SKU: 60884754665
dark form pothos

dark form pothos 20

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Description

dark form pothos 20Scindapsus treubii Dark Form is a rare and sophisticated tropical aroid adored for its velvety, near black foliage and understated elegance. A member of the Araceae family and native to the humid rainforests of Southeast Asia, this collectors favourite combines depth, texture, and minimalism in one striking plant. The leaves are thick, leathery, and deeply glossy, with a dark green hue that often appears almost black in soft light. The smooth surface

Scindapsus treubii ‘Dark Form’ is a rare and sophisticated tropical aroid adored for its velvety, near-black foliage and understated elegance. A member of the Araceae family and native to the humid rainforests of Southeast Asia, this collector’s favourite combines depth, texture, and minimalism in one striking plant.

The leaves are thick, leathery, and deeply glossy, with a dark green hue that often appears almost black in soft light. The smooth surface reflects a subtle metallic sheen, enhancing its luxurious, sculptural appearance. Its growth habit is compact and upright when young, later trailing or climbing as it matures — making it ideal for shelves, hanging planters, or moss poles.

Moody, resilient, and undeniably refined, Scindapsus treubii ‘Dark Form’ embodies modern tropical design — a plant that exudes quiet luxury and timeless appeal.


Scindapsus treubii ‘Dark Form’ – Care Guide

Light

Thrives in bright, indirect light, but its dark leaves tolerate lower light levels better than most tropicals. However, for steady growth and leaf size, provide consistent filtered brightness. Avoid direct sunlight, which can scorch the leaves or cause dull patches on their glossy surface.

Watering

Allow the top 3–4 cm of soil to dry out between waterings. Water thoroughly, then let excess drain away. Overwatering is the most common issue — Scindapsus species prefer to dry slightly before being watered again. In winter, reduce watering frequency.

Temperature and Humidity

  • Temperature: Prefers warmth between 20–30 °C; avoid temperatures below 15 °C.

  • Humidity: Enjoys moderate to high humidity (50–80%). While tolerant of average indoor conditions, higher humidity encourages lush growth and prevents crisp leaf edges. Mist occasionally or place near a humidifier for best results.

Soil and Potting

Use a well-draining, airy mix, such as compost blended with orchid bark, perlite, and coco coir. This provides excellent airflow and prevents the roots from staying too wet. Repot every 1–2 years in spring to refresh the substrate and allow for steady root expansion.

Feeding

Feed every 4–6 weeks during the growing season with a diluted, balanced liquid fertiliser or an aroid-specific formula. Over-fertilising can lead to salt build-up and leaf damage, so feed sparingly and consistently. Suspend feeding during the cooler months.

Pruning and Maintenance

Prune lightly to manage size or remove any older or damaged leaves. The plant can be trained to climb a moss pole or trellis for larger leaves or left to trail gracefully from a high planter. Wipe leaves occasionally with a damp, soft cloth to remove dust and accentuate their deep, glossy sheen.

Growth and Maturity

A slow to moderate grower, Scindapsus treubii ‘Dark Form’ typically reaches 60–90 cm in length indoors. Its compact growth habit makes it perfect for small spaces, while mature climbing plants develop larger, more elongated leaves with a leathery texture. Over time, it creates a rich, shadowy display that contrasts beautifully against lighter plants.

Common Issues

  • Yellowing leaves: Overwatering or poor drainage.

  • Faded colour: Insufficient light.

  • Brown edges: Low humidity or inconsistent watering.

  • Pests: Occasionally mealybugs or thrips; treat promptly with neem oil or insecticidal soap.


Background and Benefits

Native to the tropical rainforests of Borneo and Malaysia, Scindapsus treubii is an epiphytic vine that naturally climbs trees under the shaded forest canopy. The ‘Dark Form’ cultivar is celebrated for its velvety black-green leaves and elegant simplicity, making it a staple in rare plant collections and modern interior design.

In cultivation, this variety is valued for its resilience, tolerance to varying light levels, and ability to thrive with minimal attention. Like other Scindapsus species, it also functions as a natural air purifier, helping to remove airborne toxins while bringing a calming, moody elegance to indoor environments.


Quick Care Summary

Light: Bright, indirect light; tolerates low light
Water: Allow top 3–4 cm of soil to dry between watering
Temperature: 20–30 °C; avoid below 15 °C
Humidity: Moderate to high (50–80%)
Soil: Airy, well-draining mix – compost, bark, perlite, coir
Feed: Every 4–6 weeks in spring/summer
Growth: Climbing or trailing habit, 60–90 cm; thick, glossy dark green to near-black leaves

⚠️ Toxicity note: Contains calcium oxalate crystals and is toxic if ingested. Keep away from pets and children.


Styling Tip

Display Scindapsus treubii ‘Dark Form’ in a matte black, charcoal, or stone-toned planter to enhance its dark, moody elegance. It pairs beautifully with lighter tropicals such as Philodendron ‘Birkin’ or silvery species like Scindapsus pictus ‘Silver Hero’. For a sophisticated contrast, let it climb a moss pole or trail from a hanging basket where light can gently play across its glossy, nearly black leaves — a living accent of quiet luxury and contemporary tropical design.

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    4.5 ★★★★★
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    KK
    Waukegan, US
    ★★★★★ 1
    Poor product
    Blade was not sharp enough to remove hair. The raggedy blade scratched and but my face. Very disappointed. My granddaughter had a different brand of this item and it was so smooth removing the hair.
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    Reviewed in the United States on January 24, 2026
    B
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    Brian Johnson | Philosopher's Notes
    Whiting, US
    ★★★★★ 5
    I absolutely loved this book.
    Format: Paperback
    “This book is about creativity, based on histories of contemporary people who know about it firsthand. It starts with a description of what creativity is, it reviews the way creative people work and live, and it ends with ideas about how to make your life more like that of the creative exemplars I have studied. There are no simple solutions in these pages and a few unfamiliar ideas. The real story of creativity is more difficult and strange than many overly optimistic accounts have claimed. For one thing, as I will try to show, an idea or product that deserves the label ‘creative’ arises from the synergy of many sources and not only from the mind of a single person. It is easier to enhance creativity by changing conditions in the environment than by trying to make people think more creatively. And a genuinely creative accomplishment is almost never the result of a sudden insight, a lightbulb flashing on in the dark, but comes after years of hard work.” ~ Mihaly Csikszentmihalyi from Creativity Creativity with a capital C—the type of Creativity that changes the world. How can we go about cultivating it in our lives? That’s what this book is all about. Our guide is Mihaly Csikszentmihalyi—one of the founders of the positive psychology movement. Csikszentmihalyi (pronounced “cheeks sent me high”) is a professor at Claremont Graduate University and the former Chair of the Department of Psychology at the University of Chicago who wrote the classic book Flow: The Psychology of Optimal Experience . This book features the wisdom gained from over three decades of research along with over one hundred interviews with extraordinary people—from scientists and business leaders to artists and poets. Warning: Although deeply insightful, it’s not an easy read. If you’re looking to understand creativity at a deeper level via one of the world’s leading (and legendary) psychologists then I think you’ll enjoy it as much as I did. Here are some of my favorite Big Ideas: 1. What is Creativity - Domain + field + person. 2. Attention - + Being kind weird 3. Complexity - + Resolving dischotomies. 4. Rhythms - Your ideal days? 5. Creativity + Flow - The 9 elements Well, there we go. That’s a super quick look at this great book. Time to get our flow on as we tap into our Creativity and optimize + actualize! More goodness— including PhilosophersNotes on 300+ books in our ​*OPTIMIZE*​ membership program. Find out more at brianjohnson . me.
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    Reviewed in the United States on May 10, 2016
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    Julie S.
    Port Orchard, US
    ★★★★★ 5
    5 Stars – A Must-Read for Anyone Interested in Creativity!
    Format: Paperback
    Creativity: The Psychology of Discovery and Invention* by Mihaly Csikszentmihalyi is a brilliant exploration of the inner workings of creativity and the human mind. Whether you’re an artist, entrepreneur, or simply someone interested in understanding how creative breakthroughs happen, this book provides a fascinating blend of psychology, real-world examples, and deep insights. What sets this book apart is its comprehensive approach to creativity, going beyond the idea of it being a mysterious or innate trait. Csikszentmihalyi breaks down the creative process into digestible parts, showing how environment, discipline, curiosity, and flow all play a crucial role in fostering creative discovery. The interviews with a wide variety of highly creative people—including scientists, artists, and business leaders—add incredible depth and context to his theories. One of my favorite takeaways is how Csikszentmihalyi emphasizes the balance between freedom and structure in creative work, and how finding the "flow" state can lead to moments of true innovation. The book not only helped me better understand my own creative process but also offered practical advice for cultivating creativity in everyday life. This is an insightful, inspiring read for anyone who wants to dive deeper into the psychology behind creative genius. Highly recommend!
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    Reviewed in the United States on September 10, 2024
    M
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    M. Edwards
    Omaha, US
    ★★★★★ 4
    Personal Creativity does not equal Domain Transformation
    This was a good if not a great book. Its greatest strength lies in the thesis introduced early on and supported throughout that the kind of creativity that leaves a trace in the cultural matrix rests not in the personal creativity of the individual, but in what Csikszentmihalyi tags the "systems approach " to creativity. To have any effect, a creative idea must be couched in terms that are understandable to others, pass muster with the experts in the field (i.e. the gatekeepers to the domain), and be included within the cultural domain (the set of symbolic rules or procedures) to which it belongs. In this systems view, the definition of a creative person is someone whose thoughts or actions change a domain or establish a new domain (pp. 27-28). This is no easy task, especially since he or she needs to learn the existing domain or domains first, and almost always necessitates being in the right place at the right time (e.g. studying quantum physics at the beginning of the 20th century or women seeking academic opportunities when WWII broke out). Having established this in the first 30 pages, if you didn't read the remaining 350 you wouldn't miss much. But I still enjoyed reading the stories and thoughts of selected individuals whom the author deemed as "creative" according to the definition above (However, I disagreed with the selection of a few of these and would have chosen at least one more person of faith in addition to the Quaker who was briefly highlighted. Also on the issue of faith, I found the author's grouping on page 371 of studying the bible with addictive behaviors such as cruising the internet and betting on horse races to be rather laughable!). Some additional personal nuggets I gleaned from this book include the following: 1. Those who persevere and succeed must be creative not only in their manipulation of symbols but maybe even more in shaping a career and a future for themselves that will enable them to survive while continuing to explore the strange universe in which they live (p. 199). 2. When seeking to allow your mind to make new connections in a beautiful setting, just sitting and watching is fine, but taking a leisurely walk seems to be even better. The shaping of one's personal space is also important. The Greek philosophers settled on the peripatetic method, preferring to discuss ideas walking up and down in the courtyards of the academy. When we participate in this kind of "semiautomatic activity" that uses a certain amount of attention, we allow the rest of it to be free to make connections among ideas, often from different domains, well below the threshold of conscious intentionality. "Devoting full attention to a problem is not the best recipe for having creative thoughts. "(p. 138) 3. Both creativity and innovation on the one hand and conservation and traditionalism on the other are both equally important. "Neither uncritical acceptance nor wholesale dismissal of human creativity will lead us far. " (p. 322) The final section deals with how to enhance personal creativity. Some of these ideas were helpful (e.g. to seek to be surprised and to seek to surprise another person at least once every day, to seek to look at problems from multiple perspectives instead of assuming you see the issue clearly from one perspective, etc.) but others just seem to be taking up space on the page. I'm afraid the phraseology of how to use psychic energy more effectively on page 356 and a few other places lost my interest almost completely.
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    Reviewed in the United States on November 15, 2010
    P
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    pepe
    Houston, US
    ★★★★★ 5
    interesting analysis of what 'being creative' really means
    This easy-to-read absorbing book is based on lengthy interviews with 91 creative individuals ranging from Nobel prize winners to artists to CEOs. Csikszentmihalyi starts by debunking the myth of 'the lone genius having a brilliant idea as if by magic' and defines three necessary ingredients for creativity ('with a capital "C"') - domain, field, and individual. Creativity must take place within a recognised domain (such as physics, painting and so forth); be recognised by experts in that domain (the field, although this may not happen in the individual's lifetime, eg, Van Gogh); and of course come from an individual, although he also adds the painstaking work that precedes and insight, the reality that all creativity builds on what has gone before, and the social elements of the creative process. The book also offers supporting evidence from the lives of the 91 interviewed, which also provides interesting insights into their lives. In many ways, this book is a biography of the creative individual. Also contains a chapter with quite practical guidance on how to live more creatively. Prescient advice for a book published in 1996 given the increasing profile creativity is getting in business and public life. HIghly recommended, one of the most interesting learning experiences i have had in a long while!
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    Reviewed in the United States on February 5, 2013

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