SKU: 633927244
blue star fern light

blue star fern light Blue Star Fern ‘Phlebodium aureum’ 2 Gal. / Self Watering / Without Pot

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Description

blue star fern light Blue Star Fern ‘Phlebodium aureum’ 2 Gal. / Self Watering / Without PotThe Blue Star Fern, known as Phlebodium aureum, is a unique and increasingly popular fern for beginners as needs less humidity than other varieties. Its broad, blue green fronds have an unusual, almost wavy texture that lends an exotic feel to any indoor space. In the wild, it grows epiphytically on trees, making it well suited for mounting on surfaces or planting in hanging baskets where its fronds can cascade beautifully. Native to South and Central

The Blue Star Fern, known as Phlebodium aureum, is a unique and increasingly popular fern for beginners as needs less humidity than other varieties. Its broad, blue-green fronds have an unusual, almost wavy texture that lends an exotic feel to any indoor space. In the wild, it grows epiphytically on trees, making it well-suited for mounting on surfaces or planting in hanging baskets where its fronds can cascade beautifully.

Native to South and Central America, the Blue Star Fern gets its name due to the soft, bluish hue of its fronds that resemble star-like shapes when viewed from above.

It has several other common names such as Blue Star Fern, Cabbage Palm Fern, Golden Polypody, Gold Foot Fern, Hare Foot Fern, and Rabbits Foot Fern.

Its popularity stems not only from its visual appeal but also from its ability to improve indoor air quality, making it an attractive, functional addition to any home or office.

A popular feature of the Blue Star Fern is its deeply lobed, velvety fronds, which can grow up to 2 feet long and spread up to 6 feet wide in ideal conditions.

The fronds emerge from a creeping rhizome, which often has a slightly golden tint, adding an additional layer of color to the plant’s appearance.  Its foliage has a soft, almost fuzzy texture, giving it a unique tactile quality not commonly found in other ferns. 

The large blue star fern is a striking addition to any indoor plant collection, with its vibrant color and unique shape.   Its moderate growth rate allows it to fill its space gradually, making it easy to care for and less prone to outgrowing its container quickly.  

As a non-flowering plant, the Blue Fern does not produce blooms, but its vibrant foliage more than compensates for the lack of flowers, providing year-round greenery and aesthetic appeal. 

When and How to Water Your Blue Star Fern 

The Blue Star Fern requires less water and easier to care for than other ferns. This fern is somewhat more resilient than typical tropical varieties, able to go a bit longer between watering sessions without suffering damage. However, allowing the soil to completely dry out is not recommended, as it can lead to stress and browning of leaves.  

In the spring and fall, during the growing season, your Blue Star Fern requires more frequent watering. Water it thoroughly whenever the top inch of soil feels dry to the touch. In most indoor environments, watering every 7–10 days is ideal, depending on the humidity levels. The goal is to keep the soil evenly moist but not soggy, as waterlogged conditions can harm the plant’s delicate roots. Adjust the frequency based on your home’s temperature and humidity; higher temperatures or drier air may require more frequent watering. 

In late fall and winter, during its dormancy period, the Blue Star Fern’s water needs decrease significantly. Water only when the soil is nearly dry, roughly every two to three weeks, as the plant’s growth slows and its water usage drops. The plant can withstand brief periods of dryness during dormancy but will benefit from occasional misting if indoor air is particularly dry. This more conservative watering schedule helps the fern maintain health without overstimulating it during its resting phase.

Light Requirements – Where to Place Your Blue Star Fern 

When growing indoors, Blue Star Ferns prefer bright, indirect light for around 6–8 hours daily. Position it near a north- or east-facing window where it can receive gentle morning sunlight or filtered light throughout the day.

Direct sunlight should be avoided, as it can cause the leaves to scorch and fade in color.

In lower-light settings, this fern can still thrive, although its growth may slow slightly. Supplemental artificial lighting can help maintain vibrant foliage in dim indoor spaces.

For outdoor cultivation, place your Phlebodium aureum blue star in a shaded or partially shaded area.

A spot under a canopy or larger tree where it receives dappled sunlight for part of the day is ideal.

If the plant shows signs of fading color or wilting, try relocating it to a spot with more filtered shade.

Optimal Soil & Fertilizer Needs 

Blue Star Ferns thrive in well-draining, organic-rich soil that retains moisture but doesn’t become waterlogged. An ideal mix for indoor potted plants is a combination of standard potting soil and orchid bark or perlite to enhance drainage. Ideally, you want to use our specialized potting mix, opens in a new tab that contains 5 natural substrates and organic mycorrhizae to promote the development of a strong root system that helps your ferns to thrive.   

For fertilizer, Blue Star Ferns benefit from light feeding during the growing season, roughly once a year from spring to early fall. Use a balanced, NPK fertilizer with an equal ration of about 5-10-5 to avoid overwhelming the plant. Avoid high-nitrogen fertilizers, as these may encourage foliage growth at the expense of root health. During the dormant winter months, fertilizing holds off, as the fern’s nutrient requirements are minimal when growth slows.

Hardiness Zones & More 

When grown indoors, your Blue Star Fern thrives in moderate, indirect light and prefers a consistent indoor temperature range between 60-75°F, making it ideal for home environments. It does best when shielded from direct sunlight, which can scorch its fronds but also needs ample ambient light to thrive. The Blue Star Fern appreciates moderate humidity levels of 40-60%, which can be achieved with a humidifier or occasional misting, particularly in winter or dry climates.

For outdoor cultivation, this fern is suited for USDA Zones 8-12, where it can survive mild winters but will require a shaded spot to avoid excessive sun exposure. It can withstand temperatures down to 20°F but should be protected from frost and intense afternoon sun.

It also benefits from higher humidity, so if grown in drier zones, placing it near water features or misting it occasionally will help maintain its lush appearance. The blue star fern's dry leaves are a sign that it needs more humidity in its environment. Make sure to mist the plant regularly or place a humidifier nearby to help prevent further leaf dehydration.  

Wildlife Blue Star Fern Attracts the Following Friendly Pollinators 

While Blue Star Fern is not a traditional pollinator attractant like flowering plants, it creates a welcoming environment for beneficial insects that support local biodiversity. Its dense fronds provide shade and moisture, which helps attract small, beneficial creatures in shaded outdoor gardens.

Butterflies
Bees
Hummingbirds
Lady Bugs
Multi Pollinators
Other Birds

According to the ASPCA, Blue Star Fern is non-toxic to humans, cats, dogs, and birds. This makes it an ideal choice for pet-friendly homes, as it poses no risk to animals that may chew on their fronds. 

How to Propagate Your Phlebodium aureum 

To propagate Blue Fern, start by dividing its rhizomes during spring or early summer. Gently remove the plant from its pot, shake off excess soil, and separate the rhizomes into smaller sections, each with fronds and roots. Replant each division in a suitable pot with fresh, well-draining potting mix, water thoroughly, and place in a warm area with indirect light. Within a few weeks, the new divisions should begin to establish, showing signs of growth. 

Key Takeaways

  1. In the wild, it grows epiphytically on trees, making it well-suited for mounting on surfaces or planting in hanging baskets where its fronds can cascade beautifully.
  2. Its unique blue-green, wavy fronds with a soft, almost velvety texture give it a distinctive look, making it a striking and popular choice for indoor decor.
  3. Blue Star Fern is a low-maintenance plant that tolerates lower light levels, and indirect light and requires minimal care compared to many other ferns, making it well-suited for beginners.
  4. The blue fern can tolerate mild frost in USDA zones (8-12) and lower temperatures for short periods, making it versatile for indoor and sheltered outdoor use in suitable climates.
  5. Unlike many other ferns, Blue Star Fern has some drought tolerance and can go without frequent watering, though it prefers consistently moist soil.

The Bottom Line 

Overall, the Blue Star Fern (Phlebodium aureum) is a distinctive and popular houseplant that brings a touch of the tropics indoors with its striking blue-green, wavy fronds and epiphytic nature. Known for its adaptability, this fern thrives in moderate, indirect light and can tolerate occasional drought and lower humidity, making it easier to care for than many other ferns. While it prefers consistently moist soil, it is relatively low-maintenance and capable of withstanding mild frost, making it a versatile option for a range of indoor and sheltered outdoor spaces. With its unique appearance, air-purifying benefits, and pet-safe qualities, the Blue Star Fern is an excellent choice for anyone seeking a beautiful, easy-to-care-for addition to their plant collection. 

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Sarah Pettingill
Pawtucket, US
★★★★★ 5
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Color: Caviar PDRN
I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
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Reviewed in the United States on May 18, 2026
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Jessica Martin
Port Orchard, US
★★★★★ 5
super hydrating
Color: Caviar PDRN
I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
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Reviewed in the United States on June 4, 2026
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Zachary Bednar
Whiting, US
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
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Reviewed in the United States on July 17, 2014
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Terry Seale
Birmingham, US
★★★★★ 5
Worth viewing and studying.
First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands. "While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
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Reviewed in the United States on February 21, 2016
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Smrz
Phoenix, US
★★★★★ 5
Quintessential 50's Kubrick Noir!
Criterion continues to keep them coming. The Killing(1956), Stanley Kubrick's great noir adds to the recent influx of Criterion's recent titles in 2011, which closely follows Kiss Me Deadly(1955). What a feast for Noir addicts! Now we have another pristine upgrade of a print which greatly improves past releases in both quality as well as great special features. This time we get two jam filled discs of a very important Noir. This two-dvd special edition includes a bounty of goodies for lovers of Noir. There is a new digital restoration, which is excellent, as well as a new interview with producer James B Harris. Interviews with lead actor Sterling Haden, who is excellent in his role as the small-time criminal who plans a dangerous race-track heist with help from a corrupt cop, and an interview with author Robert Polito about writer Jim Thompson. That is just on the first disc, Disc two includes a richly restored high-def digital transfer of Kubrick's 1955 feature Killer's Kiss, new video appreciation of Killer's Kiss by film critic Geoffrey O'Brien, and a new trailer. Of course, you also get a 20 page booklet featuring an essay by film historian Haden Guest and an interview with actress Marie Windsor, which is a reprint but still quite good. Now on to the feature. The Killing was Kubrick's 3rd feature, and to most film historians, the one that put him on the map, although some people would favor Paths Of Glory which was released in the next year 1957 as his breakthrough as a major director. I beg to differ. The Killing is told in a non-linear style which many movie goers have difficulty following, even now in the 21st Century. But to lovers of Noir, by 1956 they had become quite used to it and had no problem with it. In fact, many noir lovers enjoyed putting the pieces together which to them, only added to the experience. The film displays what has become a very familiar Kubrick theme. That is the breakdown, malfunction or fallibility of man and his plans. Just as in Kubrick's subsequent films such as Dr. Strangelove and further on to 2001:A Space Odyssey which became major mainstream successes. His manipulation of time in bits and pieces differs most strikingly from 40's Noir, such as The Killers and Out Of The Past. As players inthis game are established, the film leaps backwards until all of the parts fit together like the pieces of a jigsaw puzzle. The well planned heist falls apart just like the suitcase full of money falls off a cart and scatters the bills in the wind. Just as they say, "The Best Laid Plans". In addition to Hayden, the other members of the heist, especially Vince Edwards, Elisha Cook Jr, and especially Timothy Carey, are all excellent. Most definitely, pay the extra money and get this edition. SMRZ!!!
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Reviewed in the United States on September 15, 2011

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