SKU: 59485631229
green dracaena plant

green dracaena plant Bicolor Dragon Tree

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Description

green dracaena plant Bicolor Dragon TreeThe Bicolor Dragon tree, known as Dracaena marginata Bicolor) is a vibrant and easygoing tropical plant known for its sword like foliage striped with shades of green and reddish pink, making it a popular choice for modern indoor and outdoor plantings. With its upright growth, striking color contrast, and low maintenance nature, it has become a favorite among homeowners, interior designers, and collectors looking to add tropical flair to spaces without

The Bicolor Dragon tree, known as Dracaena marginata ‘Bicolor’) is a vibrant and easygoing tropical plant known for its sword-like foliage striped with shades of green and reddish-pink, making it a popular choice for modern indoor and outdoor plantings. With its upright growth, striking color contrast, and low-maintenance nature, it has become a favorite among homeowners, interior designers, and collectors looking to add tropical flair to spaces without the upkeep of more delicate species. 

Commonly referred to as the Bicolor Dragon Tree or Bicolor Dracaena, this cultivar belongs to the broader Dracaena marginata species, also known as the Madagascar Dragon Tree. The "Bicolor" name comes from its dramatic two-toned leaves, which display a rich green center edged with pinkish-red or burgundy margins. Its variegation is more subtle than the ‘Tricolor’ or ‘Kiwi’ varieties, but still provides vivid color and a bold vertical accent in any setting.

Native to the island of Madagascar off the southeastern coast of Africa, Dracaena marginata grows naturally in warm, semi-arid forests.

Although the ‘Bicolor’ variant is a cultivated hybrid, it retains the species’ natural tolerance for drought, variable light conditions, and poor soils, making it especially resilient and adaptable to indoor conditions around the world.

This tropical evergreen features slender, upright canes topped with dense tufts of long, narrow leaves.

The foliage of the ‘Bicolor’ is what sets it apart—long, pointed blades with clean green centers and striking red-to-pink margins that glow under bright, indirect light.

Over time, the lower leaves naturally shed, leaving behind bare stems that resemble a miniature palm or cane tree, making it ideal for vertical appeal in tight spaces.

When grown indoors, the Bicolor Dragon Tree typically reaches 4 to 6 feet tall, but with time and care, it may grow taller.

Outdoors in tropical climates or when grown in containers and moved seasonally, it can reach up to 8 feet or more.

Its slow growth rate makes it manageable and easy to shape with light pruning. While flowering is rare indoors, mature plants may occasionally produce small clusters of fragrant white flowers in optimal conditions. 

When it comes to Dracaena marginata ‘Bicolor’ care, it thrives in a well-drained  soil, opens in a new tab and prefers watering every 10–14 days during the growing season (spring to summer), allowing the top 1–2 inches of soil to dry out between waterings. In fall and winter, water only once every 2–3 weeks.

Indoors, it grows best in temperatures between 65°F and 80°F, with at least 6 hours of bright, indirect light daily.

Outdoors, it should be grown in USDA Zones 10–12, where it prefers partial shade or filtered sunlight to prevent leaf scorch.

Fertilize once a year during spring using a balanced liquid NPK fertilizer diluted to half strength.

Occasional pruning of yellowing or lower leaves helps maintain its clean form, and taller plants can be cut back to encourage bushier growth. 

What makes the ‘Bicolor’ cultivar unique is its perfect balance of visual interest and resilience. Unlike many colorful houseplants that require precise humidity or specialized light, this Dragon Tree variant is remarkably forgiving. Its ability to tolerate missed waterings, low humidity, and low light makes it ideal for beginners, busy plant owners, or even office environments. Additionally, it's known for its air-purifying properties, helping reduce pollutants like formaldehyde and benzene in the indoor air. 

Final Thoughts

Overall, the Bicolor Dragon Tree offers a compelling combination of bold color, architectural form, and worry-free care. Whether you're styling a minimalist room, refreshing your patio container garden, or just looking for a tough plant that looks good year-round, Dracaena marginata ‘Bicolor’ delivers. Its colorful edges and upright form add a tropical touch to any space while demanding very little in return. 

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4.4 ★★★★★
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J
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JR
Fort Morgan, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
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Verified Purchase
Tahoeman
Massapequa, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
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David R. Papke
Houston, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
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DoubtfulReader
Chelsea, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Fort Morgan, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021

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