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Description
monsters graphic novel My Favorite Thing Is Monsters Book TwoThe most anticipated graphic novel of 2024, concluding the story of young Karen Reyes, the most inspiring "monster" in contemporary fiction. 2025 Whiting Award WINNER in Fiction New York Times Notable Books of 2024 Chicago Public Library Favorite Books of 2024 Kirkus Reviews Best Fiction Books of 2024 NPR Books We Love 2024 The Guardian Best Graphic Novels of 2024 Library Journal Best Graphic Novels of 2024 Forbes Top Ten Graphic Novels of 2024 Set
The most anticipated graphic novel of 2024, concluding the story of young Karen Reyes, the most inspiring "monster" in contemporary fiction.
2025 Whiting Award WINNER in Fiction
New York Times Notable Books of 2024
Chicago Public Library Favorite Books of 2024
Kirkus Reviews Best Fiction Books of 2024
NPR Books We Love 2024
The Guardian Best Graphic Novels of 2024
Library Journal Best Graphic Novels of 2024
Forbes Top Ten Graphic Novels of 2024
Set against the tumultuous political backdrop of late '60s Chicago, My Favorite Thing Is Monsters Book Two is the eagerly awaited conclusion to one of the most acclaimed graphic novels of the past decade. Presented as the fictional graphic diary of 10-year-old Karen Reyes as she tries to solve the murder of her beloved and enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold.
In Book Two, dark mysteries past and present continue to abound in the tumultuous and violent Chicago summer of 1968. Young Karen attends a protest in Grant Park and finds herself swept up in a police stomping. Privately, she continues to investigate Anka's recent death and discovers one last cassette tape that sheds light upon Anka's heroic activities in Nazi Germany. She wrestles with her own sexual identity, the death of her mother, and the secrets she suspects her brother Deez of hiding. Ferris's exhilarating cast of characters experience revelations and epiphanies that both resolve and deepen the mysteries visited upon them earlier. Visually, the story is told in Ferris's inimitable style that breathtakingly and seamlessly combines panel-to-panel storytelling and cartoon montages filled with B-movie horror and pulp monster mag iconography.
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