emerge from darker, purplish basal sheaths before settling into the familiar green, stick-like outline.

This plant adds height, fine texture and a clear shape in a small pot. Its growth comes from a rhizome below the substrate, so new leaves appear from the base and slowly fill the container over time. In indoor culture, 'Fernwood Mikado' maintains a slim profile with vertical leaves that stay clear in simple pots and compact grouped pots.

Slender rod leaves in a tight bundle

  • Leaf shape: Thin, cylindrical leaves give the plant its distinctive stick-like silhouette.
  • Growth base: New shoots develop from the rhizome and gradually make the clump denser.
  • Colour pattern: Green leaves carry subtle lighter banding across the surface.
  • Container behaviour: It prefers a snug pot and usually needs repotting once the rhizomes have filled the space.
  • Flowering: Mature, settled plants may produce pale, fragrant flowers, though flowering indoors is occasional.

Rhizome growth and dry-season storage

Dracaena bacularis belongs to the group of rhizomatous, succulent Dracaena species long grown under the name Sansevieria. It stores water in firm cylindrical leaves and spreads slowly from an underground rhizome, while the roots perform best when the substrate dries between waterings.

The species is native to DR Congo, where it grows in a seasonally dry tropical biome. Indoors, Dracaena bacularis 'Fernwood Mikado' handles dry intervals well and develops steadily when the potting mix dries properly between waterings. Keep the plant warm, bright and protected from cold, wet conditions.

The narrow leaves can reach impressive height on mature plants, but indoor growth is usually slow and steady. New shoots often appear close together, giving younger plants a bundled look. As the clump develops, older leaves remain firm for a long time, while new leaves add height and density from the base.

Care for cylindrical leaves

  • Light: In bright indirect light, new growth stays firm and even. In lower light, the plant grows slowly and uses water at a gentler pace.
  • Watering: Let the potting mix dry deeply before watering again. In cooler months, extend the dry interval so the rhizome stays warm and aerated.
  • Substrate: Use a free-draining mix with mineral material such as pumice, lava rock, coarse sand or fine bark. The lower pot should drain quickly after watering.
  • Pot choice: A pot with drainage holes is essential. Cachepots are fine when excess water is emptied after watering.
  • Temperature: Keep it in normal indoor warmth, ideally around 15–24 °C. A warm root zone is especially important after watering.
  • Humidity: Average indoor humidity is enough. Normal room air is adequate for its dry-tolerant foliage.
  • Feeding: Feed lightly during active growth with a diluted cactus or balanced houseplant fertiliser. Slow succulent growth needs modest nutrition.
  • Repotting: Repot when the rhizomes have filled the pot or the substrate has broken down. A slightly snug pot helps the mix dry predictably.
  • Propagation: Divide established clumps when several shoots are present. Leaf cuttings can root slowly and take time to form a full plant.

Reading stress in a rod-leaved snake plant

  • Soft bases: Check the lowest part of the leaves, the rhizome and the moisture level in the pot. Soft tissue usually points to a wet root zone, especially in cool conditions.
  • Wrinkled leaves: Compare substrate dryness with root condition. Wrinkling can follow a long dry spell or root damage that limits water uptake.
  • Brown tips: Look for irregular watering, old knocks, mineral buildup or exposure to cold air. Trim only the dry tissue if the tip damage bothers you.
  • Slow growth: Check light first. Slow growth is normal, and a brighter position often improves new shoot production.
  • Leaning leaves: Rotate the pot occasionally and keep the plant stable. Mature cylindrical leaves can crack if they are forced back into position.

Leaf safety and placement

Dracaena bacularis 'Fernwood Mikado' belongs out of reach of pets and small children who may chew the firm leaves. Snake plants contain saponins, which can cause nausea, vomiting or diarrhoea in cats and dogs if ingested. A stable position also helps protect the tall leaves from snapping if the pot is knocked.

Botanical name and meaning

The accepted botanical name is Dracaena bacularis, while Sansevieria bacularis remains a widely recognised synonym in horticulture. The genus name Dracaena comes from the Greek drakaina, meaning “female dragon”, a reference historically associated with red resin in some dragon tree relatives. The species epithet bacularis comes from Latin baculum, meaning stick, rod or staff, matching the plant’s narrow cylindrical leaves.

Dracaena bacularis 'Fernwood Mikado' has narrow rod-like foliage, slow basal growth and a slim upright profile.

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SKU: 5669656196

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johnf
Bozeman, US
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things. The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring. The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world. If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016
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Todd7
Cuba, US
★★★★★ 5
My favorite movie musical
The Umbrellas of Cherbourg (1964, Jacques Demy, Director) is a very straightforward love story that’s fairly predictable, but that doesn’t take away from its absorbing allure. In fact, I love this film so much that I’m willing to overlook some of the minor flaws in the blu ray transfer from Criterion. This transfer is somewhat grainy/hazy in picture quality, and the sound isn’t exactly clear; in fact, it can be slightly muffled at times. However, I’m not going to dwell on these few minor imperfections. Now, for the heart of the review: The Umbrellas of Cherbourg is so unique in that all of the dialogue is sung. This is definitely an acquired taste, but about 15-20 minutes in, I was used to it and all-in. The next thing that becomes obvious is its rich color; it’s sort of pastel-like, with some backgrounds that are quite striking. Finally, the last thing that jumps out is the continuous upbeat music in the film, with the exception of the main theme, which is an emotionally-charged melancholy number by Michel Legrand that is the heartbeat of the film. This film is really a heartfelt love story where fate is the prevailing narrative and force. It’s a film about important decisions and their outcomes. Along the way, there are familial issues, death, rebuilding with emotional crutches, and some humor injected at just the right times. Some of the dialogue is cliched, but I guess that’s par for the course in a love story? Finally, while watching this film, I could definitely see where the 2016 film, La La Land took so much inspiration from, especially the ending sequence and the upbeat musical numbers. Overall, The Umbrellas of Cherbourg is a masterpiece of a film that’s essential to your blu ray collection. The Criterion Collection usually does a stellar job with resorting older films, but for some reason this isn’t their best work. I was expecting better quality. The blu ray also contains some nice special features.
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Reviewed in the United States on July 22, 2025
J
Verified Purchase
JHB-4
Fort Morgan, US
★★★★★ 5
Gorgeous Legrand music in a superb film
One of the lovliest films ever made! It's a "jazz opera" with superb Michel Legrand music and more. And the finale will melt the hearts of any "family" person who experiences it.
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Reviewed in the United States on November 26, 2025
A
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Anna Thalman
Louisville, US
★★★★★ 5
Excellent disc and movie
This is one of the great films of the last century. If you haven’t seen it, buying this expensive blu ray is still a bargain. Love Criterion’s high quality publication and bonus materials!
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Reviewed in the United States on October 10, 2025
D
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Dring Fan
Whiting, US
★★★★★ 5
We love this film.
We watched it on our anniversary. It is a sweet story!
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Reviewed in the United States on January 24, 2026

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