SKU: 59333139707
faux tall ponytail palm

faux tall ponytail palm Ponytail Palm

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Description

faux tall ponytail palm Ponytail PalmCurly Ponytail Foliage on a Swollen Trunk Ponytail Palm is one of those plants that makes people smile at first glance. A swollen, bulbous base tapers into a slender trunk, crowned with a fountain of long, ribbon like leaves that spill over the sides like a green ponytail. Despite its common name, it isnt a true palm at all, but a caudex forming succulent native to Mexico, which has evolved to store water in its thick base. The look is part desert

Curly “Ponytail” Foliage on a Swollen Trunk

Ponytail Palm is one of those plants that makes people smile at first glance. A swollen, bulbous base tapers into a slender trunk, crowned with a fountain of long, ribbon-like leaves that spill over the sides like a green ponytail. Despite its common name, it isn’t a true palm at all, but a caudex-forming succulent native to Mexico, which has evolved to store water in its thick base. The look is part desert sculpture, part whimsical houseplant, and it fits just as well on a sunny windowsill as it does styled on a plant stand.

Slow, Compact Growth, and Long-Lived

Indoors, Ponytail Palm is slow-growing, which makes it a fantastic long-term companion plant. Young plants have a single trunk and a tight tuft of foliage, while older specimens gradually thicken their base and may branch into multiple heads over time. In containers inside the home, most plants typically top out at around 3–4 feet tall, although very old specimens in large pots can reach 5–6 feet. Because it grows slowly and stays relatively narrow, it’s easy to tuck into corners, tabletops, or grouped displays without worrying that it will outgrow the space overnight.

Bright Light and Infrequent Watering is all it requires

Think of Ponytail Palm as more of a succulent than a palm when it comes to care. It thrives in bright, indirect light and happily basks in a bit of gentle direct sun, especially morning or late-afternoon rays. A bright east or south window is ideal; in lower light, it will survive, but growth slows dramatically, and the trunk may elongate rather than stay stout. Plant it in a very well-draining mix—such as cactus or succulent soil, or potting mix heavily amended with sand and perlite—so that excess water runs through quickly and never lingers around the roots.

Watering is where Ponytail Palm really earns its “set it and forget it” reputation. The caudex stores water, so you’ll want to let the soil dry out completely between waterings, then soak thoroughly and drain well. In most indoor settings, that means watering every 2–4 weeks, less in low light or winter, and a bit more in bright, warm conditions. It prefers typical household temperatures of around 65–80°F and average humidity, shrugging off dry indoor air that would bother more finicky tropicals. Overwatering is just about the only way to truly get into trouble with this plant—if the base ever feels soft or the leaves pull out easily, it’s a sign the roots have stayed wet too long.

Pet-Safe Personality Plant for Home or Office

In the “indoor landscape,” Ponytail Palm is pure personality. Use it as a quirky focal point on a plant shelf, as a sculptural accent on a low stool, or lined up in multiples for a desert-inspired vignette. It pairs beautifully with cacti, snake plants, and other drought-tolerant houseplants, adding a softer, playful texture to an otherwise spiky or architectural grouping. And because it’s considered non-toxic to cats, dogs, and even horses, you can relax a bit if curious paws can’t resist playing with those tempting, dangling leaves.

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SKU: 59333139707

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T
The Art and Making of
Lake Worth, US
★★★★★ 4
Another Great Entry In This Series!
Format: Hardcover
See video for review. (For a full flip through and in-depth review, follow the Youtube link on my Amazon profile).
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 10, 2018
R
Reverend Skull
Birmingham, US
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2009
M
Max
Bozeman, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Charlottesville, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Carnegie, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003

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